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madshadows

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  1. madshadows

    Hey!

    Welcome to Basschat John
  2. [quote name='fiatcoupe432' timestamp='1392340877' post='2367711'] ehy john , i know you are in london but if you decide to take a trip north , its really worth to stop at alpher !do you know who mister geppetto is? this guys are better the mister geppetto! their work is incredible [/quote] If I am ever up there I will And I didn't know who Mr Geppetto was until I googled the name Do they have a website?, cannot seem to find one ! John
  3. I'd prefer stick ons as well, 3 or 4 of them
  4. [quote name='jeweytheroux' timestamp='1392311269' post='2367193'] I'm guessing no-one plays these then? Probably a bad sign! [/quote] I bought a HB Jazz bass a month ago and it's great, don't know what these are like though John
  5. [quote name='AndyTravis' timestamp='1392319250' post='2367392'] Hi guys, anyone got experience of the Harley Benton stuff Thomann do? Got a few acoustic sets coming up and need a low b. Got to be worth a shot at £140 ish? [url="http://www.thomann.de/gb/harley_benton_hbb35ntfl_5string_akustikbass_fretless.htm"]http://www.thomann.d...ss_fretless.htm[/url] Really fancy something a bit more upmarket, like a Warwick, Furch etc, but for the use it'll probably see...it's hard to justify £800 ish to Mrs.T... Just wondered if anyone had experience/praise/horror stories. Thanks Andy [/quote] Andy I bought a Harley Benton Jazz Bass [url="http://www.thomann.de/gb/harley_benton_hbb1975_na.htm"]http://www.thomann.de/gb/harley_benton_hbb1975_na.htm[/url] about a month ago and it's terrific, they check and adjust all guitars before they are sent out and have a 30 day money back guarantee and a 3 year warranty. Hope this helps. John
  6. [quote name='Roland Rock' timestamp='1392319358' post='2367397'] Go Yodel :-D [/quote] What a great courier, no one would be able to spot that parcel, unbelievable !! John
  7. Congrats, hope it goes well for you John
  8. [quote name='tom1946' timestamp='1392186479' post='2365674'] Stunning, what are the fret edges like? [/quote] They were a bit rough but nothing I couldn't live with and after a few weeks playing they seem to have evened themselves out and are fine now John
  9. [quote name='iconic' timestamp='1392150023' post='2365409'] [url="http://www.thomann.de/gb/topseller_gieb.html?sid=2a3c2a5cd0eed3608bb683580a9a260a"]http://www.thomann.d...bb683580a9a260a[/url] 'tis a Harley Benton frenzy in the top 20! [/quote] The bass I bought a few weeks ago is at #2 John
  10. I bought this a few weeks ago and it's a fantastic bass, great pups and neck and it's lovely to play [url="http://www.thomann.de/gb/harley_benton_hbb1975_na.htm#bewertung"]http://www.thomann.de/gb/harley_benton_hbb1975_na.htm#bewertung[/url] John
  11. Ask your co-workers to chain you to your desk during the shops opening hours, problem sorted John
  12. If it felt right to quit then it was, now you can concentrate on finding something that makes you happy when playing and performing, good luck John
  13. Both of those basses are beauties, you are lucky boys John
  14. I think you are just trying to find the perfect partner for your Clover 4 string ! Keep hunting you'll find it in the end John
  15. [quote name='Beedster' timestamp='1391856788' post='2361988'] I've no doubt that this isn't 'the best' Precision Bass, or even the best Yamaha Precision Bass, but I can justify my enthusiasm in pretty clear terms. I have - as the pages of BC will testify - owned an awful lot of basses, mostly the work of, or derivatives of the work of, Leo Fender, and for a brief period some by Ric and Modulus. Whilst I've often gushed about nearly all of them, and whilst most of them were very good instruments for what they were, all had limitations if I looked beyond the 'what they were' argument. By this I mean that my c64 and v63 were outstanding Rics and outstanding instruments, they did the Ric thing incredibly well, but there are times at which the Ric thing isn't right. Likewise most of my Precisions did the Precision thing very well, but on occasions I needed a little bit more. My late '90s Modulus Flea was the most playable and powerful bass i've owned, but it's core tone was a little Jazz/Stingray, when the core tone I look for is more Precision/Ric. In short, for a long time I've been looking for a bass that is more than what it says on the label - Precision, Jazz, 4001, Ray or Flea. The obvious approach given my preference for the Precision tone has been to look for a good P/J. Probably the closest I got were Sadowsky P/Js but they just didn't quite do it, I found the J-PUP a bit tame and needing a lot of active grunt to make it work alongside the P-PUP, and to be honest, I prefer passive instruments. The Fender Roscoe Beck was amazingly versatile for a passive bass, but despite all that I read about it on here and Talkbass, I couldn't really get the Precision tone I wanted out of it. In fact I wanted this. 1. A core tone very close to that of a traditional Precision (like most - but not all - of my Precisions) 2. Versatile (like my Bongo, my Wals and my RBIV) 3. Simple controls and circuit (like most of my Precisions and my Rics, unlike my two Wals) 4. High build quality, structurally and functionally 100% reliable (like my Wals and Sadowskys) 4. High playability (like my Modulus Flea), 5. Passive (as were most of my Fenders, and my Rics, I just don't really like active instruments as much as passive) 6. Classic looking (like most of the above, unlike the Bongo) Now the Yamaha ticks all of those boxes, and it's the first bass I've owned that does. Moreover, unlike any P/J I've owned, not only is the J-PUP powerful and sweet soloed, but it works incredibly well with the P-PUP, producing a tone that is unique yet highly useable. I think it's fair to say that with pretty much every P/J I'd owned previously, I'd use the P-PUP for some songs, the J-PUP for others, but rarely the two combined, in fact on many P/Js the combined tone is weak to the point of being unusable, or with some active basses, too synthetic for my tastes. On this bass - as was the case with my c64 - I start with both PUPs on full all of the time with the tone fully open, and make small changes from there. In fact, a huge amount of the versatility of this bass comes from the power of the PUPs, which really respond to what my hands are doing, and the sheer playability of the thing, meaning that I can get the hands in question to be a whole lot more expressive and versatile than on many other basses. And over and above all of this, it's built like a tank. Furthermore, and interestingly to my mind, whilst it feels and plays like a £2500 bass, it looks like a £500 bass. This is the opposite of a few Fender Custom Shop basses I've played which looked like £2500 instruments but felt and played like a £500 model. I don't like gigging with basses that look really valuable, so I find this an asset. All in all, as basses and me go, this is as good a pairing as I've had to date. Of course I'm not naive enough to say it's 'the one', and even if it was, things change. I am however bloody happy with it C [/quote] Really enjoyed reading this post, great explanation of what you want from a bass and how the new one fits your criteria, glad you are enjoying your new twang thang John
  16. Welcome aboard Mikey John
  17. Welcome to BC Pasha John
  18. [url="https://www.kickstarter.com/projects/gruvgear/gigblade-a-revolutionary-side-carry-hybrid-guitar"]https://www.kickstarter.com/projects/gruvgear/gigblade-a-revolutionary-side-carry-hybrid-guitar[/url] Anyone pledging for this?, good idea for a company to develop a product in this way?, Looks a great idea for carrying a guitar/bass easily IMHO John
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