Jakester

Thanks

Thanks!

Never mind the amp, can I have a copy of this please!

I use a Snark clipped to the bridge of my EUB - IIRC you can swap between ‘Mic’ mode and ‘vibration’ mode - set to the latter its been fine.

Thanks, I’ll give him a call.

Does anyone know if a source for single DR Neon strings? I’m considering stringing my 5 E-C but it has Neons on it and I don’t want to have to buy another 6-string pack just for the top C! Alternatively, if not, can anyone recommend a good source of single strings that would work with the DRs?

Citroen DS thingy is my guess?

I use the Bigshot I/O - I went for that as it was reasonably simple and had the level adjust one one channel (as I was using one active and one passive bass at the time). The only downside with it is that there’s nothing to show which channel is selected, so if you fall over it at a gig there’s a frantic few seconds of stomping to figure out which channel and whether or not the mute is on. I speak from experience there. I gather the newer ones have leds.

My main instrument is drums and I used to play a lot in small jazz ensembles. The best bass players I played with used to drive the band, and I used to pull it back. Nothing that was noticeable to the audience, but I’d always hang it back in ‘the pocket’ and that’s what gave us the right feel. In your situation I’d try to drive it and ask the keys to pull it back - keys can fill a lot more, particularly in the more Latin stuff. Not sure if that helps or not!

😂 I’d say there’s probably not a lot right with it, but you’re very kind! I’ll check it out tonight. Thanks both.

I acquired a Stagg EUB a few months ago. I’ve replaced the strings and I’ve been working through some the stuff I played on electric - basically concert band/swing stuff, and can just about get to the end of a piece without my arms falling off or my hands cramping. That’s progress! One thing though I really find myself struggling with is ‘faster’ pizz sections. I say faster, I mean faster for me i.e. probably anything more than a repeating 1/4 note figure! I've consciously worked on using the side of my index finger to get that fuller sound, but the minute the part gets quicker I look down and I find I’m playing with fingertips a’la electric bass again, particularly on the D and G strings. Any advice to eradicate this? Is it just practice?

So you’re promoting your site?

I have a Boss Bass Chorus which does the job pretty well. Bought for that one 80’s soft rock tune in our set!

80’s soft rock, in my experience.

Yes, but is he *really* happy?

Ah, a bit far for me then! Good luck!

Hi, whereabouts are you and what’s the surrounding area as far as you’re concerned?

My first band PA was one of these: https://m.ebay.co.uk/itm/Mackie-Stereo-Mixer-amplifier-model-808S-1200watts-2-x-600W/254255797645?ul_ref=https://rover.ebay.com/rover/1/710-53481-19255-0/1?ff3=2&pub=5575376664&toolid=10001&campid=5338268676&customid=EAIaIQobChMIg--7_ajx4wIVQ7DtCh2MsQRLEAQYAiABEgLj-PD_BwE&lgeo=1&item=254255797645&srcrot=710-53481-19255-0&rvr_id=2067883367674&rvr_ts=6d33521316c0ac3c6fd08598fffdf535&_mwBanner=1&_rdt=1&ul_noapp=true&pageci=2697c901-f276-4226-929c-331abb7a7ab5 We also used a pair of very old 15’s and it was great. Replaced the 15’s with a pair of passive 12” mackies and it we perfect as a vocal and occasional keys PA. Add a sub and it’d be fine for small/mediumish venues. Oh, and a powered wedge monitor which was cheap as chips.

He looks delighted! I once suggested as much on a forum about a prominent endorser and I got a very interesting (and polite!) email direct from the guy, who explained that once you reach that rarified level, its as much about the artist support than the actual gear per se, so company X may be able to offer greater logistical support than company Y, even though to the outsider their products don’t seem ‘as good’.

Can you use the TC preamp and the Quilter as a power amp?

Sounds about right. Wait until you have to supply all back line, pay for the rehearsal room and drive the band to gigs - then you’ll be getting the full experience! 😂 (apologies if I come across as bitter - I’ve been in bands for 25+ years and have spent a fair proportion of that with time wasters. For a positive spin, I found one of my current bands on JMB, albeit I knew one guy in a different context, and they’re all committed and it’s going well, so it does happen!)

I saw this one this morning, where he makes a Flying V out of gobstoppers and acrylic:

Good luck! It took me a while (and lost of auditions) to realise that if something isn’t making you happy, don’t do it. What I mean by that is you’ll probably go through some band iterations or different groups where it’s just not working - and you’ll probably know that fairly early on. My advice is rather than slog at it unhappily for months only for it all to fall away, cut your losses early and move on - eventually you’ll find something that works for you and you’ll be all the happier for it! Unless you’re looking to make a living from playing music, the main reason we play is for enjoyment - if it’s not fun, move on!