-
Posts
2,700 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Shop
Articles
Everything posted by skej21
-
[quote name='lapolpora' post='1130492' date='Feb 17 2011, 12:26 AM']Don't wear your Arsenal shirt [/quote] Yeah, good point. If you do, things might get Messi *sorry, i couldn't resist*
-
[quote name='dood' post='1132645' date='Feb 18 2011, 07:36 PM']That's not the same time as Sax player Garrat Broke was it? I thought they did work together as Still Broke, Norfolk n Tallent.[/quote] Wasn't this shortly before reknowned (and very under-estimated IMHO) percussionist, Homer, decided to leave? It's a great shame to lose such a great instrumentalist, but they continue to be fantastic as Homer-less, Still Broke, Norfolk n Tallent!
-
Some really cool relicing you've done there mate
skej21 replied to Soloshchenko's topic in eBay - Weird and Wonderful
Someone got carried away with the cheesegrater! -
Just because it's related and usually quite an eye-opener, have a watch of this! *be warned, you will hear lots of things out of tune immediately after listening to this and/or if exposed to it on a regular basis * [u][b]ALSO, DO NOT PLAY ALONG WITH IT OR YOU WILL MAKE YOUR EARS BLEED! [/b][/u]lol
-
-
[quote name='Mog' post='1125950' date='Feb 13 2011, 02:05 PM']I dont get that bit? If you can do it on piano then you can do it on bass. Just use the same approach.[/quote] If you can write a killer bassline on the piano and then mimic it on bass then I agree with this. If you're writing basslines as a pianist on the piano, then I'd question whether you're giving the lines enough attention. Some of the most boring, unmusical and unnatural basslines I've ever played on reading gigs have been written by pianists. I always change them and improve them, because pianists tend to write simple basslines so that they don't take up all of their concentration trying to play something rhythmically/melodically complex on the muddy end of the piano They also tend to write lines that feel unnatural to play on a bass due to the fact that they often don't account for positioning etc. If that is the case, then try and get away from the piano as much as possible and (as someone else mentioned) try and work out a bassline from feel [u]on your bass[/u] - starting with the rhythm first. Hope that helps!
-
[quote name='keeponehandloose' post='1125782' date='Feb 13 2011, 11:08 AM']The main concern we have is getting a good mix to be played loud by DJ's, my opinon is that if there is too much sub bass in the mix it will not translate welll at louder volumes,so I would tend to go for a mix that may be a bit less bottom heavy. Or am I talking sh*t.[/quote] Personally, I'd be more worried about the fact that vinyl is very easy to break in transit (which means you'll have to have more pressed to cover losses in transit, therefore paying out more money) and the fact that nowadays, vinyl is quite a niche market so you're likely to put a lot of people off who like to buy a tangible, physical product but lack the equipment to play it. There's a reason that WAV/Digital media is considered a technological advancement...
-
[quote name='cameltoe' post='1125458' date='Feb 12 2011, 09:23 PM']Is this still here? I'd have one over an American Standard! I prefer the necks by a mile.[/quote] + 1000000000000000000000000000000000000000000 Got the black version of this and it's immense. Neck is better than US IMO too. I saw this ages ago and I've had to talk myself out of buying it numerous times (especially as I was in Stockport last weekend!!!) as I really don't NEED it Someone will get a MASSIVE bargain with this. Stunning bass for the price.
-
Totally agree with Doddy. It's all about technique and your own style coming from that. If that wasn't the case, all the famous players wouldn't keep switching amps/endorsements all the time. People who spend such silly amounts of money crafting a specific sound, appear to do so as a way of searching for the missing character/style in their playing, mistaking their playing style for some "sound" that only money and high-end rigs can create. Like Doddy said already, "the sound in your head" should come from your fingers and should sound like you on any bass/rig. Then you can use your rig to refine what you already have by using slight tweaking (i.e. some EQ tweaks or altering compression slightly) to play on any idiosyncrasies of your gear.
-
[quote name='stingrayPete1977' post='1122910' date='Feb 10 2011, 05:29 PM']That's the irony isn't it Lojo, Being too busy playing to learn how to read which is part of the against reading camps argument but I still think a basic knowledge for jotting down songs and riffs would help especially in the situations your in now with 40 tracks to learn.[/quote] I agree. Trying to quickly transcribe the tracks you're learning means you can use the notes as prompts in the first few rehearsals and transcribing lines is a great way to practice your reading without sitting down and playing through already notated pieces.
-
That's a great looking flightcase! The orange laminate is a particularly nice touch. Money well spent IMO. I have a feeling this may start a trend!
-
[quote name='Brother Jones' post='1110151' date='Jan 31 2011, 09:10 PM']God the playing in that video is abysmal - reminds me of me aged 17.... Lovely bass though.[/quote] God that comment for that video is absymal - reminds me of an immature and cowardly yet HILARIOUS 11 year old (LOLZ... ROFL?) Lovely bass though.
-
The playlist is amazing, but I keep finding myself drawn to 'Show Me The Real You'... The other tracks in the playlist are incredible, but as an avid following/fan of Pino, I think that track in particular captures something REALLY magical in Pino's playing. That track would be nothing without Pino's part in it.
-
[quote name='Doddy' post='1119500' date='Feb 7 2011, 09:32 PM']It's because you are playing with the wrong guys.[/quote] And probably spending too much of your time obsessing over tone.
-
[quote name='Stuee' post='1118151' date='Feb 6 2011, 07:48 PM']Unfortunately I couldn't read the whole introduction on the website. After the 4th time they used that dreadful American habit of referring to people as things (artists [i]that[/i]..., players [i]that[/i]..., people [i]that[/i]...) I gave up. Objects are [i]that[/i]s, people are [i]who[/i]s, if that's OK with you, America. [/quote] YEAH! I hate people that do that... Sorry, it had to be done
-
[quote name='tino' post='1117677' date='Feb 6 2011, 02:09 PM']Totally Agree......................................even got a fiver for me muvva...bless her. Every thing has its price.. YEP EVERYTHING For sale genuine 1965 USA Fender Jaguar with upgraded pups & 51 Esquire with Callaham modifications or 71 USA Telecaster..................IF the price is right [/quote] IMO I disagree. My main jazz bass has no price. It's sentimental value and the emotional attachment I have to it (and the link to the person who bought it for me) really does not have a price. It will be with me forever. End of.
-
Yup, count me in too. Always nice to help a fellow basschatter in such things
-
I totally agree about the local wildlife thing. Cats are designed to stalk and kill prey. Most of the local cats where I live are often killing young birds, rabbits and other creatures and it's entirely down to irresponsible ownership (in my particular area, obviously not in ALL cases)... I say this because every cat I've seen killing birds and rabbits etc around our area does not have a bell on it's collar. A responsible owner should put a bell on their cat's collar so that it will give an ample warning to prey so that they can (hopefully) escape.
-
Added the following tracks/players: The Roots feat. Erykah Badu - You Got Me (Bass by Leonard 'Hub' Hubbard) The Roots - The Next Movement (Bass by Leonard 'Hub' Hubbard) D'Angelo - Brown Sugar (Bass by the one and only Pino Palladino)
-
Do you have a cat like this one? If you do, I'd be interested in taking him/her in (and maybe giving them a few lessons lol)
-
[quote name='simon1964' post='1109759' date='Jan 31 2011, 05:43 PM']In the wake of the Andy Gray / Richard Keys controversy, perhaps Musicpeople is safer?[/quote] Surely 'music' discriminates against those without any musical ability whatsoever? How about 'Soundpeople'?
-
[quote name='yorick' post='1109435' date='Jan 31 2011, 01:38 PM']Musicman Basses[/quote] Definately this, but why don't we just make it up anyway? Music blokes?
-
Own up, did you think your bass/guitar was plastic?
skej21 replied to waynepunkdude's topic in General Discussion
[quote name='rOB' post='1107540' date='Jan 29 2011, 07:25 PM']agreed. I remember my first instrument was a clarinet that was definitely made out of plastic, still made a wonderfull "woody" noise. Didn't realise it was plastic until I switched to a new school band at about 13/14 and another kid who had a "proper" wooden instrument turned his nose up at mine and made me feel about 2 inches tall. [/quote] I think a "plastic" family in the orchestra to replace the "woodwind" would definately be an improvement... -
I remember the days when Thomann used to be quite reasonable with pricing, but 899€ is just a joke. Maybe Sue Ryder might start doing a version?
-
Just had to add this to the list. Damn Aggy and their AMAZING gear! [url="http://www.aguilaramp.com/new_products_cabinets_sl410.htm"]SL410[/url] EDIT: Forgot to add the obligatory *DROOOOOOOOOOOL*