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TheSwing started following GENZ BENZ AMP SAC. Price dropped
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GENZ BENZ AMP SAC. Price dropped
TheSwing replied to gary mac's topic in Accessories & Other Musically Related Items For Sale
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Matt_gtr76 started following TC CORONA CHORUS £50 Delivered
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FaitalPRO 12PR320 12" X 2
JPJ replied to JPJ's topic in Accessories & Other Musically Related Items For Sale
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Here we have my DBX DriveRack PX professional loudspeaker management processor with matching DBX reference microphone for sale. I am the second owner, and this has lived in a flightcase all its life alongside my mixing console. Condition is used, although the reference mic was new this year (2025) has never been used in anger. A great tool for those of us who mix live sound from stage side whilst playing. I’m only selling as I have now upgraded my bass bins to a matching pair to my tops so will be using the internal crossovers to cut down on the weight of gear I shlep to gigs. Because I am inherently lazy, I asked ChatGPT to describe the functionality and this is what it came up with, which sounds accurate to me based on my experience. “The DBX DriveRack PX is a professional loudspeaker management system that optimises live sound systems. It combines automatic room tuning, crossover control, EQ, dynamics, and feedback suppression in one rack-mount unit. Using the included DBXRTA-M measurement microphone, you can run auto-EQ and real-time analysis to tailor your speakers and subs for smooth, balanced frequency response in any venue. Other key features include configurable crossovers, delay alignment, compression/limiting, and feedback elimination, making it ideal for PA systems, bands, DJs, and event sound setups.” I’m looking for £300 for the DriveRack and reference mic, or £250 for the DriveRack and £50 for the microphone. Collection from Killingworth Newcastle upon Tyne, or delivery at the buyers cost and risk. Any questions, please ask!
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Here is a collection of Kalium strings. I stocked up on these years ago when I was using them on all of my instruments but I've now moved onto Elixirs. Without bringing up recent controversies, these were bought before Kalium (formerly Circle K's) quality control seemed to nose-dive. I have two full sets of balanced tension strings in Hybrid (proprietary alloy... brighter than nickel, smoother than steel) and 6 steel singles: Hybrid set: 102-76-57-41 Hybrid set: 106-79-59-43 Steel singles: 98 x2, 73 x2, 55 x2 + 1 Single Elixir Nanoweb Nickel .135 B string. All in for £40 £30 £20 posted. Thanks for looking!
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Belka started following It's "for charity"
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During one summer in my university years (sometime in the late '90s) I thought I might switch from my usual pub work to do something else. I applied for, and was offered a job as a charity collecter - or what these days would be termed a chugger. Each day was a different pitch and a different charity. The deal was that for each pound collected, I kept 80p. another 10p (at least this is what I was told - it could have been more) went to the company organising us, and the last 10% to the actual charity (although how much of that actually ended up paying the salaries of staff at these charities and how much went to the intended recipients is another matter). I lasted two days - even as a money hungry 19 year old I could tell the whole thing was rotten. It was essentially high pressure sales, but with a bigger commission and no basic rate. That soured the whole meaning of charity for me for a good few years. Of course, perhaps, things are better now and not all operators are perhaps so cynical, but it is as you say, a business. As a musician, our function band has done one or two charity gigs. We made sure we got petrol money and a meal, and it was a better use of a Saturday night than sitting in front of the television, but the 'exposure' never lead to any gigs.
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I am finally becoming part of this comunity
PaulThePlug replied to Carlos-JC's topic in Introductions
Something Fishy about all those basses... -
Swamp Ash Prototype. This is the one I thought I wouldn’t sell! It is a 2001 Electric bass with Swamp Ash body and Maple/Rosewood neck with bird inlays. So here is the special bit. When I saw it for sale at Absolute Music I thought there was something unusual about the serial number. I contacted the support team at Stevensville and here is the story. When Mr Smith has an idea for a new guitar model he keeps either the prototype or one of the production models and keeps them in the factory music room. The design for the EB4 had been settled and was in production but he wanted to try a Swamp Ash body, this is the prototype. It was not initially issued a serial number and only when a smart broker convinced PRS to sell some of the guitars in that room that this one made the cut. At that point it was issued the serial number 150. This is easily established by contacting the Support center at the factory. I have one of the production Swamp Ash models which was the first EB 4 I bought. This model is pretty much NOS and is mint. The only thing apart from cleaning and periodic playing is fitting GHS flatwound 105 strings which IMHO brings out the true tone of the SwampAsh body. I really dont like the idea of sending it so would prefer a meet up or collection and trial first hand. It really is special instrument and worth every penny of £1500 especially safe in the knowledge that Mr Smith himself thought it good enough to keep.
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Maybe I don't know, I don't use them. But its worth trying to rule out what is causing the issue. Does the AH have an external power supply or a proper plug?
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Woodinblack started following Yamaha DX11 synthesiser and A faithful replica of the Gibson lo-z bass humbucker
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A faithful replica of the Gibson lo-z bass humbucker
Hellzero replied to Basvarken's topic in Bass Guitars
Does the pickup come with an output transformer as circa 250 Ohms will be a challenge to use with traditional amps? -
MONO M80 bass gig bag in Excellent Condition: no rips or tears, all zips intact. Semi-rigid, lightweight with plenty of storage. - Suitable for most electric basses e.g. Fender, Ibanez, Warwick, Sandberg, Musicman and Yamaha - Hybrid case with ABS headstock and body protectors - Water repellent Sharkskin surface material with sole and seam reinforcements made of industrial rubber (PVC-free) - Clip/Tuck strap system with chest strap - Special accessory pockets with cable retainers - D-rings for attaching optional MONO Tick case - Steel riveted, reinforced handle and straps - Incorporated Headlock system protects headstock and machine heads - Protectors prevent damage to body and strap button when dropped - Transparent plectrum pocket - Extra strong, tear-resistant nylon material - Extra soft inner material Internal Dimensions: Total length: 121.9 cm Body length: 55.9 cm Lower body width: 36.8 cm Upper body width: 31.8 cm Height: 7.6 cm External Pocket Dimensions: 27.9cm x 36.8cm x 3.8cm Weight: 6.2lbs (2.8kg) Only £140 (retails at over £200). Collection from Bournemouth BH6. Happy for buyer to arrange courier. MONO Tick accessory case (in As New condition) listed separately.
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The DM610 is a large bookshelf/standmount speaker from renowned hi-fi brand B&W, featuring a well-braced 30-litre sealed cabinet with 8-inch mid-bass driver. The larger driver and extra cabinet space create a much better low end range than from most similar speakers. This model allows for either bi-wiring or bi-amplification. These speakers present clean tight bass response, surprisingly clear mids for such a large driver and the pleasant highs that the well-designed B&W tweeter at that time was famous for. They can be driven quite loud, enough for the physical effect of the bass to be felt without audible distortion or a sense of sound compression. Both speakers are in Very Good condition, especially for their vintage. All-original, complete with full grilles (one of which has a small hole, shown in the final photo). Only £125. Collection from Bournemouth BH6 preferred. Here comes the science bit… Type: 2-way closed, shelf speaker Colour: Ash black veneer Dimensions: 490 x 236 x 303 mm (H x W x D) Weight: 7.8 kg Recommended amplifier power: 30-150 W Frequency response: 70 - 20,000 Hz (±2 dB) Crossover: 2500 Impedance: 4 Ohm
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I'm not stupid, it's my stupid Rickenbacker that's stupid, ok?
Woodinblack replied to mowf's topic in Bass Guitars
I was referring to the positioning. Ultimately any passive circuit unless you are using rick-o-sound the tones affect the other pickup. Gibsons are far worse because the volume affects the other pickup too! -
Oh, I so need those! Our speaker stands get yellow/black hazard tape stuck on the front-most leg for some gigs.
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You get those AJD lit up speaker stands, looks like that: https://www.gear4music.com/PA-DJ-and-Lighting/ADJ-Colour-Stand-LED-Speaker-Stand-With-LED-Legs/27VU
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Yamaha DX11 synthesiser
Woodinblack replied to bass_dinger's topic in Accessories & Other Musically Related Items For Sale
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Denis LP joined the community
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dazza b started following Ampeg Venture V7 amp review from a blind player's perspective
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Ampeg Venture V7 amp review from a blind player's perspective
dazza b replied to JGSpector's topic in Amps & Cabs
Fantastic review, thanks for taking the time to write such a detailed overview, helped me make my mind up on the amp! -
Fender Japan Jaguar Bass 2004/5 Active CIJ - Hot Rod Red £750
Denis LP replied to FerDeLane's topic in Basses For Sale
- Today
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A faithful replica of the Gibson lo-z bass humbucker
Burns-bass replied to Basvarken's topic in Bass Guitars
It’s a hand made artisan product. That’s probably a fair price. Well done got following through on something like this and doing what you. Best of luck with it! -
Spodiddley started following Vanderkley 210 NMT 8ohms - For Sale - £475
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Great-sounding bass cabinet in excellent condition, complete with a brand-new £75 branded cover. I bought this from here a few years ago, and it has served me extremely well. I’ve recently moved to a pair of Barefaced 110s, so this cab is now surplus to requirements. The cabinet is in excellent cosmetic condition, has been lightly used, and is in perfect working order with no issues. Power handling: 600W @ 8 ohms Weight: 17kg Tone: Big, warm bottom end with plenty of clarity Use: A few jazz gigs and home/practice room use only This is a sale only — no trades, please. Collection only from London SW13.
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I agree with some of what you say, but I don't regard gigging as a "privilege". I'm experienced/good enough to be worthy of my place on the stage. Whether people like what I do is another matter, of course, but that's their choice. It doesn't alter the fact that I do what I do competently. For much of my life, music has been a sideline that earns me extra money, although I have had a few periods during which it was my sole source of income. However, I wanted to be able to pay a mortgage, have a family, etc, so I kept a day job for the majority of the time. I also made it clear above that I'm not opposed to turning out for charity, so it's not a case of saying no to charities and focusing on paid gigs. I make monthly donations to a few charities and am happy, provided the cause is one I have sympathy for, to turn out and play for free on occasion. However, the fact that my band may be willing to give our time and effort does not entitle people to treat us without respect. Covering basic expenses (we're not talking 5 star hotel stays and expensive dinners) is part of that respect.
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Black Coffee started following Kala U bass 5 string
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Here we have a Kala U bass 5 string solid body which has the Kala gig bag which come with it. These are just incredible for their size and punch well above their weight in sound and this 5 string version is excellent. Light, compact and so easy to play, just needs a new home where it will be played more. Plastic still on pick guard, so it’s just about immaculate at less than half the price. I have the box it was shipped in so can post it - UK only though.
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I dismissed any Bluetooth headphones because of the latency problems when using them for practice, I've managed to repair my old Audio Technica ATH WS-1100's, so far the glue is holding
