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  2. Yes bud, they are. I just happened upon them last night as I was searching for some other bits. Kinda forgot I had them..
  3. Not sure if these have been posted on here yet but these are relatively new and have a PJ config. Visually not my thing but they might do it for some. https://www.gear4music.com/Guitar-and-Bass/Hartwood-Delta-Bass-Guitar-Sunburst/6PQE?origin=product-ads&gad_source=1&gad_campaignid=22258054978&gbraid=0AAAAAD_kjLS6ifX4TqRvnxg_qAh17C6OC&gclid=EAIaIQobChMIm9ba5JPYjgMVvopQBh00CAoqEAQYBCABEgJM6fD_BwE
  4. Hi Gang! Hope everyones good. Putting my Ashdown rig on sale - this is from December 2024 so 6 months old basically and can prove it. Working perfectly and taken out to rehearsal just 3 times, but going digital with the band (Anagram + IEMs) so no use for this sadly. The head comes with cover, mint. Cabs with minimum scratches - enough to feel them with a nail but not cut thru the tolex - I can still remember the trip where this happen and facepalmed myself. Cabs are about 14kg each or so, can carry the whole rig two handed. Tweeters on OFF/MID/Hi on both cabs. Would prefer selling as a rig. If separate: RM 500 EVO III head £400 w/ cover ABM 2x10 EVO IV Pro Line (not the compact) £400 ABM 1x15 EVO IV Pro Line £350 Take the whole rig for £1k and I'll add the foodswitch and cables too. NOTE: Decoloration is only because of having wiped them with a wet cloth to clean the scratches for more accurate picture - they are black all over and even of course.
  5. jimfist

    Valeton GP-5

    This is based on Leo Gibson's video review of the pedal and the Sonicake multi-fx that does NAM loading, citing latency and null-testing. The latency by itself is ok, but at the high end for most modelers, which try to stay around 2 msec. Larger point being that if you were to use modeling for a pro-level endeavor, you'd likely use something else with a known better pedigree. It is what it is. I say that if it works for you, it works for you...the rest be damned.
  6. I've come back to the fuzzmo after a fair few years, seriously excellent fuzz that does heaps. Think you might regret selling it mate. Glwts
  7. No issues. Any questions, please let me know. Shipping available.
  8. Nightclubbing is a great album. It's Sly and Robbie and amazingly the accordionist on Libertango is also on the theme to Last of the Summer Wine! Great cast of characters on this album and Warm Leatherette
  9. No issues. Any questions, please let me know. Shipping available.
  10. Yeah, also seems to be very crisp and clear. Might have to sharpen up my technique a tad... 😳
  11. Came on a bass I just bought. Unsure how much use they had, but sound good and silks in reasonable condition. Tension feels like the ones I have on another bass so pretty sure they’re the JF344 cut for a P bass, at least 3 windings round the post. £35 delivered to mainland UK
  12. They're a lovely amp - not big power but usually enough through the right cab(s).. Mine seems to have no problem working at 8 ohms on the 'extension' output although it usually works at 4 ohms on the 'main' output with it's matching 2x15". The line out is after everything so it's level is proportional to the output level but it really sounds great - I have a cheap passive DI box attached with some velcro in the back so I can use it as a balnced line. Not recently but I've done quite a bit of recording using it.
  13. Looking at the Sire website, I think that is just for the mint paint finish (my least favourite). I think the flamed maple top variants are more attractive and still bound.
  14. I've got the mk1 model with the Gotoh machine heads and it's an excellent bass for the money. I regularly gig it alongside the other 2 mentioned above, both of which would cost you 6-8 times as much, and to be fair to the HB it easily holds its own. It's hard to quantify the respective pickup outputs when you can't blend them - the single biggest gripe with the mk1 model - but it doesn't bother me in the slightest. On mine I've lowered the bridge pickup a touch to give an approximate 60:40 blend of neck to bridge and treat it as the fundamental sound of the bass. (I really like those Roswell pickups too, excellent full range tone for a budget pickup). Being used to single pickup basses this works perfectly for my needs. Even with the bridge pickup sunk a little you can still clearly hear it affecting the tone so on my bass at least the bridge pickup doesn't appear to have a weak output. But at the price point I wouldn't be at all surprised to find a degree of variability in terms of hardware. Maybe I was lucky and got a good one 🤷. I have been eyeing up the mk2, especially in burgundy mist, but the general consensus seems to be the newer budget machine heads and new pickups are a bit crap in comparison to the mk1. But if you're thinking of moving yours on by all means drop me a message 😀
  15. Hi all, I'm shortly going to be stripping and refinishing a Stingray 5. I picked it up quite cheap as it needed a refinish so I am going to be sanding and stripping it myself and then sending it on to someone for a refinish - unless i sand back to the wood and it has a lovely grain then I may consider a tru-oil finish with a poly top coat for a glossy finish. So basically, the (colour) world is my oyster... what would you have? It has a maple neck and fingerboard, natural headstock and currently sports a black scratchplate. I would like to change the hardware for black lightweight options as I like black on a SR5 and it looks a bit tired. With a fresh finish, I would prefer it to look nice and new. So... i don't want a plain black or white finish, if I go solid colour, something funky could be desirable... I do like the look of the new Kiwi Green colour which is now available... What combinations look good in your book for a SR5?
  16. Thanks for stepping in and with a pic. “Contour” was the term I was desperately searching for and just couldn’t retrieve from my age addled memory! Your pic also shows what I was referring to as a belly bulge in that the body is actually a bit thicker right where you would expect a belly cut. It looks a bit odd but it works with the way the bass lies against the body on a strap. For some reason I can’t post pics at the moment, unless the file size is less than 44K! Do we have a personal attachment limit? Sorry for the off-topic question.
  17. Love to know what jazz workshop you went to…
  18. I’m a trustee with CAB here (I’m in Bristol as well) if you need me to put you in touch with anyone for legal advice. This damage is heartbreaking and I’m hoping it can get sorted for you. I guess the good thing with wood is that any damage can be repaired. Best of luck with it.
  19. https://www.campusplastics.com/campus/en/datasheet/TEDUR+L+9107-1/MOCOM+Compounds+GmbH+%26+Co.+KG/5/91e531bc Polymer that has 40 % glass fibre. Injection moldable. Cheap material, but the mold will cost quite some. Most likely easy to machine.
  20. It’s BC, ‘twas ever thus. I was just about to suggest this, whilst reading further up, but you’ve plainly already done it. I find the bridge pickup to be really weak on these, I reckon a GZR set would sort that out nicely, although it would require the fitting of a side jack socket.
  21. This one is for a close friend of mine, he offered it to me but I said I'd just sell it for him and pass it on. Great condition, just a little dusty because it's been sat in a house for a long time and not out on the road. I guess everyone knows these; a great compact 410 that's plenty for gigging and is comparatively light and easier to schlep than most 410s (it's pretty much 2ft x 2ft x 19"). I had one of these for a couple of years and if it hadn't been stolen (not this exact one, obv) I might well still have it. FWIW it's one of the earlier Made In Italy ones, rather than the later Indonesian builds. I note the Indonesian ones are around the £650 mark new, and this one's had very little strenuous use, so I think £300 firm is right, given the logistics below... Logistically I can meet up/deliver within a 75 mile radius of Manchester, I'd much rather do this than ship.
  22. Still For Sale ?
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