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  2. Supernature - Cerrone
  3. A major difference between the 300 and 400 series was that the 400 had 24 frets, and a more compact bridge with the humbucker moved further back. The body was indeed more compact because of the deeper cutaways. Some later twin-pickup ATK's switched back to the old bridge, but it placed the pickups really close together because of that.
  4. Could do an Aria SB style finish - the red stain and pale natural stripe would work really well imo.
  5. Ever buy a bass and know you will be selling it within a few hours :( 

  6. I’d say it’s more subtle, although when it’s fully counterclockwise it gets nice and smooth. The few times I’ve used it I tended use it max out on either side. Greg the owner of Celebrity Pedals is very responsive on Instagram/Reverb/his own website if you want to ask for exact specs!
  7. Update: This weekend the mould for a SR5 neck with a 42mm wide nut will be constructed. Neck heel will be 68.7mm wide @ 21 fret and 28.4mm deep. Initially the neck is for myself, a sample for marketing so it'll feature some custom options such as inlays, rosewood fingerboard and maybeeeeee fingerboard binding. No fretboard extension though because of the capstan truss rod adjustment.
  8. Thought you'd moved away from the P basses @Lozz196 Looks like a decent crowd for you too. Nice stage set up. Plenty of space. Nice one. Dave
  9. For anyone in or around London, wanting to attend the Nick Smith Memorial Show in Peterborough tomorrow, I have room in the car and will be leaving from Uxbridge/Hillingdon/West Ruislip around 10.30am. Message me if you want to be my co-pilot!
  10. Oli Foxen of Ampstack used to specialise in vintage British valve amps. Used to post regularly on here but disappeared a long time ago. You can find him on Instagram, YouTube etc.
  11. Yes, they're great aren't they. The jazz club in the pic held about 180 and I didn't need to line out to the PA. It was enough. Mind you, we weren't doing any Megadeath covers😆
  12. Pardon my ignorance, but is this switchable active / passive or just active?
  13. Bump with price drop... £75
  14. Good mornin' to ya. DoI? You're doomed! Doomed I tell ye!
  15. Thanks for the warm welcome all! I'll keep my eyes peeled for the DoI 🫡
  16. Mvave chocolate plus will do if you want a cheap alternative
  17. No cover, though there was a cover that it lived in but I've taken that now for my hartke. I can't remember exactly but it came direct from EBS in Sweden in 2019 I think about autumn time. So coming up to 6 years, been well looked after.
  18. Today
  19. For me it was jam nights and pub gigs where I met various musicians and it started from there, not just bands but making musician friends who introoduce you to others etc. However they tend to be around my age though (50s to 60s), the young ones generally want to play with their own generation! The other thing is to meet up with guitarists and drummers, so, if you're desperate check out, ads in the music shop (chatting to the staff also good), guitar and drum forums and search for the area of interest to narrow it down. Also there are quite a few ads for bassists here on BC, so maybe some are ideal or close to your preferences, so that chatting with them might lead to other musicians they know looking too.
  20. I actually prefer a direct sale, but it always depends. Maybe you can send me your ideas via pm.
  21. This is an interesting one. While I don't dislike rolled fretboard edges I sometimes wonder if I'm the only one who feels that too much is made of them from a marketing point-of-view. I'm unphased when I play a bass that doesn't have them. Maybe a solution to a problem that never was?
  22. I started depping many years ago. The first was in an 80’s band and I took over as the permanent bass player when the original left. He didn’t really leave, I think the band just got too busy for him. The great thing is he's a really nice guy and has since depped for me on the odd occasion that I haven’t been able to make a date. I’m now depping for two other bands, but I do get quite a bit of notice. Neither of them rehearse; not with me anyway. The main issue is song structure. Since the only time I get to play the songs with them is at a gig, it’s very difficult to keep track of the ‘quirks’ they’ve added into certain tunes. I generally resort to keep a very close eye on the drummer who knows the set backwards I always get a set well in advance which always has keys next to each song, but structure is the bug bear. I have a dep gig with one of them tonight. Loads of songs I haven’t played for a while. Fortunately 99% of them are in the original key, so I can familiarise myself with them today before I go out. I enjoy depping. There is something dangerous about it which keeps it fresh. Well done for stepping into it. I’m they are very grateful for your help. P.S. I get what the other guy/gal would have been paid. I wear what I like within rough guidelines. I always have an iPad with me as they do like to chuck in ones I haven’t prepped for. I have charts for 419 songs on it at the moment.
  23. That, for me, is the difference 👍
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