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  2. Call Any Vegetable - Zappa
  3. Yes but it says "Helpful" as well!! Looks like there was some sort of question and answer forum in the past where presumably people could upvote answers - or a particularly dusty place now?
  4. Intrigued???…..
  5. Desperate for funds, big drop, please buy
  6. What Value Vol and Tone Pots and Capacitor - A250k/B250k/0.047u Try a 0.1u for a darker tone.
  7. Absolute beginner, mid fifties. Been wanting to give the Bass a go for a while. Just finished a Masters so I now have the time. My fingers feel like sausages on the frets but looking forward to beginning this odyssey. I'm wondering how many hours of practice a day I will need to be competent not expert? Currently murdering ant tune on a Yamaha RBX 270 in the right hands it sounds fantastic.
  8. My .02£ I haven't literally compared them, i.e. they haven't been put in the same bass. My impression was that The Duke is way more mellow maybe, not as bright as the Classic P. Some people say, the Classic sounds more like '62 P (Custom Shop?), and The Duke replicates Pure Vintage '63, more or less.
  9. Absolutely brand new, bought to replace my Behringer P2 as it’s got the mono/stereo switch on the top and it’s passive. Well turns out I get such crappy IEM feeds I need the boost of the Behringer and I’m moving over to a wireless system anyway. XLR/TRS/TS in, 3.5mm out with volume control and mono (dual mono) and stereo switch. I was taking anything the FOH could give me and then running the 3.5mm out into the aux in of the Element to give me a little 2 channel pedalboard mixer.
  10. I love mine. The auto gain feature is really helpful. Makes it really easy to always get it right. GLWTS!
  11. It’ll take full scale, the biggest issue is the gigbag you use. I did travel for a while with a Fender Mustang in a Gruv Gear Edge and it was great. A short scale certainly won’t be sliding about in it, it’s a tight fit with basically anything I’ve put in it.
  12. Eh? Eh? Whaaa..? Did somebody mention Walnut?
  13. SGFX Beta (MK1 or MK2), whilst more coloured than the Spark, it just sounds perfect and it’s so reactive to your playing
  14. I have a RH450 and RS212 speaker cab that I bought the year they came out, years before the RH750 came along (or I probably would have bought that). I guess that was around 2010/11 and never had a problem. I basically played through it several times a week until Covid. It transversed North America multiple times. It only broke once and sounded fantastic in dreampop, garage rock, and cinematic bands once I dialled in the EQ. It could even hold it's own in what had to be one of the loudest bands NYC - we played at near-My Bloody Valentine levels. I would pull it out of storage and use it again if I returned to playing music. Maybe yours was a lemon?
  15. I just preordered one from Guitar Guitar since they’ve said they’ll have it in stock on the 8th September. https://www.guitarguitar.co.uk/product/250415439876008--darkglass-anagram-bass-amp-modeller-and-multi-effects-processor
  16. I fitted a Classic P to my Aerodynalike, but it is a tad on the bright side for me. Their Duke seems to be popular on here, has anyone compared them?
  17. All sorts of lovely. I have a Black 73 P which is totally trashed. I have often wondered about stripping it. That is a beautiful thang.
  18. Thanks Tony. There were words that look familiar there. But that is not where my skillset lies, sadly. But the conversation has started! And that is the important bit. I know that G&L do something..... capacitor across one coil.. something.... with their L1000 pickup which provides a HEFTY amount of grunt. Is anyone doing this kind of thing commercially as a drop in that I have missed? A combination of that G&L option on a Jazz could be interesting. Obv, it would not do the G&L thang, but it could be an interesting flavour. Also the Audere thang would be great.
  19. Today
  20. Vegetables - Beach Boys
  21. Well if you want a J bass……….keep checking in as I have a piece of walnut and some elm with possibly a curly spalted sycamore drop top earmarked for some Js.
  22. Jim Marshall did use some of the Fender circuits at the start, Fender's were based on the RCA sample circuits and the later Marshall's took their power amp designs from the Mullard Audio books.
  23. I have a few spare B strings only of these at £5 each plus post. Taken from 5 string sets they are loose but will be packaged well. I had posted some before, can’t find the post now but I had 4 of them up for £23 including U.K. postage.
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