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2 metres tall? It must be a bronze record!

442 Video so it’s all in one place

Well deserved. I can't think of a more iconic and influential rock star than Lemmy. He'll really brighten up that Metropolis

Wow, Guitarchat is online since 10 years: Tempus fugit...

Indeed. It looks as if the content since Jan 23 is lost, though. Maybe later..?

Ace!

I need another two basses so I can get four in each photo! 🙂

Pfft. 500 miles is a short trip in Aus. Near Brisbane to Melbourne to pick up a bass, and a pair of speakers, the latter of which I sold for enough to pay for the entire trip. 1700km e/w, driven pretty much directly, except for a couple of hours napping. It was about 50 something hours round trip. Bass was an Alembic S2.

🎉🍾 it’s back!

I bought one of the 3D printed kits from Ebay. It just needs some 25mm x 25mm stripwood and eight woodscrews. I carefully cut the stripwood, 4 pieces, to the length I wanted. All good and I used some dark mahogany wood stain I had in the garage. There was a little bit of a wobble so I unscrewed the screws slightly and pressed on two corners to try to straighten it out. CRACK! B*gger. After calming down, I used the remainder of the wood to replace the broken brackets. I also added some feet to give an angle and some small blocks to add strength. Adding the new side pieces adds 50mm to the width, and it is now bigger than the padded bag I keep my pedal board in! Here it is with the wood colour on again:

That's a rather blanket statement, that I don't entirely agree with. I like the BW and wide dispersion, and the clean SPL from reduced cone movement from the 15 operating at lower excursion. My rig is used for 5/6 string bass (B-C, E-E) as well as guitar at the same time (same gig, not simultaneously). I've yet to find any smaller drivers that I like that work as well for what my system needs are. Overall, I find what I use to be a pretty good compromise in terms of LF, SPL, physical size, weight and form factor, and these are far from the first systems I've engineered.

I did drive about 550 miles in each direction to collect a Markbass cab, but to be fair I was also going down to the SW Bass Bash anyway, so I don't know if it counts as I wasn't going there with the sole purpose of collecting gear...

Sounds good 👍 Daryl

I think this thread covers why, but full backline and full IEM/Modelling are both good and bad. The tow best live gigs I have heard were a pub gig with a band called Chicago 9 Blues band (based around Southampton I think) and Black Country Communion. One was in a PUB, the other in the Hammersmith Odeon. The blues band were clearly very experienced and using some EV 12s plus an old fashion PA amp. All instruments and the blues harp went through the backline. The vocals were as clear as a bell, each instrument has clear and in its own sonic place. Simply a good band with a great sound. BCC had real amps on stage, Three Orange AD200 stacks for Glenn Hughes, Two 100 watt Marshall stacks for Bonamassa clearly the keys and drums were through the PA. I was up in the gods, but the sound was superb. There were no props, no special lights. The whole setup was smack in the middle of the stage. It was a really stripped down gig. Clearly this gig was hybrid, although I have to accept that they may have fooled me, but they had wedges on stage and I could not see IEMs on either Hughes or Bonamassa. I saw Glenn Hughes a few years earlier at the Engine Room in Southampton. They were using a full PA with small amps on stage. The sound was awful, every beat of the kick obliterated the rest of the sound. Clearly a good sound and experience for both audience, and band can be had either by having a silent stage or full backline, and evangelists on both sides are both right and wrong.