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Yes it does

Made in Japan, well used with plenty of scratches (see photos). Plays and records really well. No whammy bar. I’ve used it for home recording and it sounds fine, good variety of sounds. Only my playing lets it down.

Thanks for your comments-yes a truly beautiful looking and sounding bass.

Maple cap neck, you say? 😍

This is a bitsa that came together recently and was up for sale in the rather overlong and complex parts sale. Late 70's/early 80's Daion body with a stunning 3tsb, Warmoth maple cap neck, pictured with a Squier circuit but I'm going to install an EMG Geezer PUP and circuit which will to all intents mean nothing will change looks-wise (EMG is also creme). You might notice there's a couple of screws missing, I'll of course sort those! I'll also include PUP and bridge ashtrays. I'll update with detailed photos later today. Courier or collection from Whitstable are both fine by me 👍

I'm going to close this thread as even I'm confused as to what I've still got and what I've sold (although most of it's now gone). I'll list remaining items separately. Thanks for your interest folks 👍

OK, thanks Tony for the reply and postcode. I should be able to do some estimation and checking of couriers later today, so will get back to you asap.

Annoyingly, I can't find my blacklight. Tone demo incoming today. This is a lot of fuzz for £45 I am telling you 😁

Thanks KP

Selling my Ken Smith BT 5. Original Smith Electronics, Pickups and Hardware Original Teardrop Hardcase 18 mm String Spacing. „Real“ neck-through of the early 90s The bass is in good condition, some Dings and Dongs. Frets are good, action is low, truss-rod works without any issues. Considering trades with Adamovic or Mattisson 33 Scale basses or partial trades with a Noble DI (I sold mine and I regret it)

Indeed. Hello 😀

Hi H = 44cm (incl feet) W = 47.5cm D = 40cm (51 P bass pic for comparison purposes!)

Yep

Price drop - now £375 posted in the UK.

I'm having a clear-out of gear I either don't use or don't use very well, these mics fall into the latter category. By 'don't use well' I mean that while I use them for voice recording, I don't really use the modelling functionality, and while these are stunning mics in pure hardware and functionality terms, a pair of SM7-Bs also work just as well for my needs. I've owned these since 2022 and they've had mostly spoken word use in that time. I bought them having already used UAD hardware and plug-ins (UAD subsequently bought Townsend Labs and these are now branded the UAD Sphere DLX https://www.uaudio.com/products/ua-sphere-dlx-modeling-microphone?srsltid=AfmBOorgjZ5kwOqTV-2uCtMPcc25_I2vJglALwqt2tpzagSQOZNPbLyK). Having read this review https://www.soundonsound.com/reviews/townsend-labs-sphere-l22 I was really excited at being able to modify mic models/orientation in post-production. But to be honest, I've never really needed to, and barely have the time to record these days, let alone to spend hours playing around with different mics afterwards. But I suspect that in a Pro or Semi-Pro studio these, and the software that comes with them, could be a gamechanger. Included with each mic is the shock-mount, cable, mic stand adapter, soft case, and hard case. I'll get some more pics up later. They retailed around £1450 each and sell used on eBay at between £800-900 so at £750 these are competitively priced, if you wanted them both I'm happy to haggle. Happy to courier or for collection/meet-up I'm also going to be moving on a few more items of studio gear that isn't getting enough use to justify staying