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Its from men I trust, and from info he has posted, when recording he goes straight into the desk without an amp.

Obviously, check with your doctor, and test it out before the big day if taking this route. In my case, it was the first time I'd played slide live. As it was a "Road to Hell" alike solo at the start, I didn't want my hands shaking.

The V3 Rumble 100 is great for practice and small gigs. For larger club gigs I'd go straight to the 800 though. It has an output power attenuation switch for low or full power, according to your performance situation, aiding with a solid tone at all levels. Part of the reason the V3's sound so good is they took on some of the tech they acquired when Fender purchases (and sadly disposed of) the fab Genz Benz company.

I have never ever seen one of these in the flesh and I can't imagine you'd get one for less than £2k... but wow. I mean... WOW! I have drooled over these for years https://reverb.com/p/ernie-ball-music-man-caprice-bass

Solopress and Helloprint are both excellent I'd advise single sided on 400gsm silk art board so you can write stuff like your mobile number on the back. Don't be tempted by gloss or matt lamination as you won't be able to write on 'em proper 😊

Such a ubiquitous tone....You feel like you've heard it for ever, guess in some ways we have. Lovely.

I'd get one of these....... (I have one ). Active/passive so best of both worlds.... https://www.gear4music.com/G4M/Fender-FSR-Deluxe-PJ-Bass-Sea-Foam-Pearl/6FEB

I have a 50p coin for the first player I see with one of these.

Yes that seems to be the direction folk are going Many heavier cabs sold off and a few amps but not so many bread and butter brands in class D Ashdown Ampeg Orange GK MarkBass

Sounds like a desperate fake piece to appeal to his Deform supporters...

The hardest part of a concern like this is finding your USP (unique selling point). Why should anyone buy one of your things instead of someone else's thing? G4M or Harley Benson are cheaper and have plenty of good online reviews; Warmoth have loads of custom options and a good rep; Retrovibe makes short scales and Telebackers or whatever they're called, they're unusual and cool; Squiers are actually Fenders so they're the original; so-and-so has beautiful quilted tops and hand-polished cherry bursts, they're pricey but worth it; [insert brand here] has a bunch of endorsements from famous players. What's your thing to separate yourself from the crowd? It might just be that you're small and have great quality, everything made to order and finished to the nth degree. It could be a cool gimmick or an actual useful feature. It could be not doing Jazzes and Ps at all but getting some custom body shapes made for you. Maybe you just have a really good instagram or youtube channel. But you gotta find something to stand out. Or you could just make a bass you like and sell it here or on ebay or wherever, then make another one.

The Eich BC112, rated at 300 Watts/4 Ohms, ICEpower module: The GR Bass One 800 and Acoustic combo, rated at 800 Wattsm4 Ohms and even 1000 Watts/2.7 Ohms, ICEpower module: And now the official data. BC112: https://www.soundimports.eu/en/icepower-125asx2.html One 800 and Acoustic combo: https://www.soundimports.eu/en/icepower-700as1.html So what is happening with the Eich (Tech Soundsystems, Tec, TecAmp before that) is that players are pushing them to their limits, because they are way less powerful than what's been abusively announced and ... cooking them.

The design reminds me of this:

Ok. I wondered how you'd tested it. All earths should be common. The 'Martindale' testers upthread would show missing/bad earths on sockets. More reason for performers to have their PAT certificates up to date.

There's one of these available for sale at the minute

It could be being driven by lightweight equipment. I initially bought a lightweight amp and kept my old one as a spare. I've now bought a lightweight 10" cab and would be looking at selling my cabs if I upgraded them, but probably keep the amp.

I have an ampeg ba115hp combo amp. It had a squeal that kept getting louder and louder. The longer it was plugged in. Anyway I fixed the squeal. Now I don't get any noise from this amp when I plug in my bass. Could anyone please help figure out where them wires should be? Thank you in advance for the help. I

Do whatever you can to remove sources of anxiety other than the performance itself - so get clothes ready the night before, have a good night's sleep (if you can), and on the day make sure all the gear is working and set up how you want it well in advance of playing.