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  2. Agreed. This and the inevitable media hype and associated stock market frenzy. One of my biggest concerns about AI other than the potential job losses is entering the a Kafkaesque world of utter babble. Phone based support has declined after covid for a lot of organisations and replaced by email. This is for sales, IT support, customer service etc. Email responses from a human are slow and inefficient compared with a phone call but when the response comes via AI we’re going to end up in a world of pain. There are limitations with a lot of the current AI systems already even if they are implemented correctly. When they are simply shoehorned in as a knee jerk reaction the end user experience will be horrible.
  3. Very true, in part because it has been aggressively marketed to those business leaders by Big Tech
  4. These posts sum it up nicely, over the next few years AI is going to make many professionals, including musicians, redundant. It's also going to mean that many of us to have our work in the public domain see that work plagiarised, often inappropriately and out of context, by the machine. Members here will find a piece of their music, text, artwork, will suddenly appear, possibly widely, and they will have no control, comeback, or royalties (there might be someone somewhere pissed off about the muppets in this thread for that very reason). And over and above that the energy consumption is ridiculous, if you really want all those lovely green fields to become battery farms in the next few years, go ahead.... We should think a little more carefully before clicking a link these days
  5. One of the biggest challenges is that heads of organisations get wind of whatever buzzwords are flavour of the month and start demanding IT departments introduce it into the company. They don’t really know anything about the technology or it’s variants nor what specific problems they are trying to solve but want AI or Cloud or feckkng RoboGubbinBiscuits and frequently bypass their internal IT teams seeing out “experts” (snake oil salesmen) to deliver the solution to the problem they haven’t yet identified. Can you imagine this in any other industry? Hello BigBuild inc were all extremely excited about RoboBlocks and how it can help in our new office block. Here’s a fat blank check.
  6. I’m in the ‘jacket covering the headstock’ camp I’m afraid 🙂. Si
  7. Bright Side Of The Road - Van Morrison
  8. And I thought I’d sussed it 😂
  9. Just woke up but at first glance: New looking neck with block inlays and a '64 or earlier decal = nope. 60s tuners? Nope. Original era pickguard? Nope. The body looks nice but wary of it all now to be honest.
  10. It's not about legally wriggling out of it, it's about recognising what is right and wrong. Illegally using someone else's trademarked property is wrong, in fact it's theft. Think about the forward ramifications of accepting this now as 'just a bit of fun'... it will normalise that thought process and when AI expands to start impacting you personally, for instance you being made redundant and your job going to AI (or someone you know), then it will be your acceptance of this that paved the way for that. AI is devaluing humanity under the guise of it all being just a bit of fun. It's also hugely preventative in the growth of real art and skills like graphic design. I personally know at least 3 people that have had to take up second 'unskilled' jobs just to keep afloat due to the impact of this kind of AI on their industry. Also, using an AI engine to justify the use of AI infringing on IP is, to say the least, ironic and I'd say very much confirms the above!
  11. side note - happy to remove this post @tayste_2000 if you prefer… I think this is my old one. A fellow BC’er borrowed it and loved it. Bought his own MkV and felt mine had a broader gain sweep - basically he couldn’t get his to go as low gain as mine. Dunno what the deal was but this one certainly has a wide gain range. I keep thinking I should buy it back but recently got a Taurus Servo and a Pork&Pickle and just don’t have the space for it.
  12. Today
  13. Traded compressors with Jim - great transaction as always - top fella too!
  14. Bossa OG-2 - Made in Japan by Toshio Setozaki (Osaka). The main Bossa Artists were Jay Graydon and Nate Watts. Olivewood, Swamp Ash, Cocobolo & Flame Maple in Excellent, All Original Condition w/ Non-Original Hardshell Case. https://i.imgur.com/X2hYPzj.jpg https://i.imgur.com/mcds9rE.jpg https://i.imgur.com/4PFv6dD.jpg https://i.imgur.com/k6N9CGD.jpg https://i.imgur.com/XcG4MKn.jpg Price is £995 firm - Cash on collection from Carlisle, Cumbria, or Bank Transfer for P&P to UK Mainland. Feedback: https://www.thefretboard.co.uk/discussion/134635/schnozz#latest https://www.basschat.co.uk/topic/63055-schnozzalee/#comment-622436
  15. I have a 1985 Jaydee Supernatural II and im wondering how the newer Jaydee basses compare to the older ones? Does anyone have experience with both?
  16. Thanks! Im still doing my research on any live performances that show the amp settings. Cheers!
  17. I mean it would certainly do it. Currently I’m a little biased as I’m enjoying having a cab sim on my DI, which I just think sweetens any and every pedal up, so I’d pair it with a Palmer DI with it’s cab sims, or the Darkglass Element (my current fav). But you won’t have any issues with it, it’s got enough power to drive a line into a passive or active di, you’ve got great tone shaping, it’s a smooth motowny sound from the get go (which all Beta’s are famous for) You might want to ask your question here as I’m clearly trying to sell you on it: If I didn’t have a JHS Punchline (and a JF Capo) I wouldn’t be selling this.
  18. 🤣
  19. Yesterday
  20. Saturday we play our first of the year. The Rhythm Guitarists last gig as he has real health problems. We are not looking forward to it as both his timing and stamina are shot. Add the lead guitarist’s tendinitis into the mix and you can see why I’d rather be at your gig than ours. can you play bass with the fingers of both hands crossed? Thought not.
  21. Hiya. Curious why this has popped up again from 2023…
  22. A full-on sound check is becoming less of an issue for the bands I'm in. We use IEMS and Line 6 stomps or Pods, so the signal is routed through a desk, which can save the settings. Once we have set up, we rely on our ability to send the right signal to the desk. The onstage sound is the most important. Once the balance is right, the FOH is just another gain stage. If I'm using amps, I just set it for the venue size. I personally try to look at all the complementary frequencies I may be competing with and set my level where my sound won't get lost. Aside from that, there is usually someone in the audience who feels the need to tell us/ me whats not sounding right
  23. Sometimes you can't soundcheck. Sometimes you can. For some odd reason the gigs where you can seem to generate more positive comments about the sound quality. Hmmm.
  24. Wrong Side of the Tracks - Biohazard
  25. Edit: on second thoughts, I'm not getting drawn any further into this. But just to say, I love all the Muppet style pictures so far. Very entertaining!
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