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QSC CP12 Active PA Speaker 1000 Watts One of two - priced individually or for a small discount if sold as a pair. This speaker is as new and has not been used since purchase. It comes with additional QSC waterproof cover for outdoor use. Very powerful speakers however I’m downsizing and selling my larger portable PA gear. Street price is £579 cheapest I can find so this is a good saving. The covers cost an extra £67. The user manual is included. I have two of these for sale. I can knock off £40 if you buy the pair. Pickup definitely preferred but talk to me if this is impossible. UK only. Postage would be at buyer’s cost and I’d need to source packaging as the boxes have been recycled. These speakers get glowing reviews in Sound on Sound magazine - https://www.soundonsound.com/reviews/qsc-cp-series I own a pair of QSC CP8s which are perfectly fine for keyboard monitoring and rehearsal PA so these aren’t needed now for personal use. Specifications from QSC below - Features Class-D amplifier with 1000W peak power output Selectable contours (presets) for quick setup Advanced DSP with Intrinsic Correction™ Superior sound quality and speaker protection Directivity Matched Transition™ (DMT) ensures uniform coverage across the entire sound field Suitable for use as a main PA, stage monitor or instrument amplifier 35mm pole mount socket Lightweight and incredibly portable Specifications Configuration: Two-Way Active Low Frequency Driver: 12'' Cone Woofer High Frequency Driver: 1.4'' Compression Frequency Response: 49Hz - 20kHz, -6dB 47Hz - 20kHz, -10dB Sound Pressure Level: 126dB (Maximum) Nominal Coverage: 75° Axisymetric Amplifier Type: Class-D Amplifier Power: 1000W (Peak) Input Connectors: 2 x XLR/TRS Combo (Line and Mic/Line) 1 x 3.5mm TRS Stereo Output Connector: 1 x XLR (Mix) Controls: Power 2 x Gain Mic Boost Push Switch 6-Way Contour Selection Switch Indicators: Power LED 2 x Input Signal LEDs Input B MIC Selected LED Limiter Active LED Power Supply: 100V - 240V, 50Hz/60Hz Enclosure Material: Polypropylene Grille: 18 Gauge Powder Coated Steel Dimensions: 516mm x 350mm x 323mm / 20.3'' x 13.8'' x 12.7'' (H x W x D) Weight: 13.7kg / 30.3lbs
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Had a talman shorty, very impressed. My daughter stole it while moving out 😅
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To be honest it’s got the same strings it came with, which I’d imagine are short scale and then cut down. The Tanglewood probably ain’t what you’re after for a season of proper gigging. Something like a secondhand Squier Mustang or Ibanez Talman etc are much better more solid basses (the Tanglewood was for my son to learn on.)
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Hohner B2 (B2A for active) or Steinberger Spirit XT2.
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Speak To The Sky - Rick Springfield
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Yes, of course, and the very best session musicians, the likes of Chuck Rainey, Marcus Miller, Anthony Jackson, Pino etc., have/had the skills and theory knowledge to ensure they knew to create interesting lines which perfectly outlined the harmony, and could listen to what the producer/artist wanted them to play and interpret that appropriately; they didn't get gain their reputations by just being 'good enough'.
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@Belka You know that the vast majority of music was recorded by session musicians who listened to a tune once, did one take, and went home?
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Gank Bass started following Jazz Bass / P Bass Parts Clearout
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Belka started following The world of depping
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Although this may be slightly outside the OP's question, from my experience of depping as well as playing with a lot of deps, I would point out that it's always good not to forget about your overall musical development/improvement. It can be exciting playing with new people all the time and flying by the seat of your pants, as one poster put it, but you run the risk of becoming a 'busker' who learns the overall form of the songs but never learns anything properly. Of course, when it's a last minute thing this is a great skill to have, but I've come across too many 'professional' deps who have atrophied musically and are only concerned about things being 'good enough' rather than doing things properly.
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Bass body 5 string.
Craig Robinson replied to Craig Robinson's topic in Accessories & Other Musically Related Items For Sale
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What do you do for strings? Short scale ok or cutting down? Tbh this for a season of busy work, to have a grab and go bag, mini bass, bdi21, clip on tuner and di cable
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Fiasco Jam - The band I decided to unretire for…
AndyTravis replied to AndyTravis's topic in Share Your Music
So an update for 2025 We visited studios and priced up recording an album… If we played everything live in a room and managed to complete 10 songs live in 2 days, we were looking at about £2000 just to record. So we bought a Mac and interface and did it ourselves… I’m getting better with video stuff and starting to push for a broader audience via social media. It’s taken a bit longer than I would’ve liked, but it’s sounding great - I’ve done some of the engineering but our guitarist Jim has done an amazing job of mixing, editing etc. so…Fiasco Jam phase 2… enjoy! -
What are your irrational prejudices? I have some bonkers ones...
Grooverjr replied to kwmlondon's topic in General Discussion
I have tried an electric MTB and found the whole disconnect between pedal stroke and forward motion very disconcerting. It made it no fun going downhill either. Fully agree on the whole 'no technical skills' problem. Ditto many of the whole lycra kit XC race bike but descend with stiff legs and arms and their weight all wrong so they can't turn or take any form of impact properly. I think riding like that is irrational, personally. -
Have replaced the pick guard on my t-40 with one closer to the original black, so flogging the one it came with as it's not really my vibe. It's machined really nicely with polished, smooth bevels and a mirror finish. Suspect it's someone's DIY job due to the little details like the holes to indicate pot position, but evidently fits a t-40 with no issues as shown. Won't be able to accept returns if it's not a perfect match on yours so is sold as seen. Happy to provide additional photos, measurements etc. Due to this being quite a niche item will also be posting on other platforms but giving you lot first refusal.
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Hellzero started following NAD: Bugera Veyron 1001M and Anyone else got one?
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I played one when of these Bond Electraglide guitars in a shop in Paris when they were released and really liked it until I saw the price...
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If this amp was fanless, it would be perfect.
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Stingray Anniversary F/S, Trade Custom shop relic Sunburst
roger replied to roger's topic in Basses For Sale
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I'm committed to Monaco cabs now. One is plenty, the second one is for when I'm running the big boxes of bottles without PA support. Rarely. Having run a Big Twin 2 for years, there's a big difference between BF and LFSys.
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Lozz196 started following Flats on a fretted Jazz bass.
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This is very interesting chaps, I’m loving my new Sandberg SL TT but would like some more Precisiony low mids, you reckon flats will help in this?
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His songs and style are so good!
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It's a superb example of Carol Kaye's bass of choice from 2002. These don't come up too often. Condition is remarkable for the age. It's even got the plastic film on the cavity covers. It's Korean-built and we know they know how to do neck-through properly. The build quality is stunning as is the grain of the ash wings. The neck profile is what I'd call slim modern J. Controls are: Vol, Blend, Treble, Bass. It's been deep cleaned and set up beautifully (med/low) with D'Addario EXL170BT strings. that's a balanced tension set. As per all my rosewood board instruments, it's been treated with Montypresso. Frets are level and polished to 7000 grit. All electronics have been checked and all pots cleaned. New battery fitted today. Truss rod is perfect. It's 4.4kg. I've got proper packaging and am happy to ship insured at buyers expense, which will be about £30. If you're undecided and fancy trying it out, I can usually accommodate a try-out with some notice weekdays or weekends.
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It's nice to feel someone understands that situation! His songs are like progressive blues, more than the blues most of us would be familiar with.
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That's why I took flats off my Jazz bass. They made it sound too much like my P bass. I don't need 2 basses with that sound. I put NYXL's on the jazz and now, after losing the twang, they have mellowed to a nice warm tone with the hi mids that the P bass doesn't have.