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Would bring a whole new meaning to the term "tone wood".

Recently ive been making use of Logic Pro's stem splitter (other programs/apps can also do this). My first point of call is usually Youtube to get and idea of how it goes. I get the track in to Logic, and then I separate the bass line from the rest of the track, and can then Solo it or mute it so I can play along with the track using my bass line.

Looks like you bgot a real bargain there. It doesn't look like it's a bolt neck from the pics, so it could possibly be a US built one.

Nice bass, screams 80s metal which is no bad thing imo. If naming it it will have to be Spiky McSpike of Spikyland.

I've always wanted an Ironbird bass but never really expected to own one. Then last week, after my after-dinner nap, I was browsing through Facebook Market place and saw one for £250, including the case. Even better, it was only 3 miles away. I immediately offered to buy it and collect it within half an hour and I did. Now that I own it, I'd like to know more about my new acquisition. I've done a bit of research but details are sparse. Also there are no real markings on the bass or in the 'bag of spaghetti' wiring compartment. How can I tell where the bass was made? Does the serial number suggest it was made in 1989? Is it right that the 'R' logo is a custom build? Anyone have any ideas on what the set of toggle switches do? The case is ridiculously heavy and well built. You could throw it off the Eiffel Tower and the guitar inside would remain intact! Any information will be gratefully received. ............. and by the way, do any of the music shops sell a prop to hold the neck up? Just wondering!

My old band, who I’m currently standing in for have just done a mini tour of Belgium & Germany with a dep. I said when I agreed to stand in no touring - plus I was meant to be working this weekend anyway. The dep was based in Germany so had no rehearsals with them yet the gigs apparently went well. Dep success story backing up your point methinks Chris.

And? LOL

It does make sense that if they were going to do a tour (as is rumoured every year) they would pick breezy sports as a platform to launch it instead of, say, a global news outlet or their own website!

My favourite P bass

Damm, I even read the linked page. I checked for humour or any sign it was fake Oh well, I got caught out. Rob

Party in the Barn. This was a ticket do with hog roast included. I'll try to be cheery about, despite missing Iron Maiden (my wife and son said they were fantastic!) So we actually had a really good gig. Nice to be working with a sound guy we knew and it sounded great. It was darned hot and humid though so I'm glad I took my fan. There were about 300 people there, around 200 of them that dragged their tables out of the barn to where there was a very slight breeze. It wasn't exactly the freshest of air though being a working farm 😂 A long, hot night but plenty of dancing. The Rumble was only just ticking over as on stage monitor as everything was through the PA

I have been in 3 bands several times. However, it is down to the individual to recognise if they have time to commit equally to all the bands. In my case the bands didn't each rehearse each week and gigs were few and far between in each of them. Which was what led me to find another band/accept an offer. Plus I would do dep gigs. So if these members are too busy to play in your band due to the workload from the other bands, then they really need to have a conversation as to whether they really do have time to be in multiple bands. Were they in your band first? ie is it lack of gigs that's made them look elsewhere. Did they join your band because you offered them gigs? OR do they just want to turn up and practice the tunes at rehearsals and are not that keen of gigging. If you're getting frustrated then speak to each one separately away from rehearsal and ask them what are they expecting from the band. Find out if you are aligned. If not, start auditioning new members and make it very clear what you're trying to achieve with the band, and what levels of commitment you want, how often you want to gig, rehearse and that you expect people to have *bare-boned the songs before coming to rehearsals. *Don't expect people to learn tunes at home and for the tunes to work straight away. Rehearsals are to iron out the arrangements.

Welcome to Basschat, where your every bass-related fantasy will be taken care of.

Perfect description 😂

The Gallery has quite a good stock. When I lived in London, I used to take a day off work and head for Bass Direct (straight up the M40, so not a bad journey) on the rare occasions when I wanted to make a major purchase. Go in the week when it's quiet and you can try stuff to your heart's content. Add a nice pub lunch and it's a pleasant, albeit pricey, day out.

We played Summerfest yesterday. There were some pros and cons. It was one of the smaller stages. However it was an upgrade from the last two years after we lost our big stage contact. It was 99° so Summerfest attendance was low. We had an air conditioned trailer with a nice supply of cold drinks. We played a 45-minute set took an hour break then came back and played another 45 minute set. The best part of the gig was we went straight from the stage into the shuttle van. That was cool. Daryl

Deps are not a negative scenario. Deps make gigging more flexible. Pick the right deps and you can have a lot of fun. You don't give your band members much credit for their ability to learn sets for 2 bands. You don't want band members to be in multiple bands, I get it, but your whole outlook on the subject is very negative.

Or as our drummer used to describe it Dan, cheesecake yellow.

It’s how Jameson get his tone isn’t it? Or did he use a stack of Razzle porn mags?

Yes, it’s a shame this happens with Rotosounds, I had it a few times with the E, no idea about G as back in those days the G was like an unwanted/unused free gift.