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Played a Salisbury Live gig on Friday at the same venue as @Cat Burrito played last weekend.

The room is quite big with a dancefloor in front of a low stage and there are tables and chairs on a gallery area up some steps (this is on the same level as the rest of the club).

There were three bands and we were headliners. Our drummer was drumming in the first band and singing in the second band so it was a little weird but we got to see another side of him and both bands were good.

There wasn't a lot of audience throughout the evening but enough for it not to be embarrassing and consider it a 'paid rehearsal'.

I'd say the fact that there seemed to be very little promotion apart from what the bands put in themselves, the venue is out of town and there's loads going on in Salisbury this weekend contributed to a low turnout.

Having said that, the evening was great fun and we got another gig out of it later this year...with a guaranteed audience 👍🏻

Back to my Airwalk Ones (worn out soles but comfy!)

Spoke to the other bands' bassist and we had a connection to a local band from the early 90s so that was cool.

Short video from the outro to Butterflies (slightly cut short 😬)

  • Like 8
Posted (edited)

The Hulla band played a 50th birthday party last night in what is becoming a regular venue for us in Port Eynon on Gower. We've played inside and outside the hall, in teepees and marquees there and, for the first gig I played with them, open air outside the fish and chip shop on the sea front back in 2022. That day we were paid in food. 😀

 

The stage was cramped but  I wanted to play my new 5 string Ibanez. I was aware that it might not be possible without repeatedly stroking the guitarist's lower back with my headstock (not a euphemism) and took my headless shortscale Ibanez as an option. But I managed to find a little spot between drums, keys and guitarist that I was able to make my own. I had planned on using the onstage monitors rather than my in ears but the cramped conditions and proximity to the drums and the guitarist's amp meant that I ended up with the IEM. Our sound man had brought the PA subs and during the soundcheck my bass was booming away but once the hall filled up and he'd EQ'd properly, the sound was good. I kept the board to a minimum - Zoom MS60b giving me a noise gate, compressor and tuner and my Ampeg Classic preamp going into a DI box and into the desk. IEMs were through my Behringer P16 via Ultranet from the desk and a pair of KZ ZS10s earphones on which I've replaced the silicon buds with foam ones for much better isolation. Footwear of choice was the lace up black Skechers which have become an intergal part of my sound.

 

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This was my first gig playing a 5 string for several years and there were a few string faux pas but nothing the derailed the night and overall I was happy with my performance, and with the 5 string. I love the narrow string spacing and neck, which suits my hands perfectly.

 

As usual, we had a lot of fun on stage and the audience were up and dancing from the first number.

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Hiding behind the guitarist.

 

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Edited by Franticsmurf
  • Like 9
Posted

Played at the North Bar in Peterhead last night with Nine Lives.  Bit of a weird one.  A venue we've never played before. An area so wide, but with paths customers will take across where the cables to the PA speakers have to go, so I spent most of my time sticking cables down with gaffer tape. Really going to have to investigate using wireless bugs to get the signal from the desk to the PA speakers for places like this in future. Rushed setup as a result, and we were a bit late starting. And after all that effort, it was pretty sparsely attended - in the first half we ended up playing to 4 (four) folk plus the bar staff. "Paid rehearsal" came to mind, but thankfully some people came in later on and it was better in the second half. On the plus side, the sound was good, and the SB-2 performed admirably, with the Wunkay seeing out the second half. I do love my G&Ls. MFD FTW.

 

Gear was the fantastic MFD brothers (G&L Tribute SB-2 then Wunkay) into the usual Markbass cubes of low frequency.  Please excuse the terrible photos, my phone was having a 'mare focussing, it would seem.

 

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