dave_bass5 Posted 1 hour ago Posted 1 hour ago A few more. Sadowsky DI. Does it actually do anything? Had it and quickly sold it after finding out it was pants. I read so much about how among it is, maybe mine was broken 🤔 KZ IEM's. Didnt like the sound, didnt like the fit. More drivers the better also seems to be a myth. 1 Quote
fretmeister Posted 1 hour ago Posted 1 hour ago As it happens I really like old flats for rock and metal too. As the guitar sounds have become higher gain, seemingly year on year, adding the now so ubiquitous Darkglass type bass tone just seems to make everything thinner and fizzier. I've been writing and recording with a mate and the guitars sound ace and he wanted a DG bass tone. So we spent a solid day trying all the presets available in the Neural Parallax plugin and then tweaking them and it was getting worse by the minute. Completely lacked any balls. It got a bit better when I swapped to a flats bass as the fizz from the top disappeared but it was still bad. So I went for my Helix instead with a slightly dirtier than expected Motown sort of thing. Like Jamerson / Dunn but with the Jive preamp on it and played with a plectrum. It worked so much better. Rhythm section sounded like a unit, clear separation between guitar and bass, and the narrower frequency range of flatwounds allowed the bass to be a little louder but still not get in the way of anything else. This is the way! 1 Quote
Terry M. Posted 1 hour ago Posted 1 hour ago 8 minutes ago, dave_bass5 said: A few more. Sadowsky DI. Does it actually do anything? Had it and quickly sold it after finding out it was pants. I read so much about how among it is, maybe mine was broken 🤔 KZ IEM's. Didnt like the sound, didnt like the fit. More drivers the better also seems to be a myth. Curious what Sadowsky model you tried? Quote
uk_lefty Posted 1 hour ago Posted 1 hour ago 49 minutes ago, Stub Mandrel said: For those who find flats too dull and unpleasant to handle, I have a jazz with the old 1960s style mutes. Personally I love flats on a jazz bass. I've got a second jazz bass just for playing with flats... It has La Bella flats and I love them! Now TI Flats... I loathe them! Lots of people on here love them but I just couldn't get on with them at all: sticky, expensive, thin and just did not sound good (for me) at all. I'm sure in the hands of others they do sound just as good as everyone says but for me they are just lifeless, sadly. 1 Quote
HeadlessBassist Posted 1 hour ago Author Posted 1 hour ago 3 minutes ago, fretmeister said: It worked so much better. Rhythm section sounded like a unit, clear separation between guitar and bass, and the narrower frequency range of flatwounds allowed the bass to be a little louder but still not get in the way of anything else. This is the way! See what I did there..? Quote
chris_b Posted 1 hour ago Posted 1 hour ago I've bought stuff over the years that I thought would be a good move. Sometimes I was right and sometimes I was wrong, but I've never bought anything because of peer pressure or because "I felt I ought to". 1 Quote
dave_bass5 Posted 1 hour ago Posted 1 hour ago 1 minute ago, chris_b said: I've bought stuff over the years that I thought would be a good move. Sometimes I was right and sometimes I was wrong, but I've never bought anything because of peer pressure or because "I felt I ought to". Ive never felt that either, but I do get caught up in the hype sometimes, especialy if it's something I feel could benefit me. HPF's definitely one of them. There have been times where im just reading posts and see a throw away comment of something and it just clicks, I have to get one. Sometimes it works out, sometimes not. 2 Quote
chris_b Posted 1 hour ago Posted 1 hour ago I'm a fan of the Sadowsky preamp pedal. With my eyes shut I could almost mistake my Cort for a Sadowsky. Flats beef up the tone of a bass. If that's not the sound you're after then they won't be any use to you, but if you want a full blooded thump, to strengthen and reinforce your tone, then flats will be perfect. 1 Quote
chris_b Posted 1 hour ago Posted 1 hour ago 4 minutes ago, dave_bass5 said: Ive never felt that either, but I do get caught up in the hype sometimes, especialy if it's something I feel could benefit me. HPF's definitely one of them. OK. . . . a few years back, I did buy a Thumpinator, but either it was broken or I didn't have a problem in the first place, because I didn't see or hear any difference. 1 Quote
Stub Mandrel Posted 44 minutes ago Posted 44 minutes ago 42 minutes ago, chris_b said: OK. . . . a few years back, I did buy a Thumpinator, but either it was broken or I didn't have a problem in the first place, because I didn't see or hear any difference. That means it was working. A good hpf gets rid of handling noise and thumps but doesn't touch your actual bass tone at all. Quote
Boodang Posted 33 minutes ago Posted 33 minutes ago I've just bought an MXR Band of Gypsies '69 Psych series fuzz because it looked good..... and I don't even play guitar! Quote
Muzz Posted 18 minutes ago Posted 18 minutes ago 23 hours ago, Lozz196 said: Jazz Basses - I`ve learned to love them, but it took me a while (and a good few) Stingray Basses - The third member of the holy trinity, I love how they play, love how they sound when others play them, just not when I play them The Stingray thing? A brother from another mother there, Lozz, I bought three over the years just to be doubly, trebly sure...and I was right. Still don't like Jazzes, tho, but every bass I have has a Jazz width neck, so there's that. I bought an Alembic, an Overwater and a Sei (not all at once, I'm not made of money, it was over a couple of years) just to see what the fuss was about, and I didn't like them much...at least they're the sort of thing that if you buy carefully secondhand you can move on without losing much money for the experience... Quote
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