NancyJohnson Posted May 1 Author Posted May 1 All done. All in, an hour or so to sort out (I needed to work inside the bass too). Neck pocket needed a little bit of sanding...there was a bit of finish gunk in there from 45 years ago. Fitted a new set of Wilkinson machine heads. Didn't need any real set up, intonation/action is fine. Noticeably Jazz Bass in profile (like my old Geddy. I may sand the back of the neck in a few months (it still smells very new). Genuinely surprised and impressed. Shipping was quick and I didn't pay anything on top. All in it was under £82.00. I've always liked a dark fingerboard with block inlays. My first bass (Columbus Jazz copy) had this and I suppose I've always had a soft spot for this set up. In closing, yes it was supplied with a late '60s, early '70s Fender logo on it. It's the first time I've ever had an instrument with a fake logo on it. If you don't like it go and have a coffee and relax. 5 Quote
Pea Turgh Posted May 1 Posted May 1 That’s an impressively over-engineered bridge - it’s massive! Cool looking bass overall. Classic from afar, but with modern touches. 1 Quote
NancyJohnson Posted May 1 Author Posted May 1 1 minute ago, Pea Turgh said: That’s an impressively over-engineered bridge - it’s massive! Cool looking bass overall. Classic from afar, but with modern touches. There's a few posts elsewhere relating to the history of this instrument, when I got it the bridge was missing a few bits, so I put a Hipshot Kickass on it. I doubt it makes the slightest bit of difference to the thing tonally, but to it's credit it's very comfortable as I tend to play with my palm very close or on the bridge. 1 Quote
police squad Posted May 1 Posted May 1 it's a lovely surprise when they go together so easily I've done 2 recently and am amazed at how good they are 1 Quote
NancyJohnson Posted Sunday at 08:41 Author Posted Sunday at 08:41 (edited) It's quite odd, but just the change in one component (albeit a major one) and the bass is so much more appealing to me. Been able to get the action down very low (maybe 2mm at the octave), much lower than the old neck, and acoustically it just sounds more resonant. While I don't need any more basses, I genuinely find joy from doing stuff like this. I can't believe that what I've done here is realistically that different from what (I can't remember their name) Limelight etc are doing, by sourcing and selling on cobbled together kit. [Edit: I notice that all the Limelight stuff is now showing as Prices On Application on the classic and cool guitars site.] My wife is now going on about me starting up something to earn a bit of £££ as I slip into an early retirement. 😂 Edited Sunday at 10:10 by NancyJohnson 3 Quote
police squad Posted Sunday at 09:29 Posted Sunday at 09:29 47 minutes ago, NancyJohnson said: It's quite odd, but just the change in one component (albeit a major one) and the bass is so much more appealing to me. Been able to get the action down very low (maybe 2mm at the octave), much lower than the old neck, and acoustically it just sounds more resonant. While I don't need any more basses, I genuinely find joy from doing stuff like this. I can't believe that what I've done here is realistically that different from what (I can't remember their name) are doing, by sourcing and selling on cobbled together kit. My wife is now going on about me starting up something to earn a bit of £££ as I slip into an early retirement. 😂 it's like a drug. I want to do more lol 1 Quote
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