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Nut Widths


tobiewharton
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I am not too keen on jazz-width nuts, despite having relatively small hands.  I learnt to play using precisions and this obviously informed my bias.  With that in mind, I've noticed that most four-string production models, besides precisions, have nut widths of 38-40mm.  The assumption made by manufacturers seems to be, 'the skinnier, the better'.  Is this reflective of players' preferences in general?

Cheers,

Tobie

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Generally speaking, it is believed that a skinnier neck is faster (or at least, it sounds like a reasonable answer). However, I’ve found that there are so many different variables in necks that rarely is this true. 

Going back to to the point, I played a Cort Jeff Berlin signature and found the neck too slim. Felt like a matchstick and I had trouble finding the strings! I played a jazz bass for years but still found the JB neck too slim.

Conversely, I’ve just ‘acquired’ a G&L L2000 tribute which has a FAT neck, but it’s not a hindrance. 

I think technique comes in as well. If you play with your thumb over the fretboard (g**tarist style) where the neck fills your palm, then you may find fatter necks a problem. If you play with your thumb behind the fretboard, I don’t think there’s a great difference in neck widths. I’ve found string spacing up the neck to be more of an issue than nut width. 

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25 minutes ago, Williams4S said:

Generally speaking, it is believed that a skinnier neck is faster (or at least, it sounds like a reasonable answer). However, I’ve found that there are so many different variables in necks that rarely is this true. 

Going back to to the point, I played a Cort Jeff Berlin signature and found the neck too slim. Felt like a matchstick and I had trouble finding the strings! I played a jazz bass for years but still found the JB neck too slim.

Conversely, I’ve just ‘acquired’ a G&L L2000 tribute which has a FAT neck, but it’s not a hindrance. 

I think technique comes in as well. If you play with your thumb over the fretboard (g**tarist style) where the neck fills your palm, then you may find fatter necks a problem. If you play with your thumb behind the fretboard, I don’t think there’s a great difference in neck widths. I’ve found string spacing up the neck to be more of an issue than nut width. 

Some good points here.  I certainly agree that the thinner is 'faster' assumption is flawed.  As a thumb behind the fretboard guy, I'm still irritated by a diddy width, but it's not a deal-breaker (as perhaps a chunky neck may be for the thumb-over fellows).  String-spacing at the bridge is a different question, but possibly of greater concern to many.

 

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3 hours ago, tobiewharton said:

  I certainly agree that the thinner is 'faster' assumption is flawed.

Definitely. I had an Ibanez SR600 with this in mind a few years back. The neck was well made and fretwork good, but I didn’t feel any benefit. I now play a MM StingRay and alternate a MiM Jazz as a backup. I don’t feel the extra 3-4mm on the nut. I appreciate the satin finish on the MM and the profile on the jazz, but not the nut width! 

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Blindfolded, I bet you could.

Over the years, I've owned & played many a bass, from cheap to expensive, J bass width nuts to P bass width nuts, and a few in between. For me, a wider nut feels far more comfortable. Even though I've owned J & J style basses in the past, I sold my last J because it just didn't feel comfortable to play.

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24 minutes ago, bazzbass said:

its 2mm

 

blindfolded you couldn't tell a jazz neck from a precision

Some P basses are up to 45mm, so the difference can be significant and certainly noticeable .  Appreciate not everyone's bothered by this, but interested as to the consensus.

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1 minute ago, Skybone said:

Blindfolded, I bet you could.

Over the years, I've owned & played many a bass, from cheap to expensive, J bass width nuts to P bass width nuts, and a few in between. For me, a wider nut feels far more comfortable. Even though I've owned J & J style basses in the past, I sold my last J because it just didn't feel comfortable to play.

This

 

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5 hours ago, tobiewharton said:

Some P basses are up to 45mm, so the difference can be significant and certainly noticeable .  Appreciate not everyone's bothered by this, but interested as to the consensus.

P bass nuts tend to have more variety than jazz necks. You can feel the difference, but it’s not negative, just different. It’s like putting a different pair of shoes on; you stop noticing the difference pretty quickly when you do some walkin’. 

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47 minutes ago, Williams4S said:

P bass nuts tend to have more variety than jazz necks. You can feel the difference, but it’s not negative, just different. It’s like putting a different pair of shoes on; you stop noticing the difference pretty quickly when you do some walkin’. 

True

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3 minutes ago, BreadBin said:

I don't like 38mm and could definitely tell the difference blindfolded. I am selling one of mine for this exact reason. 

This. I've become more used to 38mm and can play them, but still prefer P-width nuts, particuarly 1.75" with a 7.25" radius board. You can certainly tell if you're playing one of those or not, with or without a blindfold. :)

Been swapping between a Jazz and a P recently and once more - as is always the case - prefer the P Bass. 9_9 I'm slowly coming to the conclusion that a Jazz doesn't sound like a P - not necessarily because of the pickups and/or their placement and/or whether they're single-coil or not - but because in general P necks simply have more wood in 'em! A chunky wood neck makes for a chunky wood sound... [Insert 'wood in the hand' joke here]

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I have always had a slight struggle with Jazz width necks but I have no doubt that I would get used to it. I do wish there were a few more 4 string options with fatter necks and I wish just once Fender would make a Jazz with a Precision neck rather than it always being the other way around.

One of the most comfortable necks I have played was a 44mm 50s precision, such a lovely shape. I was used to playing 5 strings though so it didn’t feel that big at the time.

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8 minutes ago, NJE said:

I have always had a slight struggle with Jazz width necks but I have no doubt that I would get used to it. I do wish there were a few more 4 string options with fatter necks and I wish just once Fender would make a Jazz with a Precision neck rather than it always being the other way around.

One of the most comfortable necks I have played was a 44mm 50s precision, such a lovely shape. I was used to playing 5 strings though so it didn’t feel that big at the time.

My sentiments exactly - I've got a 50s P incoming for this very reason.

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10 minutes ago, NJE said:

...I wish just once Fender would make a Jazz with a Precision neck rather than it always being the other way around.

I think that's going to be my next project.

I love my bitsa Jazz, but... as usual, the neck is just too flimsy and 38mm is just too narrow! I always feel I could snap a J neck if I dug in a bit too deep...

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35 minutes ago, discreet said:

I think that's going to be my next project.

I love my bitsa Jazz, but... as usual, the neck is just too flimsy and 38mm is just too narrow! I always feel I could snap a J neck if I dug in a bit too deep...

I have a sunburst Harley Benton Fretless Jazz that I want a maple Precision neck for, coincidentally a bit like Jaco used to do with his jazz.

 

Related image

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43 minutes ago, discreet said:

I think that's going to be my next project.

I love my bitsa Jazz, but... as usual, the neck is just too flimsy and 38mm is just too narrow! I always feel I could snap a J neck if I dug in a bit too deep...

Love a Jazz for the bark and bite of the bridge pup and the rounded thump of the neck pup, just hate the necks themselves.

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23 minutes ago, NJE said:

I have a sunburst Harley Benton Fretless Jazz that I want a maple Precision neck for, coincidentally a bit like Jaco used to do with his jazz.

That's a good affordable option - buy an HB P and an HB J, swap necks and sell on the P bodied J neck... there's always a market for a P with a J neck...

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I find a Jazz neck slightly easier to play, but just not keen on the sound a Jazz makes when I play it. Re this I think that the dimensions of the Precision neck influence the way I play, which may account for my style being a confirmed Precision player, and account for why I then don`t like the sound I make on a Jazz that much. Plus a lot of Jazzes are too thin, depth-wise. I prefer a chunky deep neck.

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To echo what others have already said, there really can be no right or wrong when it comes to nut widths, just personal preference. And that preference can be as much a result of an individual's physique as any technical or musical considerations. I can't play a 1.75in traditional P Bass width very well because i've got little hands. 

Another consideration is that different nut widths/neck profiles make you play differently. When I pick up my Fender Precision with  a1.625 nut width it puts me in a different frame of mind from when I play my USA Lakland 44-64 P with a very slim Jazz profile neck and skinny nut width. A wide nut tends to make people play a P Bass in a more traditional manner, if you follow my drift (and yes,I know that is a sweeping generalisation and you can find plenty of exceptions to that rule).

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22 minutes ago, Misdee said:

Another consideration is that different nut widths/neck profiles make you play differently. When I pick up my Fender Precision with  a1.625 nut width it puts me in a different frame of mind from when I play my USA Lakland 44-64 P with a very slim Jazz profile neck and skinny nut width. A wide nut tends to make people play a P Bass in a more traditional manner, if you follow my drift (and yes,I know that is a sweeping generalisation and you can find plenty of exceptions to that rule).

Plenty of exceptions! I can play a P as fast as I can play a J, but the point is I don't particularly want to play either fast. However, a J makes it easier to play fast. And I'm far less likely to make tasteful note choices when it's easy just to play all of 'em! :D

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