Pretty much my only issue with the Miller preamp is the ridiculous amount of boost/cut available. One barely has to touch the bass control and it's instant rumble. For me, it's unusable past about 1/2 way -- if it's +/-15dB then I'd have been happy with +/-7. It'd be more musical & usable. Obviously YMMV.
[quote name='cybertect' timestamp='1455018187' post='2975002']
On the matter of Whirlwind cables - I have two Whirlwinds that I bought around 1990 which I'm still gigging with over a quarter of a century later, so I'm pretty happy with them.
[/quote]
I see your 1990 and raise you my two main cables are a pair of Klotzes (sp??) that I bought in 1986 after everything except my Wal was stolen. Used for almost every gig ever since. Having said that, I've just ordered my first obbm cable (for the wireless). So that lot should do me till I croak
Oh lordy, an April '65 Jazz... not just a YOB bass, but a MOB bass. *whimper*
[Img]http://www.cotswoldbassguitars.co.uk/images/190/FenderL65%20001.jpg" class="ipsImage" />
The 'Bangs & Crashes' album of 12"/remixes has a couple of live tracks on it, both with Graham Edwards on bass. The album is worth having just for 'Ball Of Confusion'.
Well they certainly know what they want, and they have ambition and determination. I'm pretty sure that before too long in the near future we will never hear of them ever again.
All the above, especially about them being superb basses. IMHO it's definitely worth paying difference for the P, not that the non-P is a bad bass, far from it.
[quote name='Mykesbass' timestamp='1452000661' post='2945337']
Vinegar, and don't leave it in the spare room
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I generally leave vinegar in the kitchen, but thanks for the tip.
[quote name='Lozz196' timestamp='1454254853' post='2967863']
Yes, how very dare they, as makers of musical instruments, design and put [b]new[/b] musical instruments on the market.
[/quote]
I think the point is that they don't