wateroftyne

This is why I try not to get involved in these debates. The majority of the world's iconic basslines were played on Fenders. Some of them probably had BBoT bridges, three-bolt neck joints and gappy neck pockets. They're not anything like as problematic as some people think. If it bothers you, walk away.

That's how they relic 'em...

The space! He's da man.

[quote name='eddiehoffmann' timestamp='1358587725' post='1941665'] Why does 90% of bass gear videos always have someone slapping away at the speed of light with a ridiculously trebly tone? I'm playing bass professionally for 15 years and not once I was asked by engineers, musical directors, or band members for a sound like that. In what style of music does one use this kind of bass sound? Honest question. [/quote] I dunno. It puzzles the hell out of me, too.

[quote name='Kiwi' timestamp='1358565638' post='1941561'] "Classic bass amp sound"? Spongy low end?! WTF is he talking about? I've never enountered a Class D amp design that sounds like that. [/quote] I know exactly what he's talking about. I certainly don't need 1000 watts, though. If it's an amp that'll hold its nerve at a decent volume, I don't need anything near 1000w. While I'm on, what's going on with amp design these days? Markbass? Fugly. Ashdown? Fugly. Genz Benz (Streamliner excepted IMO)? Fugly. TC? Fugly. This one? Fugly.

I've played a couple, including Warwickhunt'a which is for sale on here. They were both lovely, and I think the relic'ing is extremely tastefully done.

I used to think I preferred chunky P necks, but I've recent decided it doesn't matter a jot. As long as it doesn't feel like a wide, shallow plank I'm happy.

PM'd with info...

I'll confess I've never heard of them before - I'll ask around locally and see if anyone knows owt.

Fab - looking forward to seeing that.

Owain mentioned he might pop along, Fatherhood permitting - I'm sure he'll bring one (or two) along if he is. Fingers crossed.

Bumpy-tump tump!

[quote name='Alec' timestamp='1358163509' post='1933918'] If GenzBenz really are using just a bulb for illumination, then that's just rubbish. Why on earth would you not use LEDs these days and so remove the need for replacement? [/quote] It's an LED. There was a dodgy batch, and quite a few have failed.

Great! Your drummer is awesome.

I'm not defending The Doc's lack of comms - its understandable that Grant etc. felt a bit miffed. I do think it's a shame that things can be left to fester, when a simple phone call is often all that's needed. We're all grown-ups.

[quote name='hamfist' timestamp='1358063278' post='1932415'] Isn't that impossible ? [/quote] Not if you're the Queen.

IME the Microvox feeds back like a banshee...

Ah, well. Cool band, by the way...

I'd persuade him to spend the money on a decent accordion, tbh. There's no reason a decent one would need judicious EQing, other than a hi-pass or the lows rolled off..

Hmmm... he does move about a bit, doesn't he? I can see how that would be a challenge. Maybe give the E608 a shot.

Also - why's he got the EQ pedal? Does he need it? Just go straight into the desk.

I can't understand why it's feeding back. Accordions are bloody loud, so you shouldn't have to drive the gain or have it blasting in Jim's monitor. Mrs WoT used to use a Sennheiser E608, but these days she usually just uses a mic so she can control her volume. I can't recall a blast of feedback ever. FWIW, you can roll shedloads of bottom off an accordion at a gig. It makes a heck of a difference to what's swimming around on the stage.