wateroftyne

You seem to be narrowly focusing on bands that are part of the corporate machine. My posts are mainly referring to the swathes of cottage industry DIYers, who could previously invest in the recording and pressing of an an album, fairly confident that they would at least recoup their expenses (or even - shock, horror - make a small profit). Now, unless they have money to burn, that outlet has gone.

Can you hear it acoustically, or just via the pickup? If it's the latter, see above posts. If it's the former, it might be a badly cut nut, the string not low enough on the string tree, or a spring resonating in the bridge.

But - through no fault of the artists - the mechanism to pay for music once, and own it, doesn’t really exist as a going concern any more. Have you read the first post in this thread? Are you actually aware of the streaming phenomenon?

Again, relevant point emboldened.

Umm… we’re talking about recordings, not live performance.

Of course. And that’s absolutely your choice to make.

I’ve bolded(?) the relevant point below. …but I should also have added ‘and time’.

Which is still an option in 2022.

Because the musicians have paid money to make it, and someone is benefiting from it. Is it not obvious? This ‘Music is free’ line of thought is the reason we’re in this quandary.

It sort of doesn't. Back in the days before recorded music, if you wanted to hear music , what did you do? You got off your backside and headed to your nearest music hall to see a performance, and most likely pay for the privilege. Some of which went to the musicians. Now, you can just fire up your favourite streaming service directly from your warm settee. Virtually none of which goes to the musicians.

(...bass, that is)

I'm surprised you got a 69 for a reasonable price... well done.

Dare I suggest a lot of a certain generation are beginning to drop off the twig…?

A couple of bands I’m in have a pile of great unrecorded songs. If we put them to tape properly, we could no doubt recoup our costs if we were still in CD world. But we’re not, and we can’t afford to lose money, so they stay unrecorded. That. Is. A. Disgrace.

Hey gang - was just going to measure up for a Roqsolid cover for the WB-100, but I see they already have measurements on there.... three different ones 😄 Had anyone ordered one already who can confirm how good the fit is?

And far too expensive.

I really don't think it will be minefield...?

how old are your monitor & peripherals…??

Purely as a treat for the ladies (and some men).

First gig in a while with my semi-regular dep, doing songs from the golden age of American music. Nice old-school social club - great-sounding room, lovely people, cheap beer. Second chance to use my new Handbox valve amp, and sounded lovely. Here's a clip.

Ping them an email and make them a daft offer. You never know. 😂

He probably needs to pay for a flight case for ‘em, though.

The ‘The Chain’ fretless Alembic is in there…

Cheers, Dave! I do. Bass & treble flat, and a very slight bump at 240hz.

After an unexpectedly quiet couple of weeks, I got to use the WB-100 last night for a semi-regular dep. It's unreal... I genuinely struggle to explain it, but the detail and the - yes, I'm going to say it - heft is remarkable. It's just effortlessly dynamic. Here's a clip from a camera capturing the stage sound. The amp was barely ticking over. So much headroom.