chris_b

For the last couple of years I've been using D'Addario NYXL's on my active Jazz. I know they are nickel, but I like them a lot. Before that, for 15 years or more, I used DR Lo-Riders and Hi-Beams. Great long lasting strings but a tad more expensive than the NYXL's.

The amount of air moved by a driver is dependant on the size of the driver and the excursion distance of the cone. A 10" driver that moves 6mm will be moving more air than a 12" driver only moving 3mm.

Maybe the analogy has a few chinks in it, but I agree 100% with the thrust of what the guy is saying. . . . . until he starts rambling right after the soup analogy. Just don't sound bad and your gear has done it's job. The remaining 90% of being a good bassist is how and what you play.

Build one of each.

I agree, but I thought he should have stopped at the soup analogy. After that he starts to ramble and loses the impact of the message.

I was in a club in Brussels and they played this non stop for 30 mins. No one left the dance floor.

You need the cash. . . . don't love the bass. . . . it's a pretty easy solution. Make a rule that you will only keep basses you like. Sell it.

I found that the sympathetic vibrations are usually much quieter. But, yes, two handed muting is the best solution to aim for. If a 5er doesn't meet your requirements then, of course, go back to a 4. I'd have given the change over from 6 months to a year so your muscle memory can really settle in. I was particularly bad at hitting the wrong string when I switched!

Nice

Well you've got me just saying and wondering why anyone else gives a flying flip how many strings are on my basses!!

For "proper" amps, look at the Classifieds on Basschat. You'll find better gear and better prices.

The story I heard. . . . . . the 4/4 section in Money was put in because Dave Gilmour couldn't solo in 7/4.

I liked that. What fantastic musicianship. I've not heard a bad Scary Pockets line up yet.

Excellent. Love Louis Cole and Sam Wilkes.

I've not heard Vanderkley but every review I read says they are a class act. I am sceptical, who needs a 3D bass sound? The drummer doesn't and most will probably not hear anything extra that 3D brings. Bergs are fantastic cabs. My last was a CN212. It has a great sound across all frequencies, not just the mids. I used a Thunderfunk and TH500 with the Bergs. I still use the Thunderfunk but, these days, my main amp is an AG700 with Barefaced SC, SM and BB2 cabs. The best sound I've had so far.

A custom bass would be no good for me. I'd want to play a bass before I decided to buy it. My Sadowsky is a Metro, made in Japan. I think it's a good one. I've played several other Sadowsky's including 2 NYC's (supposedly the pinnacle of Sadowsky bass building) and 2 more Metros. . . . and I didn't like any of them. Even if I didn't have my Metro for comparison I wouldn't have bought any of those basses. I'm usually not a picky guy, but none of those basses felt "right". So ordering a custom bass would be too much of a gamble for me.

Check out Nordstrand pickups.

If you can work out what time signatures are being played in this number you're doing better than me. . . . . . If - Fibonacci's Number https://www.youtube.com/watch?v=18jk2oRkyPc

The BeeGee's Jive Talking has a break where the melody is in 7/4 and the drums keep to 4/4. It's weird with the snare drum hitting 2 & 4 for 2 bars then 1 & 3 in the next 2 bars.

Tom Barney on top form on Alive In America, Steely Dan.

Also bass player on the Mad Dogs and Englishmen tour, a fantastic live double album.

We make some fantastic, world leading basses in this country. So far Overwater are the only UK made basses that have caught my attention. Sadly, my diary has to be a lot fuller before I could justify the required outlay.

Anything live by Little Feat, Ry Cooder, The Band, Edgar Winter's White Trash, Keb Mo, Delbert McClinton, Bonnie Raitt, BB King, John Hyatt, The Eagles and Eric Clapton. There are so many more. IMO a good band playing on a live album is the pinnacle of recording.

The WHO is being challenged by some new evidence about transmission: ". . . . . . 239 scientists from 32 countries don't agree: they say there is also strong evidence to suggest the virus can also spread in the air: through much tinier particles that float around for hours after people talk, or breathe out. " If that is true, events with audiences might be moving further away.

I think most advice here is to buy the best bass you can find, within your budget. The bass that speaks to you. If that's an upgraded MIM Jazz bass then all is good. IMO there is no ultimate. All we need is a bass that makes us sound good. If you want a true comparison you need to play your basses through the same amp and cab. My experience is that I found a very "reliced" Sadowsky RV5 Metro, for good price, and it sounded so good that I sold my Lakland 55-94, Fender Jazz V and Mike Lull M5V. I'd play the cheapest bass available if it sounded like this Metro. We should buy the basses we want to play. The ones that make us happy to pick them up.