PaulWarning

but it was never the same, is that right?

£200? the price of a Squier Affinity?

I think the innovator bit was tongue in cheek, and yes he was chosen more for his image than musical ability (the same as Paul Simonon was originally), but I think he could play rudimentary bass as upside downer says, the story that he only had 6 weeks to learn bass (which may have been true, or at least to learn the Sex Pistols songs)) and failed miserably was another McClaren publicity stunt

cheapest option is the B1on

this one works for me https://reverb.com/item/2381439-reverb-clip-on-tuner-uk-exclusive?utm_campaign=uktuner you have to put uktuner in the code box to get it for £2 the trick is not to pluck the strings too hard, bit odd I know when it works on vibrations (Ithink), trouble with clip on tuners is they don't work very well in a noisy environment, well mine don't anyway

I've still got mine from last time, still works perfectly with the original battery, I've ordered 2 more

old thread revival alert, 39 years ago today Sid played the drugs once too often, and I was watching John Lydon on needle time this very morning (recorded) had some nice things to say about Steve Jones and Paul Cook's playing, confirmed Glen Matlock liked pop a bit too much and didn't get the irony on his lyrics (and Steve Jones didn't know what they were). Back to Sid, I don't think he was as bad as the publicity made him out to be, just played root notes but that's what Steve Jones played on most of the Pistols songs after Matlock got the sack, McClaren also made a big thing of the fact that none of them could play, which is obviously not true.

anybody know how you hide/delete duplicate posts?

cheers, good find, that's really useful

https://www.fishman.com/wp-content/uploads/2016/06/Platinum-Pro-EQ-User-Guide.pdf Low Cut: a variable high-pass filter, labeled low cut, I assume that means depth of cut and the not frequency it cuts from, in which case I wonder what that is

forgive me for asking, how do you know the depth parameter is a HPF, once again sorry if there's already been a reason given, just can't find it

well they're light gauge, the others are 40 - 100 so it makes sense

didn't know that, where is it and is it on the B1on, sorry if I've missed something

very punk rock

I decided not to do it, it was just a thought and wondered whether anybody had tried it, anybody want a 120 DR neon pink string?

yep I get that, I was just saying it goes down to 20Hz I think someone earlier in the thread said another Zoom only went down to 40Hz, altough I think you could minmize that by stacking the Ba PEQ and using a high Q, still not the same as a HPF I agree

just had a look at my B1on and the para EQ goes down to 20Hz

just idling thinking really, with the increased tension would you be able to lower the strings without getting fret buzz?

I've just bought a set of 5 string bass strings (because they were as cheap as 4 string ones), I've only got a 4 string bass, has anybody fitted the thicker 4 strings out of a 5 string set of strings (120,100,80 and 60's) to a 4 string bass (with standard tuning)? what happened?

I think other bass players always sound better than me, but then people say how come your band sounds so full and loud with one guitarist and I think, maybe I'm doing something right

I get that but if it was adjustable you could use it to get rid of stuff you can hear but don't want, say anything below 40Hz

there's not that many Hi pass filters about from what I can see, the thumpinator looks like it's non adjustable which is would put me off, that leaves the Boughton model, which looks like you have to send off to the USA for, just wondering why they're so hard to come by

it certainly was, and seeing as you are about 10 years younger than me, the start on of WWII must have been a worrying time for you

most of my friends, and me, stayed at home with their parents until they got married in the early twenties usually, how times have changed

we have a core of songs that always go down well, about 25, then change the others round, the thinking being that if people really enjoyed a song last time and you didn't do it be a bit like going to see a proper famous band that don't play their biggest hits