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Bloopdad1

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Everything posted by Bloopdad1

  1. Yes, it is a superb performance of the famous Grand Duet played by Rinat and his daughter. (did you know that Bottesini originally wrote it for 2 double basses! But his buddy Paganini was jealous of the gorgeous tune so tweaked the first bass part for violin...) I was responding to the OP who wanted to clarify my original comment of "Oh, and don't think like a bass guitarist... Its a TOTALLY different beast"... The DB is my lifelong companion but I was concerned that if the OP didn't get the basics right it could do some physical damage and lead to injury - I strongly suggested not to underestimate the DB and get some basic lessons. Do not tackle the DB with a BG technique or mentality! 😉 The Bottesini - you're right in saying it's definitely not a beginners piece (I've had a lifetime of playing and I can still only get about 80% of the Bottesini... Its a beast!). I was just giving an example of what a bass can do and how differently the 2 instruments are. I use two differing thought processes on how I address each instruments technique. One day I'll nail that bloody Bottesini properly (and the Dittersdorf plus that superb solo by Stanley Clark and of course Victor Wooton's Amazing Grace!) but for me the way Rinat plays the Bottesini is truly inspiring. (annoyingly my much younger desk partner can play it to about 95%!!... But not like Rinat could 😍) RIP Rinat you were one of the greatest bassists ever...😥
  2. I'll attach one of my favourite YouTube clips... Regardless of your musical style and genre watch it all the way through just to see what a bass can do. I love my bass guitars (especially my '72 P bass) and it's great to groove on Superstition or Mr Brightside but it's just all too easy to play loud and fast, nothing compares to the real thing in dynamics, speed, range or satisfaction.
  3. It'll literally take pages and pages to describe the difference.... Ive been playing double bass professionally for over 35yrs and I'm still no where near mastering it. I reckon the bass guitar can only play about 20% of what a double bass can do (especially with a bow and a lifetime of playing! 😂) Bass guitar is a plank with pickups to capture the fluctuating magnetic field over its pickups. On a double bass the whole thing "breathes" YOU generate the sound by physically vibrating a 42" long string with HUGE forces and vibrating masses. If you want louder you can't turn a tiny knob and get instant volume. The dynamic range of a DB is huge, you can literally shake windows unamplified, but YOU need to generate that sound. You use muscles you didn't know you had. Humidity/temperatures and environment have an enormous effect on how the bass "speaks" (some days you'll get to the concert hall and it's like the thing says "I'm cold, nope you'll not get a note out of me today, put me back in my case"!) Strings, nut, tail piece, spike, bridge, sound post and bass bar all have an enormous effect on your playing enjoyment as do your fingers. Be prepared to answer some funny questions going into Disney when they try to take your fingerprints... You won't have any! Bass guitar lightly pluck with finger tips, DB, you pluck with the side of your fingers and whole hand arm, shoulder, back and your hips. Going for a true FF the note has to start with your biggest muscles, and then play the Bottesini and you'll need the litest of touches, flexibility, with finesse and the dexterity of picaso applying the finishing touches to his finest masterpiece! If you think it's just a big bass guitar then you're only using it to 5% of its capabilities or you're not playing it properly... Oh,top tip - the bass will have sh*t or knackered strings on it. Budget for a set of Evahs or Spiros to wake it up (£220 for a set of Evahs these days) Seriously consider a teacher..
  4. Don't forget once you have your instrument, contact a local teacher and get yourself some basic posture and technique lessons. Just a few to set you on the straight and narrow. It may save you serious pain/muscle strains and avoid some common bad habits. Oh, and don't think like a bass guitarist... Its a TOTALLY different beast. Most importantly, have fun!
  5. You need a High Pass Filter. You don't mention what pickup you're using of if you're going through a preamp. It often helps if you can switch the phasing 180° but unless you have that facility then get yourself a HPF to cut all the mud/boominess below your "boom" threshold.
  6. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  7. I tried one... Complete disaster! Avoid! (IMO) If you want the best, fit a Yamahiko pickup. They've been around for +25yrs,completely bomb proof, superior tone, great arco sound and if you buy the one sensor version its only just a little more expensive than the Realist and Full Circle (that is based on the much better yamahiko)
  8. My AI Clarus SL 2 is so good It wouldn't even cross my mind to start trialing valve amps... (I go through a Barefaced cab which gets as clean as you want)
  9. Give them a call, perhaps they've stopped adding the straps? On the other hand it makes your choice easier. 😊
  10. It's been a while since I ordered a Tuff Bag. Give String Emporium a call and have a chat... They were very accomodating and even gave me a discount (as there are not many in the UK I suspect they were eager to help out...) plus they're trying to replace the great reputation of Mooradian with their own Tuff Bag brand. I think it's worth a phone call, you never know... 😏 I'll try to weigh mine when I get it back (currently out with a student). But it's definitely lighter than the SW.
  11. Just a thought... Now that the wonderfully informed and patriotic public has voted Brexit (*shoots foot off #idiots) 🤦 you'll probably be looking at import duty and tax, shipping the SW case over from Germany...?
  12. Hi. Me again....! The Soundwear trolly isn't available any more (they were crazy expensive when they were! - no one bought one either). Once the bass buggy came out it took over. Its just so simple, indestructible and safe. I don't know many players that still use their bass wheel (don't even know what happened to mine? May be in the garage somewhere?). The problem was that it always rolled... You couldn't stop and relax, or stop to chat, every time you opened a door it would roll off somewhere plus to reduce the shocks of pavement gaps, gravel etc I would have to run it almost flat to cushion the "ride" which made it a right pita! Get a Bass buggy it's the new industry standard and not too expensive. Plus you can stand the bass up when it's on and relax. It's not always "on the move" that needs constant attention like a wheel. As I mentioned before my 200yr old £110k English bass ONLY EVER goes in the Soundwear. My other basses happily go in the excellent Tuff Bag (that should give you a clue as to how much better the superior protection is... 😁) I seem to remember during a phone conversation with the Tuff Bag shop that they marked up the package as gift (or repaired item) or something like that so I definitely did not pay any import duty, but it was something like £50 postage. Can't remember to be honest.. Definitely much cheaper than the SW. Ultimately its a tradeoff, top money, best protection but very heavy =SW. Lighter, more padding, better straps, (I think the zips are better too) cheaper =TB If you have a priceless bass that needs ultimate protection go for SW for anything else the TB will be perfect. If you want to have a look at my cases feel free to pop in for a coffee and a chat. (and if I can find my wheel you can have the little bugger as well!) Happy hunting.
  13. Oh, and if you're wondering why I haven't mentioned Messina cases (the recognised number 3 best case) is that occasionally the stitching pulls out after about 3 - 5yrs...😉🤔
  14. Cases are subjective and have various prices (obviously). The 2 standout cases used by most professional players are Soundwear (in Europe) or Mooradian (favoured by US players). Both have rucksack style straps. Soundwear =THE best case money can buy as agreed by most pros. Plus they were around £800 but are now around £600. Ive had mine for over 20yrs and it still looks new, no failures or tears etc (I go out 3x a week) and it's the only case I trust to put my 200yr old English bass in. Mooradian, bad news is that unfortunately they are now not being made but you can buy a Tuff Bag which are absolutely identical to my eyes with the addition of even more padding, extra handles and other improvements. (off the top of my head they're around £350??) You can contact Mooradian and they will make you a custom one-off (mega bucks) but general production has now stopped. The story goes that the Mooradian guy packed up but sold the pattern to Tuff Bag then they improved it. Lighter than Soundwear but it has the main zip on the "wrong side" - left hand side of the bass - but that doesn't take long to get used to. I have owned one for 5 yrs and its also like new - I use it to safely carry my big 5 stringer. (much cheaper than the Soundwear but you have to import one from the states) but the tuff bag (Mooradian) is actually easier to carry and load as it has more handles. Both cases I can whole heartedly recommend. Over the years I've seen many others fail, I'm sticking to the best 2 available. Recently a friend had her bass in a Julius and Roth case on back pack straps that snapped and the bass fell directly onto the spike pushing the block up inside the bass and splitting the front and back (it's currently being repaired at around £2900!!) as it was on her back she couldn't react to catch the bass.. Cases with built in wheels - don't do it! I've seen so many tears and rips around the wheel areas over the years plus they can snag and get caught (I've literally seen 10 - 15 students with split cases from the wheels - Tom and Will cases seem to really suffer from this after a couple of years or so. Get a "bass buggy" you'll never use back pack straps again - problem solved. (I'm not a Tuff Bag (aka Mooradian) or Soundwear fan boy, just that in 40yrs of playing I've not found any others that come remotely close in quality or more importantly security for a very expensive instrument) 4/4 case fits a 7/8 bass. Yes, there are many cases available but I can definitely recommend the Mooradian (Tuff Bag) and Soundwear. Let me know if you need any further information. Ta
  15. Hi all. Feedback for Gareth. Just bought a very clean and well looked after (as new) Acoustic Image Clarus SL-2 amp. Lovely bloke, easy to communicate with, an all round gentleman. I wouldn't have any issues dealing with Gareth. Buy/sell with confidence. Cheers Graham
  16. All ok now. Mail sent. (I tried this time from my personal email not work email). Thanks
  17. Yes. And "[email protected]" as well? Mailer demon keeps bombing it back to me?
  18. Hi Anyone know the contact details for Acoustic Image UK? I've been emailing Lawrence on the 2 email addresses I could find but they just keep bouncing back? I'm after Clarius SL advice (and price) Thanks Graham
  19. Difficult to tell from the pic... Can't fully see the block area (I know, it's a real PITA to get camera access!) But I would say that it indeed has a block fitted, definitely doesn't look like the old "boot" style joint from what I can see. Although, the bracing planking looks original, which is strange as if a Luthier was converting from blockless bass to have a new neck block (a considerable job) then I would have thought he would have done the planking as well? Ultimately don't get too hung up about blockless v blocked construction... Providing there's no splits in the top shoulders, the button is intact, back hasn't pulled and the neck is stable with no movement then just keep playing it (if it hasn't failed in the last 100yrs it's unlikely to go now!) Yes, It is a more fragile/cheaper construction method, but no bass would survive abuse or a serious drop. Of course (like my blockless bass) it'll never be worth +£10,000 but for the price you're asking its an absolute bargain (blockless or not!) 😜 And remember, more often that not they sound significantly bigger and better than "standard construction" basses costing twice the price. They don't call them "blockless wonders" for nothing. It's a lovely bass.
  20. Hi I don't have specific recordings of the bass - just some YouTube videos of orchestral performances that I've been playing it in the bass section. The bottom end is literally thunderous! It's currently out on trial with a London freelancer who's just used it on a gig in the Royal Opera House and has reported very favourably on the instrument. Fingers crossed she likes it (it's unusual for a 5st, it has very small upper bouts that allow very easy access to thumb position, but does not compromise on sound). I'm open for offers too... 😁 😉
  21. No probs. Your bass has a "blockless form" (constructed using a guitar/lute construction method) - the bump on the top of the ribs closest to the neck heel gives it away. If you have a look inside up towards the neck joint and you see a large "block" of wood then it's been converted and strengthened to be a "standard" strength neck joint. If when you look you see what's referred to as a "boot" - (basically the upper ribs tuck into the neck heel) then it's the original southern German/Tyrolean "blockless" style. Difficult to describe in words!... Lots of info online though. (one of my basses is still blockless and it's a superb instrument). Good luck with the sale.
  22. Hi Is it blockless or has it had a neck block fitted? Lovely looking bass in great condition as well. Cheers G
  23. ***SOLD**** NOW £125 Pirastro Flexocore Deluxe double bass strings. Full set (3/4 - 4/4) Only used for 2 orchestral rehearsals - not played in yet, 99% brand new. Bought from Thommannn last month for £236. They just don't suit my 200yr old bass (going to have to go back to Olives/Eudoxas). Pick up, or I can drive up to 30mls or £5 postage. Grab yourself a bargain (these hardly come up for sale in this almost "unplayed condition"). Thanks for looking. Graham
  24. **SOLD** Now with its lovely new owner. Double bass for sale - 5 String bass with violin corners. Superb orchestral instrument but could easily be used for jazz, pit work - takes a mic / pickup very well. Unknown maker (possibly German or Hungarian?) Lovely even straight grain spruce top. Fully carved maple swell back, maple ribs and neck. No open seams or splits and has been looked after by 2 of the best Luthiers in the UK. Neck replaced and top removed, regraded and reduced in thickness, new bass bar. All work done by Roger Dawson (at a cost of £3500 in 2008). New adjustable bridge and soundpost plus recent setup. Gorgeous dead straight ebony fingerboard with discreet markers. The bridge has been profiled correctly giving plenty of bow clearance. Fitted with mini ebony edge protector blocks. Beautiful purfling. Large scroll. Ebony "harp" style tail piece. Neck stable, no movement and stays in tune. Focused, projecting clear tone plus a huge sounding B string (a real cello scarer!) plus a G string that really sings. Always gets positive comments from the rest of the section. Very playable 105cm string stop. 5 figured and decorative smooth and stable brass machine tuners with brass shafts and caps. Lower Ribs - 9" (230mm) Upper ribs - 81/4" (210mm) Top bout 21“ (530mm) Bottom bout - 27.5" (710mm) LOB - 46" (1700mm) Stop - 105cm Has been used professionally by myself in many concert halls/theatres in the UK and by its previous owner. UK sale only (unless you organise crating and shipping at your own expense). Can drive to deliver for fuel costs. But would prefer collection in person so you can fully trial / play it. £7000ono
  25. Hi, yes keep at it. It'll be worth it in the end. The Hidersine rosin you mentioned often comes with student bass bundles and is sold in high street music shops. Unfortunately it's very hard and uses the same philosophy of violin/vola/cello rosin - hard, white, dusty, good for lyrical playing with a light touch. For around the same price I recommend students use something like Nymans or Pops. It's literally like tar! Super grippy and what many pro bassists use. You can really dig in and it'll practically drag your strings off the bridge! It's a real workout for your right arm.. Warning, as many bassists have found don't leave a pot of Nymans out in the sun or near a radiator!! (Or in my case, in a bass case in the back of a sunny car! 😂) One positive is that if you do wear a groove in the rosin you can easily melt it back level. Either way, you can use the Hidersine but you need LOTS of it and have a VERY good bow plus a good technique and light touch. Or use Nymans, apply it using fast, full swipes along the hair to melt it on the bow (don't do the violin/cello hard rosin thing!) and just go for it! 😉 Most important, have fun!
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