Bassassin

They're OK, but pretty generic 80s Korean-made low/midrange stuff. 70s Hohners were made in Japan by Moridaira Gakki, & were very good (see Prince's MadCat Tele) but in the early 80s manufacture went to Korea, divided into the top quality Cort-made Professional range & below that Arbor & Rockwood. Quality of these can be a bit of a lottery and I think it'll feel a bit cheap compared with an SR800. On balance I'd say €160 is a bit over the odds. If this was half that price or less it might be worth a punt, but for that money you could pick up a new Harley Benton or J&D, which for budget instruments have a great reputation for build & quality.

The only reason I can even remember that they existed is that they were invariably referred to as Condom King.

I had two early 90s Fujigen SR800s, fretted & fretless, like an idiot I sold both of them. Later filled the SR-shaped hole in my life with an SR500, but always had massive GAS for a through-neck one though.

I would expect they'll be volume, pickup pan, treble boost/cut & bass boost/cut. Never had a TW or Cort but had an Ibanez SR with a similar 4-control active layout. You should be able to work out what does what by fiddling around with them.

And unaccountably, some people seem to think they're a great idea. Pretty colour, mind.

Jolana Diamant, 70s/early 80s Czechoslovakia. These are pretty good & getting a bit collectable. Loads of Jolana info here: http://cheesyguitars.com/

A noodle of bassists.

Not a 'bass guitar' per se, but Tutmarc's bass fiddle is unquestionably the first electric bass, fretted, & intended to be played more like a guitar than a double bass. It wasn't a spectacular success but it would seem wildly improbable that Leo wasn't aware of it.

That sort of thing, like?

Modded Vox with one original pickup, then - I think that's exactly what it is! Excellent work @Jean-Luc Pickguard

Long time ago, there used to be a great Thin Lizzy trib in Glasgow called Fat Betty. I always thought if I was forced/offered enough money to do an Oasis tribute, it'd be the Bullsh!t Beatles. For reasons I can't quite remember, my last band once played a set where each song started with an intro from a Rush track, under the name The John Rutsey Experience. A project that never happened (but still could) involved combining Sweden's two finest musical exports, playing Abba songs in the style of Opeth & vice-versa. This was/would have/will be called AbbaRation.

That's an interesting old bass but I don't think there's any connection to the UK Encore brand, which is owned by distributor JHS. I'm guessing you're in the States - all the 70s & early 80s Encores I've seen are in the US, and (despite what some not-too-reliable online sources say) I'm pretty sure they're nothing to do with the domestic brand here. JHS Encores seem to have appeared in the late 80s & the details of this bass (brass bridge, P/P pickups) were more common 8-10 years earlier. Also, I've never seen one before! Your bass looks to me to be late 70s/early 80s, post 'copy era', and from what I can see, probably Korean-made. There are some vintage MIJ & MIK Facebook groups with a lot of knowledge so it might be worth posting it there, with any luck someone might've run across one before, or might know more about the brand. https://www.facebook.com/groups/55074615631 https://www.facebook.com/groups/772335426130798 https://www.facebook.com/groups/277195109119716 I'd be interested in seeing more pics - any stickers or stamps on the back of the instrument could help narrow down details, or markings on pickups, pots etc.

Guitarists are ten a penny, just accept you'll have to have a revolving door until the one who can play well enough & isn't a tw@t eventually turns up. Keep the drummer.

70s Japanese copies were sold with various brands - Maya, as mentioned by @Grahambythesea Avon (which I had 10+ years ago) and various other names. These all seem to be rebrands of the same bass, thought to have been made by Chushin Gakki, and were very accurate copies. A bit hefty, certainly, but well-made & a good player. If I recall the neck profile was P width but quite shallow, pretty high output & a reasonable range of tonal variation moving the pickup. Quite hard to find, like a lot of old MIJ stuff now, wish I'd kept mine! Some better pics of a nice one in this old TB thread: https://www.talkbass.com/threads/70s-gibson-grabber-copy-incredible-orig-cond-sliding-pickup-maple-neck-orig-hsc.1164324/ There was also an Italian-made copy, made bt Melody, these turn up very infrequently & as far as I can tell were good & pretty accurate. Never seen one in the flesh, but some decent pics here: http://guitarz.blogspot.com/2018/06/gibson-grabber-bass-copy-by-melody.html The recent Epi version is probably easier to find than either of these, but (someone correct me if I'm wrong here) not a true Grabber as it didn't have the sliding pickup, iirc it had a standard split P unit.

Remember coming across an old German guitar with a 5-pin DIN - can't remember if it was a Klira or Musima - at a flea market in Berlin years ago. Cool/weird old thing, should've bought it...

If it was '87 then Dunnery's Strat would have been a Japanese E, SQ or JV serial. These days they're generally regarded as being, erm, quite good! Fwiw Steve Rothery from Marillion still uses his SQs & JVs.

The moment you stick someone else's fake logo on the end, a replica/copy becomes a counterfeit.

Don't like to see it, don't understand why anyone does it. A copy's a copy's a copy, whether it's a £90 Harley Benton or a £900 Limelight & I don't think there's any shame in that - it seems eminently more tragic to fake an instument up as something it's not. Fwiw I've had dozens of Precisions, Jazzes, Strats & Teles - and not one has been a 'real' Fender or worn a shonky sticker. Maybe not actual copyright or trade dress registration, but they have taken successful action against manufacturers & brands using similar styles - Vester & Fenix were made to change the styles of their logos back in the 80s/90s. Fenix was particularly ironic as the brand owner/manufacturer had previously had the contract to make Squiers - until they started selling them under their own brand without permission!

Stroll away.The singer's the focal point of any covers band, and if the singer's sh!t, so will the reputation of the band be, and the likelihood of getting regular good, well-paid gigs.

Never encountered the NZ Commodore brand before, clearly not related to the Matsumoku-built UK Commodore brand of the late 60s/early 70s. Did a very quick Google which unearthed this article which covers the origins of the NZ company & its founder, plus a few Commodore gutars: https://www.audioculture.co.nz/scenes/ten-guitars-nz-made-guitars And this Reverb listing for a very pretty Commodore 6-stringer, its styling owing an awful lot to 50s/60s Italian instruments, IMO. https://reverb.com/item/8244871-extremely-rare-vintage-commodore-electric-guitar-new-zealand-rare-50-s-1958 Aside from Australian manufacturer Maton, I'm hard-pressed to think of any Antipodean guitar & bass manufacturers. I'll see if I can dig up anything else about Commodore. Edit: Thread on Offset Guitars forum discussing the brand: https://www.offsetguitars.com/forums/viewtopic.php?t=53549 It's a 10-year old thread so probably a few dead links.

I had a lovely Ibanez 2366B Precision copy, around '72/3 (currently owned by @BreadBin) with a similar lovely flame on the fretboard & headstock. Same factory (Fujigen) so looks like they might've chosen nice timbers for boards. Pic doesn't quite do it justice.

Pedant!

Maybe - looks like the body could be (although that shape feels familiar) but the neck looks manufactured. I think that elongated Fender-type headstock will be what IDs it - if someone recognises it, that is! Wondering now if it could be Italian... https://www.fetishguitars.com/