Owen

I have no idea what the thread is, but a Crown Macrotech would make you not want for any other power stage ever. I gigged with something similar for a couple of years. It was sublime.

I need to get one of those things for my glasses.

Technology marches on. The midi implementation was fine and dandy, I just did not care for the host instrument.

Nice set.

Peavey.

Been there, done that. It was going to be the bass to end all basses (like every bass I buy). It did what it did very well, but was not for me as a straight bass guitar so out the door it went (like every bass I buy). They were not SUPER rare so there must be some languishing around somewhere.

Respect is due.

I wish I had a career in recording and performance lasting decades that meant I did not have to have a proper job and people could discuss it on forums.

Very yes.

Ta

This one https://www.abebooks.co.uk/White-Music-Story-Barry-Tom-Rubython/30388218984/bd?cm_mmc=ggl-_-UK_Shopp_Tradestandard-_-product_id=COUK9780993473173USED-_-keyword=&gclid=Cj0KCQjw-b7qBRDPARIsADVbUbXi6mw5vpDdvUgvKHzlaWczUU75TiogDdGCk4hPQqoSvZAtCRMc6qgaAhXlEALw_wcB ?

I have the Neunaber Slate which means I can load any of their FXs into it. It goes without saying it shimmers like moonlight on a lake. It does lovely things on bowed Double Bass. But the ExP pedal extra bit enables you to have 4 different Neunaber pedal with 2 versions of each. I keep thinking of shifting it and going Mutli FX but it does make a lovely noise. The chorus is lush as well.