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Hi all, I'm hoping that somebody with technical expertise (or serious creative talent) can help here. I have a Gibson Ripper, massively customised and re-finished 35 years ago by the inestimable Ted Lee (the man responsible for Phil Manzanera's red Firebird amongst many other magical finishes). In recent years, I've noticed that the finish develops quite a heavy, dull, powdery and slightly sticky bloom or film over almost all of the instrument when stored it's case. The latter is a heavy, aluminium flight case and was re-foamed around 5 years ago. I've tried the bass in other cases and the same issue occurs. The only way to remove the bloom/film is with hot soapy water - not ideal. It is impervious to standard polish and guitar cleaners. I've read of bass electronics (pickups, active circuits) and even ageing metal parts 'gassing' (I.e., emitting fumes) and causing problems with finishes, imparting a dull film. The tuning pegs are a little tarnished but are the originals. The finish itself does not appear to be damaged in any way - it remains beautifully rich, vibrant and clear under the film. This bloom is a real shame - it makes the finish look matte rather than gloss - the bass is beautiful (please see images) and the finishing work is amongst the best I've ever seen. Any ideas as to cause and remedy gratefully received - it may be that the bass needs to live outside it's case, or that some components need change, or just a feature of an ageing paint job. Thanks in advance - I know we have many experts in the community

HI, I can probably get you some images later in the week - I can also measure and possibly trace, depending upon what you need.

Excellent taste in basses, more questionable with respect to lager. Both of these basses sounded immense at the Etihad (at least from where I was), though clearly with some processing. I'd concur - I'd say pretty clean and unmolested Fenders from around '73 to mid '76.

A P in Capri Orange came up on ebay a couple of years ago. I'm not a P player so didn't go for it (though the colour has to be one of my favourites). All black screws etc. too. It sold for around £750 I think. Probably should have taken a punt. Massive fan of the International series (and very unusual to see a Taupe).

Interesting, 'other way around for me - I was very impressed with the Sadowsky on-board in a NY bass - I found it fairly subtle but very useable and easy to find great tones (I used it with a U5 too) and had some excellent results. I've never really hit it off with East pres (U-retro in particular) though I know that some players love them: too subtle and rather flat/un-coloured for my tastes. The pick-up and pre pairing really matters in my experience and I'm surprised to hear that you're not enjoying the Sadowsky (all a matter of personal taste really)