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three

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Everything posted by three

  1. First, I'm really sorry to hear of the health issues that force the sale and hope that these are quickly resolved or eased - I've moved to much lighter basses myself in the past few years. Second, I've had the pleasure of owning a Cazpar fretless and it was a superb instrument in every respect - I've no doubt that this one is every bit as impressive!
  2. Having used both Schaller and Dunlop systems for years - both a bit fiddly to fit properly and to maintain (though not a massive deal!) - I moved away from using the strap-end part of the system. I noticed that with age, I was starting to feel more aches and pains, and some fairly unpleasant discomfort in my back when wearing a bass, even for a fairly short period of time. So began an extended period of experimentation with straps, positioning, bass ergonomics etc. As part of this, I realised that the strap locks (both S and D) imply that the bass sits slightly differently than it might if just connected strap to pin (without the lock). Indeed, I found that when wearing a bass fairly high, which is my preference, the upper bout of the instrument tends to swivel forward a little. This led to me removing the strap-end component and just fitting the strap to the pin in the conventional way, and then securing with the rubber/silicone grommets noted in several posts above. Whilst is wasn't a complete cure for the pain, it contributed positively to alleviation of the latter as it aided in holding the bass more more consistently and closely to my body, i.e., the swivel/tipping effect was eliminated. I went on to fit Dunlop pins to most of my basses as these are wider and taller than the Schallers and the basses feel more secure with the grommets in place. In short, I go for a hybrid form - Dunlop pins with silicone doughnuts. Picture attached for the avoidance of confusion re: pin style (I imagine Dunlop offer several).
  3. I have (which is weird as I'm more of a fan of SS pres) and find quite a difference. The main advantage of the Noble for me is the form factor. Easy fit on a board, smaller and readily portable. Without going into great detail, the Noble is simple and straightforward - it adds a sort of polished, produced sheen to Fender type/passive basses. I find the Monique (much) more versatile. A very powerful tone stack, though the real magic for me is in the sensitivity pot and the interaction between that and the line level. If you're a fan, the Monique seems to do the valve compression and sag effects brilliantly well. I don't find any fur or break-up with mine but that's not what I'm looking for. I find that the Monique can do what the Noble can, though not vice versa (though the latter is a real great valve pre and DI). I don't use effects much at all, so the effects power function of the Noble isn't much use. For context, I really only use valve pres for my one passive bass - I much prefer SS for the actives.
  4. Thanks, it's a lovely cab but I'd agree, 4 hours is a bit of a trek. Apologies, I can't really comment on the low B question, I only play fours, and that's enough of a struggle. I'll check around to see if I can find any comments from other users
  5. Superb bags and very protective - certainly amongst my favourites. I note this has the ProPac designation. I'm not sure what that means but probably some improvements from the original (brilliant) version
  6. Really easy and straightforward deal with daveybass - very rapid payment and great communications throughout - perfect and just how Basschat should be.
  7. Genuine, honest, responsive, communicative and flexible - a really straightforward transaction and a real pleasure - what Basschat should be like (and in most instances, certainly is)
  8. For sale, an EBS HD350 amp head. Toured by many high-end pros apparently, and preferred by some to the later (similar) models – so I’m told. I bought this as a relatively lightweight, well-spec’d AB head, then failed to use it much at all – no gigs or rehearsals in my ownership. The amp weighs about 20lbs but is an easy carry in the included 2u flightcase. I bought the head on here a couple of years ago for around £300 from a lovely seller in the South. Cosmetically, it’s in excellent condition with almost no marking or wear – please see the images. I touched-in the paint on the rack brackets – there was a little wear as one might expect. Overall, a very shiny, attractive and spotlessly clean amp head. Full disclosure. On receipt, I noticed that the amp had a tendency to crackle and fizz with the master volume set low. I took it to a local amp tech (very good, very well-qualified) and he gave it a full and clean bill of health – the seller very kindly offered to pay for the service (I declined, it was cheap). Still, on occasion, I’d hear the distorted crackle with the amp on very low master volume settings. Turning up made the buzz/distortion disappear and all would settle. I’ve rotated the volume (and other knobs) many times over the past few days and the issue seems to have disappeared – a dirty pot? I don’t have any switch cleaner unfortunately, and wouldn’t know what to do with it if I did. So, I think that all is resolved. The only other issue is that I’ve never seen the compressor light illuminate – though I play with a light touch and fairly low gain. The light may work, it’s just that I haven’t pushed it. Overall, an amp that has been pretty much unused and stored (apart from the service) – this may account for the initial fizz and then the disappearance of the latter as the amp has had a little more attention. On account of the caveats/disclosure, the price is £180 – I’d have thought a significant bargain for one of these in a case (albeit the case is a reasonably cheap if functional one). These seem to go for around £300-400 and much more in the US. I have a box and can ship. Shipping to the UK (at buyer’s cost and risk) should be around £20. Collection in East Manchester is an option, though this will be need to be socially distanced as I’ve just had surgery. Full spec and manual is available at: https://w8q2y4p3.stackpathcdn.com/content2/wp-content/uploads/2016/05/hd_350.pdf Any Questions please just ask.
  9. An Aguilar Tonehammer pre and DI - pretty much as new condition as far as I can see. It looks less green than in the images (indeed, it doesn't look green at all in natural light). I've fitted two generic rear feet and don't have the originals. In original box with paperwork. Very powerful and versatile pre and extremely solid construction. I can ship with insurance/tracking for around £10. Any questions, please just ask.
  10. Mad and magnificent. I probably couldn’t even roll it but that doesn’t diminish the desire. A thing of great beauty and purpose (at an extremely modest price IMO)
  11. Thanks, I'm recovering and starting physio soon. I tend to agree. I think that Gillett would have sold more of these basses with a slightly less idiosyncratic headstock. The headstock involves some very impressive jointing and is fairly similar to a Fodera headstock in its construction. The headstock and positioning of the tuners is highly effective, though not too elegant IMO.
  12. Now £300 including UK shipping A Scott Dixon 210 rear ported bass cab - rated at 600 watts with two Celestion Drivers. Further details are available here: https://www.scottdixoninc.com/products/speaker-cabs/ Extremely light - about 13kg with the front lid and 11kg without. 8 Ohms. Two combination Speakon connectors. The cab is in excellent condition - a few minor marks from usage (mainly on knuckle corners) - this cab certainly hasn't been hammered and looks pretty much new. Built to the usual, ultra-high SD spec. - fit and finish is outstanding. I think these are around £650 (possibly £695) new, so £295 seems more than fair really. As above, I can ship in the UK for £300. Very easy one-hand lift/carry with the recessed handle on top. I just haven't used the cab and it's taking-up space. Collection to the East of Manchester preferred, though I can probably ship in the UK. Any questions, please just ask.
  13. Updated ad - original is linked below. I withdrew this before having surgery and didn't have time to send to the Gallery - I'm listing here until I'm sufficiently recovered to pack and send-off. A lovely instrument at a pretty crazy price (IMO) - these were £2195 when in production and the case is and additional £100. Unfortunately, this has to be (distanced) collection in East Manchester - I can't lift to pack or ship. Original ad (now out of date): https://www.basschat.co.uk/search/?q=Gillett&quick=1 I always try to avoid hyperbole in ads - you'll probably know what this and will have seen/read the plaudits. Please note this is of necessity a UK only sale - there’s a lot of rosewood in the bass and I can’t verify species or source for any CITES declaration. Absolutely rock-bottom price. I got this on a great deal I'm passing it on. This Gillett model retailed for £2195 when the basses were in production. This is the J pickup only version. The wood working is just extraordinary. I showed the bass to a carpenter mate and he really couldn't work out how some of the jointing and carving had been achieved. A lot of hand-carving by the look of it. Closest sound to an upright I've heard, especially when played close to or over the board. It's a bit spooky. Details are here in a pretty stellar BGM review (Gillett also won best bass in show at NAMM 2019 apparently): https://www.gillettguitars.co.uk/content/large/documents/slimline-review.gillett.pdf In short, 31.75" scale Fretless, Rosewood Board Rosewood facings Gillett designed preamp (really impressive in my opinion) Bareknuckle J pickup 1.5" nut C profile neck - fairly substantial Condition is excellent, though there are a few headstock scrapes and three very minor impressions: two on the bottom of the lower bout and one on the headstock end. The images (in original ad) make any cosmetic marks look rather more dramatic than they are (cosmetic condition really is very good indeed). Hardware is phenomenal (it's very light though I've no idea of the materials) and a lot of it bespoke to the bass as far as I know. Playability is very good too: I had the bass fully set-up to my taste on receipt. Comes with a truly lovely snakeskin (effect) hard case with a very plush white interior. As above, collection in Manchester only I'm afraid (and socially distanced) as a result of the surgery. Any questions, please just ask.
  14. I don’t think there’s a stage anywhere on which that wouldn’t look incredibly cool and authoritative
  15. I like to stand in front of a big rig (it’s something to put one’s bits and pieces on), so for me, an agi db750 and db810, though only if I didn’t have to carry any of it. In reality, I dispensed with a rig for decent-sized gigs around 1990. I’m not claiming to be a pioneer here but it was fairly unusual at the time. We worked with a really good pa firm and a superb FoH/foldback engineer. I got used to a combination of monitors and side-fills and still prefer these (if good) to in-ears. That doesn’t mean I haven’t continued to experiment with lots of rigs, pres etc. - I actually find it’s quite fun. My current favourite and home rig is an agi db750, Hellborg pre and agi sl112. For contemporary large venue gigs, if it was down to me to do the carrying, it would be just the Hellborg pre and an Alembic sf2 in a shallow rack… and significant optimism re: the professionalism of the engineers
  16. Here you go, all specs listed (and weight is 44lbs). I use a HD210 - for me, the HD series is superb throughout https://www.bassdirect.co.uk/bass_guitar_specialists/Berg_HD_112_210_410_212.html
  17. Utter bargain IMO, these are brilliant - great tone and surprisingly loud
  18. I don’t know anything about the Streamliner but these really are fantastic cabs (and in stunning condition). Looks like a serious bargain to me!
  19. If you get a chance to play a Mullarkey, give it a go - it changed a lot for me. Viv is building simple but spectacularly good basses. Execution is world class
  20. Really surprised this is still around - a beautifully built bass at an absolute bargain price (IMO). From a pillar of the BC community too! Good luck - a stunner
  21. Me too - it’s the only thing I really like about Wals
  22. There may be no need for a fretboard removal, though, of course, it depends on how the LEDs were fitted in the first place. The Gallery were able to repair a couple of failed side LEDs for me at a very reasonable price a few years ago. If you’re anywhere near London, I’d have a word with Martin or Jon.
  23. Good question - I'll be back soon... and, 1.5” nut - string spacing (c-c) at the nut is 10mm, and 19mm at the bridge. Any further questions, please just ask
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