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thisisswanbon

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  1. thisisswanbon
    Thanks man! I can see why your rock band don't want you doing synth stuff, but you're totally missing out! I have more fun playing synth stuff then the normal bass stuff! You'll always hear the arguement of "all you need is a bass, a cable and an amp"... But I couldn't do a lot of this stuff with that set up 🤣
  2. thisisswanbon
    Thanks Lewis! I've tried absolutely all sorts including going the helix route... but the cheaper analogue EHX stuff does it for me to be honest. The octabvre mini is a dream, I use it solo'd for a fair chunk of our set. Between that and the C4, I seldom use a dry bass sound. My C4 covers filters, a more bass heavy sub octave than the octabvre, tremelo and saw wave stuff as well as some FM synth stuff... it's marvellous! Our latest promo (hopefully below). Was done first half C4, second half octabvre.
  3. thisisswanbon
    Far less exciting than the other boards on this thread, but it's taken a lot of swapping and changing (and pedals being moved on at a loss) to come to this set up, and I'm finally happy (for now!)
  4. thisisswanbon
    Those hyperdrive's are fantastic! I had one as an always on drive for years. I met James Lomenzo around that time and couldn't stop talking about how tremendous it was. Currently getting my distortion and drive from a EHX Sovtek Big Muff Deluxe and Hot Wax... the amount of options available between these two is fantastic, especially the Sovtek. Between the clean blend, footswitchable-sweepable-active mids and noise gate, it's just a well thought out, fantastic thing and all analogue. Form factor for both is a bit huge, but worth the real estate IMO.
  5. thisisswanbon
    I Tried, but the modulation aspect always got the best of me, I always found the chorus etc used to take too much away so it wouldn't sit right. Sure I would've got there with a better chorus. I get a great synthy bass sound from my EHX Sovtek deluxe with the mids engaged if that counts? I also may be cheating, but I feed my Octabvre Mini into a saw wave C4 patch with clean mix 60/40 gives some filthy results!
  6. thisisswanbon
    Also interested in this... question to all of the folks who use these to go straigh to FOH though; do you also use drives? If so, how do you tame them?! Is there an alternative to using cab sims?
  7. thisisswanbon
    I bought one as a cheap replacement of a broken Cog T16, it was alright... but didn't cut the mustard as a solo'd octave down oc2 type thing (I'd read several reviews to the contrary). Can do some great octave stuff though, they're far more than just a standard octave pedal.
  8. thisisswanbon
    How on earth do they put things like this out and make any sort of money?! Surely they'd have to sell at massive volume for any sort of return... not that this matters to you of course! 😁 Congrats on what is hopefully bargain of the century, I hope it sounds great... but even if it doesn't, 10 quid!
  9. thisisswanbon
    I've had a similar issue in store to be fair with an EBMM sterling 5. It had been in the shop for a while, so they discounted it by around £300. I snapped it up, foolishly without checking it properly. Got it home to find the nut had been damaged and looked like it'd roughly filed. Their distributer gave me a couple of sets of strings to make the issue go away which I accepted. Then the phantom coil in the pick up stopped working, so every 1/3 times you plugged it in, series sounded thin, parallel sounded thinner, and single coil didn't exist. Seemed to correct itself if you pushed the pick up until you got an audible click. Had it sent for repair 2 times to come back unfixed. Third time I told them I wanted the bass exchanged. At this point, they couldn't honour my previous deal and would only give store credit. The bass I wanted was now out of budget and money I otherwise wouldn't have spent was tied up in store credit. Ended up putting a bit more money down on a Sandberg, which I heavily modified to suite my needs before moving on at a fair sized loss. The most I'll buy from PMT now are accessories and lower cost pedals.
  10. thisisswanbon
    I'm so torn between this and the hot wax posted a bit further down! 😫
  11. thisisswanbon
    While my barefaced cab hasn't caught fire, I did have an issue with one of the cones sparking and causing a loud crackle when I used any sort of low frequency effect (oc2 etc). Contacted Alex who basically said I was wrong and it couldn't be. (I wasn't, it was.) Took it to a local electronics wizard who found a break in one of the driver connectors; meaning only 1 cone had been working. Said it had to have been there from point of manufacture (bought this second hand), and as the low frequencies were physically vibrating the connector it was catching and causing an arc and the broken cable crackling. Emailed Alex to let him know the findings, but no response 🤷🏻‍♂️. Safe to say my next cab won't be a barefaced...
  12. thisisswanbon
    I'll definitely check them out in that case! How does it compare to your Ashdown "heft" wise? I'm not sure I completely believe in the A/B vs Class D thing, but after having a few class D I have reverted back to my 20 year old GK 1001RBII head.
  13. thisisswanbon
    Thanks, Lewis! I feel the same way, although I do think that the respective pick ups to reach the same ball park as the standards (Neck: P, Bridge solo: Stingray, both parallel: all on Jazz). I found I gravitated towards series mode though for this gig, but it was running through a fairly big PA. Tomorrow I'm going to try both on parallel through my GK and barefaced rig and see how it goes. I agree that it's taking some adjusting to though but I love mine. Tempted to tuck that volume knob inside though, seems redundant with a mute button and doesn't half get in the way when I use a plectrum!
  14. thisisswanbon
    Was really interested in these when they came out, but don't GK amps usually have a baked in mid scoop?
  15. thisisswanbon
    Only gigged it the once upto now... It's frighteningly light though; I'm pretty active when I play and it nearly ended up over my shoulder on a few instances! From what I could tell it sounded great out front, output seems a bit hot for my sovtek big muff but it's a work in progress! Here's some ropey gopro footage, if you can hear anything from it https://fb.watch/e6JD0ur-lH/
  16. thisisswanbon
    Just realised I've accidently gone fully short scale! Recently traded my Sandberg for a Nordy Acinonyx, which means my gigging line up is now an Ibanez EHB1005sms and the Cat bass! I'm surprisingly happy about this, as they're both tremendously fun basses to play and incredibly lightweight!
  17. thisisswanbon
    Any questions I can answer to temp you further let me know! 😉
  18. thisisswanbon
    Thanks for that! I did check out some of his patches, and they're really good but not quite what I was after. I spotted some darkglass patches that used foldback (I think, not sure how they've managed that) and they sounded great. I think I'll have another look at it tonight before making the decision. I've got a feeling I'll get the tremolo from my C4 with the tap tempo switch, which would be handy as it's to run my C4 through anyways. Starting to feel like the aftershock that I sold to buy this was maybe a more suitable tool.
  19. thisisswanbon
    At the risk of reviving a dead thread... My Ultrawave came today, and I don't get it! 🤯 I was looking for a tap tempo tremelo, along with a mastotron style fuzz and some more tradition drives and fuzzes that I could run parallel (for the occasional clubfoot cover). Ive sussed out the tremelo, and there are a few mastotron patches in the neuro hub ( @Quatschmacher, yours in particular stood out! 👏) But the more traditional drives evade me! Everything seems built around the foldback stuff, which I'm just not a fan of. Very tempted to return, which isn't like me at all! What am I missing?!
  20. thisisswanbon
    Two notes Le Bass withdrawn from sale. It's too good to lose! Source audio also sold.
  21. thisisswanbon
    And they're gone...
  22. thisisswanbon
    Two notes and source audio pedal both still available
  23. thisisswanbon
    Pork & Pickle sold
  24. thisisswanbon
    Helix stomp and unexpected bill situation means I'm having to let pedals go that I was hoping to keep hold of. No doubt I'll regret, but needs must. Delivery available at buyers expense. Better images available and will update soon... Two Notes Le Bass - £160 Tube preamp with 2 channels, Clean channel A boost only broad EQ, Drive channel B 3 band cut and boost with sweepable mids. Channels can run separate, be cascaded or run parallel. Can be controlled via midi, built in cab sim, headphones out and DI out. Less than a year old, Good condition with a couple of paint nicks. Comes with box and PSU. *Sold* Way Huge Smalls Pork & Pickle - £130 Best sounding drive pedal I've ever owned. Re-tuned pork loin and russian pickle in 1 pedal. Both drive circuits worth price of admission. Less than a year old, Excellent condition and box and box candy. *Sold* Source Audio Aftershock - £90 Distortion Swiss army knife with convincing emulations of every conceivable distortion/drive/fuzz. Endless possibilities with the phone or desktop apps aswell. xan run stereo or parallel processed back to 1 output. Excellent condition but no box or PSU.
  25. thisisswanbon
    Does anyone know if it's possible on the stomp to change how FS3 is assigned per patch? I use the tap tempo for 1 track, but it seems a shame to lose that footswitch on every patch because of 1 song. Also, editing snapshops on the editor seems to be a bit of a slog... has anyone tried changing the function of a path split from crossover back to Y in a snapshot?
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