Chiliwailer

[quote name='Kev' timestamp='1467459829' post='3083828'] I'v had it in my basket about 7 times last night and this morning. There is nothing about this bass that I would usually go for, Fender, passive, 4 strings, roadworn, pickguard, pink, signature basses......but yet I want it so much! [/quote] That's a proper GAS attack Kev! Something keeps me looking at them, I'm intrigued. Yet I have a lovely Jazz I prefer, no money, and I'm not even into relics. So I blame this thread, entirely. And perhaps that this would be cool to own with my Modululs. However I'm managing the GAS and keeping the credit card and Jazz Bass safe, whilst saluting those that got in quick. [quote name='Markth30' timestamp='1467460038' post='3083829'] Is the U shaped neck profile noticeably different from the standard C profile? [/quote] I find them to be noticeably deeper, but not uncomfortably so at all.

Only 1 left at guitar guitar now, there were 3 this morning and 4 last night. I've never seen a bass sell this quick, it has to be this thread, right?

[quote name='hiram.k.hackenbacker' timestamp='1467437777' post='3083648'] [center][color=#dda0dd][u][size=6]This bass weighs 8.3lbs (3.8kg)[/size][/u][/color][/center] [/quote] That's a fantastic weight, I'd be seriously jealous right now if I wasn't fond of my current Jazz. Looks very cool mate.

[quote name='hiram.k.hackenbacker' timestamp='1467388935' post='3083388'] I had another quick look at it before I came out and just that headstock alone you would think had come straight out of Fender's Custom Shop attached to a Jazz priced four times what this cost! [/quote] The Custom Shop just bump it with more expensive tools! Looks awesome mate

That really does look good, nice one!

That looks gorgeous, loving the red with black stripe. Beauty

[quote name='spongebob' timestamp='1466868849' post='3079483'] I'd dive in with any massive collection of Trojan dub - there's lots available. From there - 'Super Ape' from Lee Perry, and 'Heart Of The Congos' by The Congos. King Tubby is my main man, there's tons from him. That should get you started! For me, I've always loved the period from Rocksteady up to the late '70s...the dancehall era kind of kills it for me. There's so much that was single-based as well, so there's loads of brilliant compilations to get in to. There's also great book - 'Bass Culture' by Lloyd Bradley - really good read. Happy hunting! [/quote] Haha, was distracted by football when writing my post and you've beaten me too it. Nice choices

The culture back when it started was more singles than albums, so there are many excellent compilations out there. Head for the good labels like Trojan or Soul Jazz Records (The Studio One Soul record is a great summer one) they have loads of decent ones and mini box sets but avoid the cheaper petrol station type compilations. Lee Perry Arkology is another must have compilation, very special. There are some killer albums too and some good ones already mentioned. But depends on what you're after, the lighter and faster Rocksteady or Lovers Rock, the heavy spiritual or political proper Reggae (I say that as some earlier stuff still gets classed as Reggae), or some Dub mixes. The compilations will help you decide. Aston Barrett is a killer bass player, he's on the Marley albums but also played with lots of others so can you search out that stuff. Burning Spear - Marcus Garvey with the Garveys Ghost bonus (dub version of Marcus Garvey) is a must have and he's on it. For me Burnin, Natty Dread and Survival are stand out Marley albums, but they are all good. Exodus is an easy entry and the 12 inches version of Legend is great. Dub wise, perhaps check out King Tubby to begin. Lost Treasures is a sentimental record I love as well as King Tubby and the Aggrevators which also has Aston Barrett on. This is a great easy entry compilation to get you started https://www.amazon.co.uk/Dub-Chill-Out-Various-Artists/dp/B00000B29D I could go on and on, best not to overload you though. Check out some tracks and find the direction you want. And if you really get into it, read Bass Culture, amazing book that'll tie it all together!

Looks like a very nice bass on its own merit. Would be great if they came with flats but I doubt that'd make marketing sense. I'd be a bit miffed to buy a signature series that isn't built like, and will sound absolutely nothing like, the artists actual bass. Fair enough though, I've played a few original stack knobs and even good CS ones can't replicate that old tone, so at least this one is affordable and in reach of more fans, that's very cool. I like it, but I think I'll stick to my US Jazz and Modulus Flea, it does exactly what it says on the tin and instantly has 'that' sound.

I hear you, I find that maple suits my right hand finger style much better than rosewood as my tone is naturally bass heavy. This is more so on Fender and Music Man's, probably noticeable because I know their tones so well. Though I do very much like a warm rosewood bass, I don't own one anymore and very much doubt I ever wil again. My basses are 3 x maple and 1 x graphite. Years ago when working in guitar shops we used to swap maple and rosewood necks on a bass to test the theory, we noticed the difference, though be prepared for some others here to disagree. Some say it's all in our heads, they may even be right, but I hope not.

[quote name='gary mac' timestamp='1466612650' post='3077258'] [url="https://flic.kr/p/Hsc4VT"][/url] [url="https://flic.kr/p/Hs7NyE"][/url] My 63 wearing its rather lovely new 1959 guard. [/quote] That pickguard is a great find Gary, especially in that condition. Looking good. Love these ash body ones, looks good in natural but certainly wouldn't suffer from a Clive Brown blonde 'restoration', as he calls his relics.

Clearly Mani didn't enjoy his first steps into geek'dom.

Bit of a long shot, but a Thumb 5 has 26 frets and the access to the high frets is excellent making chord work ridiculously easy. It's active/passive with Jazz pickups. And conveniently enough, I have on to sell [url="http://basschat.co.uk/topic/282128-warwick-thumb-5-nt-1989/page__fromsearch__1"]http://basschat.co.uk/topic/282128-warwick-thumb-5-nt-1989/page__fromsearch__1[/url]

[quote name='discreet' timestamp='1466448428' post='3075906'] Hayman 4040. [/quote] I'm only 50 50 with that tone

Depends on what particular unique and special tone that you've spent your life searching for... Thump? Smooth? Full? Fat? Sparkle? Boom? Thick? Woody? Rootsy? Middy? Muddy? Articulate? Musical? Clunky? Clumpy? Raw? Fretty? Thick? Thin? Tinny? Fizzle? Old school? Modern? Hard? Soft? Warm? Round? Chunky? Heavy? Sweet? Attack? Solid?....

[quote name='LayDownThaFunk' timestamp='1466441389' post='3075824'] I struggle to think of any track on IWY which doesn't sound like an active MM pup. [/quote] Now I'm intrigued as I hear a passive Jazz Bass with flats

To me, the new album sounds like a mix of the Jazz Bass with flats and what I presume is the new Fender with MM pickup, and that too sounds lovely.

[quote name='hiram.k.hackenbacker' timestamp='1466367739' post='3075361'] I listened to it in the car on the way to work this morning and it bounced back to Track 1 just as I arrived home this evening. First impressions are that I enjoyed it more than I'm With You. If it is indeed the "new method" of recording instigated by Danger Mouse, it certainly does sound quite different to anything they have done before. I want to listen to it a couple more times with no other noise interfering so I can get a proper feel for it. [/quote] I'm enjoying the album, I've always loved hearing their evolution and I value that each album has its own character, 11 diverse albums and none that I'd ever tire of. The production is excellent too on this one, sounds great on headphones and I'm pleased that I preordered it on vinyl too, really works. I saw an interview with Flea where he said Anthony overstretched that new method comment, just 5 of the 13 tunes were written in the studio apparently. Looking forward to the B Sides, the I'm Beside You ones were awesome, like a lost album.