ped

Maybe the Gestapo really are the only answer

I think they should throw a master circuit breaker

But if the reason why they don't fancy it is because of the whinging then it becomes a vicious circle, so I see where the comment comes from. No substitute for first hand experience.

I think weight has a part to play, just like everything else. I think it's often a by-product created in pursuit of rigidity, which I think is one of the main factors influencing the way a bass vibrates and reacts. Traditionally that can be achieved through lots of laminates (my Alembic had 11!), heavier woods that are stiffer or new materials like carbon necks, which of course are quite light. Nowadays I don't think there's a need for a rigid bass to be heavy and although I generally play in the studio sitting down I still prefer a mid weight bass just because from a technical standpoint I don't think unnecessary weight is acceptable. For me it's all about a rigid neck and a softer body wood to give that 'weight' to the sound, so it feels like you're slapping a suspension bridge cable rather than a piece of twine affixed to a dowel.

Nice to hear some positive feedback, too. I personally recognise many of the negative comments but also like to look at the show through the eyes of a younger self, who was wide eyed and awestruck at the first event I went too. I even remember being blown away by Nigel Clutterbuck slapping the hell out of something. I suppose it's fair to say that many of us here have a pretty in depth knowledge of gear and what's new - and I'd argue that the show isn't designed to cater for you as much as someone newer to the instrument who doesn't spend hours a day on gear forums. So I think it's important that we don't expect the show to have things that our fairly narrow niche tastes might crave, but instead try and support the show as much as possible. I've been to so many now that I know every stand there, and rarely want to play anything - and I get tired of some of the marketing and advertising and the whole thing can feel a bit creepy somehow at times but again I just remember walking in to my first one and thinking 'wow this is awesome' - and now I can appreciate the show for what it is, rather than expect it to blow me, personally, away. That said my experience is generally limited to the stands as I never get a chance to see any workshops etc, so that's a whole section of the show that I think is a big attraction, and it's a shame if they get drowned out. I really liked the format of the Manchester Bass Day where there was an auditorium for talks (a bit like our own SE Bass Bash!) which also lends a more professional feel to the performances and much better sound. Apologies that there was no Basschat stand this year, several reasons why mostly involving new parenthood but also costs and distance this time conspired against us. It also doesn't make much sense us having a stand unless we have something to show and sell, so in the future we might have a 'meet and greet' corner or arrange to meet at a certain stand so we can all say hello to each other. Cheers ped

I’m on my way out for a couple of hours

We need a ‘show Is your graphite’ Bass thread 🥰

Cool!! There's definitely something undeniably amazing about graphite necks. I normally describe them as a 'velvet brick' - even, smooth, warm and with tons of clarity and punch.

Catchy name! TX B778TX-5

We didn't have one this time

If they made them properly maybe!

Also confused

This is on a list of questions I’m going to ask as a follow up. I’d like to know more about how they’re made.

I’ll do it for you now! 🍻

He’s worth the trip alone 💓

I think the statistics show that it’s actually bigger than last year, bass wise.

I’ve hidden the other topics - I don’t think we need three threads on this?!

Sorry just seen this glad you’re sorted let me know if I can help with any further problems.

Yeah.. enough. Welcome to the forum @Frezza interesting way to start!

It sort of depends what you use the pedals for and when you use them along with what you use them with (I.e together or not) I’d put the tuner first so it gets a clean signal. Then the pre, assuming it’s kind of on all the time, then the chorus then compressor, again assuming you use it to govern your sound most of the time. Then have the amp flat to the active input, or if you really depend on the sadowsky pre then go into the power amp directly to bypass the front end of your rig. Alterations are maybe having the chorus post compression depending on settings as the comp might limit the effect I’d the chorus. That’s what I’d do but as I say it depends on what settings you use and your sound etc, there are no rules!

I wish there was a function on eBay to hide items forever - there must be about 50 basses that always get re-listed that always come up on my ‘new items’ search. Same for the books I collect. There’s only one left that I need and every week it says new items and it’s the same four or five copies of editions I already own, otherwise I’d set up an alert!

Yes the search engine went down but we fixed it last night so should be fine now. Cheers