jrixn1
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Everything posted by jrixn1
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If your emergency scenario includes a broken power supply, then the Mooer will be no good. I've had this at a wedding where my pedal board completely died - it was in the middle of a song, and in the relative darkness on-stage, etc, so it was very hard to quickly diagnose exactly where or what the problem was. I carry a Behringer DI400P which small, light, and the minimum equipment needed to get a signal from my bass to a PA in an "actual emergency" -- it's passive so I don't worry about how to power it. If you're talking about a "non-emergency emergency" where EQ or some distortion etc would be nice to have, then that's something else!
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Today's Jazz Book -- free charts and MP3's as a labor of love
jrixn1 replied to OwnHeart's topic in General Discussion
Is it the same as https://todaysjazz.yolasite.com/ ? (I just googled "Today's Jazz Book") It seems to have a download link. Good job with the book - I just didn't understand why people need to PM you to get the link. -
Sorry if this sounds obvious, but can you practise the faster tunes at a slower tempo? The note choice is generally the same regardless of tempo.
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I have a similar setup also based around a Zoom unit. The Zoom B1Xon sends an unbalanced signal, which can pick up noise. A DI box converts the unbalanced signal to a balanced signal, which can cancel out any noise. This explains it better: http://www.aviom.com/blog/balanced-vs-unbalanced/ - "An unbalanced cable acts like an antenna and picks up noise." A DI box will have two outputs: balanced XLR and unbalanced jack. I send the XLR to the desk, and the jack to my monitor. I use an MXR M81 which has DI and also some EQ. I use it in "pre" EQ mode, which means the XLR signal is unaffected by the EQ i.e. the desk gets the signal exactly as it came from the Zoom. Any EQ adjustments only affects the jack output i.e. my monitor. A possibly cheaper way is to use separate DI box and EQ pedal. I used to do it this way with a Behringer DI box and an Artec EQ pedal. The MXR just happens to do it in one unit. This is all assuming you want just the bass in your monitor. If you want other instruments then you'll have definitely have to go via the desk, and the solution will be different.
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+1 I've never used this shop before, but https://www.kennysmusic.co.uk/yamaha-bb-434-4-string-bass-guitar-black seem to have them new for £299 which is about £150 less than normal!
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Tuners are good. Depending on what/how you are practising, another good tool is a drone. E.g. https://www.youtube.com/watch?v=KvUzRnbyT2w
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I've had as many power leads fail as amps!
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@julietgreen You mentioned "a few fast jazz numbers". Do you mean you are fine at slow or medium tempos, but struggle when things get too fast? Which particular numbers or changes are you looking at? Perhaps people here can give some ideas of how to find a way through, if that would help.
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"iReal Pro" app can generate a nominal walking line to any progression you give it - but I wouldn't want to draw inspiration from it. Have you transcribed any Ray Brown? He already provided the answers to most of the questions. https://www.youtube.com/watch?v=NTJhHn-TuDY
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Is it the same (or very similar) to the Alto TS312, which is at the lower end of the market? I have not tried an Alto product myself, but my concerns would be (for any purchase really): 1. How would it cope when things get loud. 2. What is the build quality - will it still be functioning after a couple of years of being gigged? The makes which come up most on the "Interesting FRFR story" thread are RCF and QSC.
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You still might be ok. This page explains it better than I could, but basically the human brain can extrapolate the missing information: https://en.wikipedia.org/wiki/Missing_fundamental For example, the lowest note on my 5-string bass is 31Hz but it sounds good through my RCF with its range of "only" 50Hz-20kHz.
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It seems that the Rafferty is a series 2M fdeck. There is a table of differences here: https://sites.google.com/site/hpftechllc/home/hpf-pre. The main one is that series 2 has one 12 dB/octave filter, whereas series 3 has two ("The first filter has a fixed corner frequency of 35 Hz, and 12 dB/octave slope. The second filter is adjustable from 35 to 140 Hz, and also has a 12 dB/oct slope").
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I'm interested, as might be looking to get a ramp myself.
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Whoever arranges (i.e. pays) for the courier is also responsible for sorting out anything which goes wrong. The seller might not want to take on the responsibility of that potential hassle.
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Are there rules about the type of comments members are/aren't allowed to make on "sponsored" topics? I made a comment on the thread https://www.basschat.co.uk/topic/327176-new-pedals-from-the-prof/ which has since been removed. I was pointing out some factual errors regarding their website. I suppose I wasn't overly cheery, but I don't think I was negative. I recall they replied saying they would address the issues. Anyway, the topic was renamed - https://www.basschat.co.uk/topic/327176-bassics-amplification-and-effects/ and those comments were removed. Just wondering what the rules etc are.
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Ibanez ATK could be an option to consider.
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Help needed to understand Ohms with split bass cab
jrixn1 replied to Fingers McGee's topic in Amps and Cabs
Which heads and cabs are you looking at? I.e. the make & model. Because things vary a lot between brands. For example, a brand new Harley Benton BB115T and five-year-old Barefaced Compact are both "1x15 cabs", but the Barefaced would completely destroy the other (and weigh half as much). Similarly, what was the make & model of your previous combo, so we know where you're coming from? The more information we have, the specific and better the advice can become. (The advice has been good so far btw!) Budget, musical style, and type of venue are also useful to know. Can the bass be put through the PA; and if not currently, can the PA be upgraded? Because then things might sound better to the audience, and you could use a smaller amp on stage. Some bands using good PAs might not even have a bass amp at all. -
This happened to me once, and can confirm it's not ideal but yes I managed to finish the gig!
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Yes, I've had the other members of the band saying "what is that?" and "why is that over there next to the drums?" but it's not negative in any way - just the first time of seeing a PA speaker where they weren't expecting one to be. The way it looks (functional) is fine with me - although if they made a version with a cloth cover I would trade mine in for it. The closest I saw was https://www.thomann.de/gb/friedman_amplification_asm_12_active_monitor.htm but it's expensive and heavy, and perhaps lower spec than my current one. Yes, double bass sounds very very good through this! 😀
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For a reasonable definition of "best", then yes! Would not have kept with it if I felt it was a downgrade or compromise.
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For gigs when there is no PA support (like in my above photo): the RCF is behind me, providing bass for both the stage and the room the QSC K10s are just for vocals (and maybe horns) the kick was unamplified keys had his own backline amp However, typically we do have PA support, which is two QSC KSubs along with the K10s, in which case: the RCF is in front of me as a stage monitor (just with bass through it) everything for FOH goes through the QSC PA (vocals, bass, kick, keys, and everything else) (BTW... the K10s might in fact be K8s - I can't remember.)
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My setup is quite straightforward - a Fishman clone for upright and an Xotic Bass BB clone for bass guitar (P bass with flats). Zero regrets about selling all my bass amps and cabs. FWIW those were Genz Benz & Barefaced, then before that Gallien Krueger & Hartke.
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It depends on the gig. Mostly I do have FOH support, and I use the powered speaker as a monitor. But some of the smaller gigs there isn't FOH and so I use it as a backline. I actually currently have three RCF speakers - two HD 10-A and one 732-A - as I am figuring out which options work best for me overall. For example, last night I used the 732-A as backline at a wedding, doubling with a six-piece band (drums, keys, two horns, vocals). (The QSC K10 on the pole was just for the vocals). The venue was this place - it's not a huge room, but the doors were open like in the photo and many people were outside.
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First, I've reduced the collection/meet-up price to £750. I live in south-west London, but I'm travelling to Oxford this Saturday, and to mid-Wales in a few weeks. Second, I'll now post this within the UK, at cost (£20) - but I'm only comfortable doing this if it's in a hard case. Unfortunately I don't have a hard case to hand, so I would ask the buyer to either send me one or I can arrange the purchase of a new one (at the buyer's expense). The cheapest hard case I could find is: https://www.gear4music.com/Guitar-and-Bass/Electric-Bass-Guitar-Case-by-Gear4music/800 , which is £50 including postage. Or I can purchase any alternative hard case of your choice. Finally, since it'll now be in a hard case, if you don't want the included gig bag, subtract £20. It's this one: https://www.public-peace.de/accessories/gigbags-suitcases/bass-gigbags/electric-bass/956-gigbag-standard So in summary: collection/meet-up: £750 delivered (you send me a hard case first): £770 with gig bag, or £750 without delivered in a new Gear4music hard case: £820 with gig bag, or £800 without -
I hear things a lot better when they are in front of me pointing at ears than when they are behind me pointing at (as you say) backside. What is your PA - do you have access to try out using a powered speaker? I sold my bass amp (also a Shuttle) and cabs, and now just use a modern powered PA speaker, in front of me on the floor in the 45° monitoring position. If it's too sterile, use a pre-amp, overdrive, or cab sim. It makes it very easy and relatively cheap to experiment and tweak - unlike buying/selling cabs which generally have a baked-in/signature sound (it might be a very good baked-in sound, of course - the point being though that it's something you have no control over).
