bassace

Guitarist and bassist have certainly got great chops but somehow it doesn’t go together as a good performance. Bass is quite intrusive behind the guitar.

We were doing a gig once with a nice girl singer. The woman who booked us asked if she could borrow the mic. To use in the next door room. We told her it was set up in this room ‘But it’s a radio mic’ she said triumphantly. But the amp/speakers are in this room, we explained patiently.

I’ve just found this guy playing over Herbie Hancock’s reading of Stella By Starlight. Good eh?

Probably late in the day, and thus unhelpful, but have you considered a 5/8 (rare) or a half size bass?

The man needs a haircut. Surely he can afford one.

WoT

Fair nuff. But he still plays a few DS tunes on tour. So not completely perhaps.

I wonder why MK didn’t go to the RnR Hall of Fame induction. Was there frisson between him and Alan Clark?

Oh, I thought you used it for gigs and stood your pint on the rubber bit. 😬

Oh, that’s very much the exception, as you would imagine. Although the boss had done quite a bit of TV etc he hadn’t quite made the big time in the jazz world - does anyone? But he still had the odd delusion of grandeur and wasn’t backward in coming forward. I remember doing a Dutch jazz festival with a different band where we slept on the floor of a pub, all seven of us with four inches space between each sleeping bag. A year later I went over with the aforementioned and stayed in the best hotel in the city, one en-suite room to each. All the foreign tours were like that. It was a great ride.

A few things are coming back to me. ‘This is a small room so you’ll have to keep the tempo down’. We did a very upmarket gig as a seven piece Dixieland band in about 2003. We had to park in the town car park and transfer all the gear to a shuttle bus which went up the hill to this house. There was a ‘performers’ village’ in the grounds where all sorts were holed up. People walking around on stilts, fancy dress, etc. And a bossy woman with a clipboard. Things were getting all behind timetable, bossy woman getting more and more frazzled and we were missing our slot. So there was a bit of a discussion between the boss and bossy woman. Boss comes back, ‘ The bad news is we go on later and finish half hour after contract finish time. The good news is we each get a hundred quid extra.

Like the Four Tops? 😧

Bass players, eh?

There was a well remembered incident, on the South Coast I think, where the bass player put his instrument on its side on the floor behind an upright piano. You’ve guessed it, the piano fell backwards and flattened the bass. I know the bassist but I wouldn’t bring up painful memories. As above, if I can’t find a corner - and most time there isn’t one - I put my bass on its ribs. Once I’d just got off the stage at the half time break and I heard a splintering noise as the sax player walked in to it and put his foot through the table. Only a small split but it still cost a grand at a well known firm of bass makers/purveyors. A stand is good but it’s an extra bit of metal in the car and intrudes into my playing space, not generous at the best of times.

At one gig we were asked to do something Irish. So in the break we went out and dug up the car park.

Silvie is an essential, not a luxury!

Hmm

I’m not suggesting these are particularly amazing but they’re a bit different. On my Kolstein Travel Bass. Not doing much travelling right now.

I’m fitting a new tap on the kitchen sink. When I’ve finished I’ll get some measurements for you. (Of the stand, that is)

Pics or it didn’t happen.

Ooer! I’ve just googled that and it seems stronger than ‘rumours’.

An audience.

He recorded Diamonds with Tony Mehan. Bruce said in the documentary how Tony was getting unreliable and didn’t even turn up to one gig. There was probably a bit of dissatisfaction among those two and somebody convinced them they could go it alone. Not, as it turned out.