fretmeister

https://www.markbass.it/product/gouche-series-electric-bass-stainless-steel-low-action-semi-exposed/ I bet it is these. Purple and Gold are his colours too, for the ball ends.

Are they yellow silks? Could be Mark Bass. Their Andrew Gouche sig set has tapered / bare core at the bridge.

i certainly couldn’t name the pickup in it, but I could tell you if I preferred it. Apart from the SD quarter pounder. Because it doesn’t sound like a p pickup at all.

I looked at some but they seem to all be nickels, and I don’t get on with them. has to be steels really.

Since my finger injury and subsequent arthritis (middle finger, right hand) I’ve been trying loads of different things to try to get playing as well as I used to. I love thumpy flats for my jazz gig but the extra surface area on a flat compared to the winding gaps in a round make it more difficult to play as my finger tip sort of sticks a bit more, and that finger hooks on the string anyway because of the tendon rupture. So I’ve gone to rounds with a ramp and that is a lot easier. But, unless I wait for years for the strings to reach ‘almost flat’ sounds they are somewhat bright. So… is there actually a roundwound made to be old and thumpy? Or do I just have to wait for the finger poo?

I kind of make my own sets for this. Prosteels 40-60-85-105-135T Feels a lot more even across the board for me.

To be fair that says “Power Amp Tubes, Class D Power Amp” I can see that being confusing to someone who doesn’t know that a Class D is not a tube amp. @agedhorse That is a bit misleading. I’ve been playing for 36 years and I would wonder which of those 2 things was wrong as I know one of them must be. But inexperienced players may not realise there’s a contradiction there. It should really say “Power Amp Section” or some other description that doesn’t mention tubes.

Not tried the TC but have had a lot of octave pedals. I have the OC-5 and I don’t think anything else I’ve tried tracks as well. The microPog was very close but had a much more artificial, synthy sort of quality to it. Great for tunes that wanted it, but not my personal bag.

I’ve never liked rats.

Closets of my mind destroyed, as I enter outward from a void Corpses white have strapped me down, I rise above then fall Tactual hallucination, cockroaches infest the wall. Nonsense lyrics, but actually work quite well as a rhythmic device.

"Isn't it ironic?" No Alanis. Nothing in your song is.

This. Isolated bass tracks often sound awful on their own, and magical with the rest of the band. Some of the bass sounds that sound the cleanest / flattest / whatever in the mix are actually a real farty mess when heard alone.

I like this one a lot Great sounds and nice playing.

It's offending me less than the £15,000 Phil Lynott precision. But it's still taking the fosters.

He doesn't say whether the bass is in the PA or not.

But you don’t hear it with a cab. So record with a cab or an IR of a cab. There’s loads of amps that sound crap without a proper bass cab. Can you post a sound clip? Just the bass, nothing else.

Will probably help quite a bit. I do a couple of gigs a year at a place that has an awful folding stage. Sometimes I've pretty much Zero'd the bass knob on my amp to deal with it.

Definitely do not use it on a TT800. As with all solid state power section amps the master volume is easy to control, and any preamp drive will be controlled by the gain control. As said - they are for valve power sections ONLY, and the number of bass amps with valve power sections is really small, and even then the highest capacity attenuator I've ever seen for a guitar amp is 150W, which is far lower than you'd need for a big bass amp. The main reason why you don't see them for bass amps is 1: Because even valve power section bass amps really don't need them 2: There's no market for them.

High Pass filter and also EQ to suit the room even if it's a bit bass-light.

The battery life is the annoying thing. I just take a OneSpot with me if I’m just using that alone.

That compressor has impressed me so much. I sold all my others, aside from a cheap backup Marshall ED1. Ive had most of the silly money compressors and I’d take the BC-1x over all of them.

My current Nano board. It's quite fun. The Ultra Wave is a great overdrive as well as being able to do the silly stuff.

Doh! I had forgotten Sandberg will build anything as a shorty!

What would you fine people suggest for a short scale jazz type? Ideally a low weight option. ta

What Bill said, I reckon. Speakers really are a low pass and a high pass filter in a box. My own cab tops out at about 4-5Khz (no tweeter) but if I plug into something else with a tweeter I get all manner of crap at the top I don't want. Have you tried running an IR of a suitable cab in the DAW? Record it raw, and then add the IR after. Then you can change the IR as much as you like without re-recording. It's always a good idea to record a DI track at the same time too. That way you can completely change everything. Amp / FX / Cabs etc etc.