Kev

[quote name='BigBassBob' timestamp='1388076275' post='2318329'] [url="http://smg.photobucket.com/user/BigBassBob/media/2013-12-26143313.jpg.html"][/url] [url="http://smg.photobucket.com/user/BigBassBob/media/2013-12-26143237.jpg.html"][/url] [/quote] Top board. Really considering You're Doom, and I have a new B7K on the way (sold to fund my Cog, but decided I cannot do without it). The Pwnzor and Proton are not quite for me, do use use a passive bass, by any chance?

Not for this forum, this one. Please repost in the [url="http://basschat.co.uk/forum/21-other-musically-related-items-for-sale/"]Other Musically Related Items For Sale[/url] forum if you are still looking to sell

Nice tone you got there! I felt the same about the SubT, and mine was probably the first in the UK and had the bleed issue, It did sound good with the Xerograph Dlx, but not really with anything else.I think Taylor should bring out a pedal utilising both of those circuits, as the SubT seems a little specialist alone.

How is You're Doom? About the only new pedal that is tempting me at the moment! I trust Taylor has solved the SubT bleed issue now?

Just head bang and have fun

I think for the most part you have to accept that you won't nail the tone. Will save you a hell of a lot of money and effort in the long run. Chris's rig is very complex and a pedal will not get you there. The pedals you say will give you something good enough, but just don't expect to sound like muse

Oh yes!

The Vintage did very little for me, found it to be a very 'ordinary' overdrive, if that makes sense. Plenty of pedals doing similar things out there for a lot less money, not the same impact as the B3K for me.

[quote name='Maude' timestamp='1387229082' post='2309718'] If you are thinking about a Digitech BSW then GAK have them for £35 new, suckers are still paying more than that for second hand ones on ebay. [/quote] Well that's a tip. I had no idea these pedals had dropped in cost so much, swear I paid £50 or so a few years ago for one. I may well grab one!

They vary in price by loads. I was looking at getting one last year; I decide one wasn't worth £25 and didn't buy, the next one I saw was just shy of £100!

[quote name='BigBassBob' timestamp='1385685177' post='2291276'] Some excellent boards being posted, as per usual I've been waiting on a Subterranea for a few months now. I'm getting tempted by the You're Doom fuzz while I wait though! [/quote] Has he still not caught up? I don't miss mine too much if I am honest, I think it may have been rushed out a little in the end. What I think he should bring out is a large box Xerograph deluxe with the Subterrenea built in

[quote name='Guinness21' timestamp='1386701489' post='2303323'] I could really do with some help! I'm just about to put a pedalboard together. I'll be running an Aguilar TLC compressor, and a fuzz - probably a W & C tall font russian, or a musket or something like that. I also want to include an overdrive on the board - I'm considering both pedals in the title and the darkglass vmt too. I love the vintage-y sound of the vintage microtubes, but I've heard from a number of people that it just doesn't work either side of a fuzz. The b7k is awesome, but the EQ would only be adjusting the distorted tone - whereas the b3k with another preamp (probs tone hammer) wouldn't be the case. SO, what do I do? Does anybody have any experience of these pedals? Or any of the ODs alongside a fuzz? Any help much appreciated, thank youuu [/quote] Apologies if I am misreading what you say, but the B7K affects both the clean and distorted tone and having an EQ pedal after a B3k will be basically the same