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paul_5

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Everything posted by paul_5

  1. Personally I’d either go for a four string with an octave pedal or a pitch shift pedal to drop everything a semitone - unless it was a studio gig.
  2. NICE!!!
  3. I’ve got one for my 17 year old iPad- plugs into the headphone jack then plug your bass and headphones into the adaptor and run your software (I use GarageBand on there) - useful practice tool. Mine doesn’t ‘shake’ though!
  4. For me, Ric necks should ideally follow the radius and dimensions of Jazz bass necks. I love everything about the sound of Rics, I just find them too skinny!
  5. Guns in the sky - INXS
  6. Shunt that 'bucker up by the neck joint then we'll talk... 😄
  7. The Wedding List - Kate Bush
  8. Popped my flats back on my p bass (augmented with a mud bucker a la Billy Sheehan) today - got a gig coming up that needs a more ‘vintage’ vibe - and the amount of low end through the ‘bucker is IMMENSE!! Such a huge difference from my usual rounds!!
  9. The Wreckers - Rush
  10. SUCH a great vocalist - check out this track on Hospital Records...
  11. Neither; even Jaco needed four!!
  12. The Greeting Song - RHCP
  13. He kept asking Moon, Townsend and Daltry to pull them!
  14. Glory Box - Portishead
  15. Starf***ers, Inc. NIN
  16. God Hates Us All - SSSSLLLLAAAAAAAYYYYYEEERRRRR!!!!!
  17. Ya Mama - The Pharcyde
  18. Dunno, technically it’s not allowed, but it could be argued that it’s essential; have you ever used an unshielded fuzz pedal? I don’t recommend it!
  19. You're thinking of 'Squirt-it'...
  20. Speed Is The Key - The Sugarcubes
  21. Generally a lower action helps, as does sliding into the note slightly.
  22. Just as a side note - any compressor will add noise to your signal.
  23. When I first started playing fretless I used open strings wherever possible so that I could use it as a reference pitch to determine whether I was in tune or not. As I got more experienced I substituted the open strings for fingered notes for consistency of tone, but it's an exercise that served me well.
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