Great bit of kit, I love mine! Using it with an expression makes it ten times more useful, as it can be set up to control multiple parameters at once - e.g. increasing the gain on a distortion and lowering the output to compensate, changing the rate of chorus or phaser etc…
It also serves as a split - point for separate feeds to a DI and amp as it’s a stereo out!
Every home should have one.
I use a Line 6 M5 with an expression pedal for modulation, delay and pitch-shifty weirdness; everything else (filters, compressor, octave and many, many filth boxes) are honest-to goodness analogue units.
Colin Greenwood (Radiohead) has to be the least rock n'roll name ever. I think he'd actually be too risqué to be a geography teacher.
Great playing and really inventive playing though.
My personal favourite is the Ampeg SVP into any preamp that you'd care to mention. It'll do subtle amounts of honest-to-goodness tube besmirching right up to pig-shit filth; remarkable piece of kit!
Probably 'Midnight Hour' or similar. The first song I learned* from TAB was a transcription of Freewill by Rush. That was from one of my brother's guitar magazines that he'd left lying around the house.
*Not completely, but probably over 80%
I can get close enough (for a bar full of punters) on a Jazz bass by turning the bridge pickup off entirely and rolling a little bit of the tone off - gives a nice boost in volume too.
My favourites have always been the Wal 4 strings, a bit clunky for some tastes, but that’s just me. Their 5 and 6 strings are exactly the opposite; too much of a departure for me I think.
Warwicks have a similar aesthetic, so I’m quite fond of those and they have the added bonus of ergonomic tuner layout which I like. They’re like an ‘MDP’ but good!
As Bremen says, it’s a simple enough job, but it won’t be half as pretty. Can I add a second option - a cheap loop pedal with this in the Send and Return with an LED will allow it to function exactly as you described, but will leave your NE-1 in tip-top condition.