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acidbass

⭐Supporting Member⭐
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Everything posted by acidbass

  1. +1 to the above post. Country music rarely requires anything other than the standard Root 5, along with the relevant passing tones between I IV V, II etc.
  2. Three gigs this coming weekend - Friday and Sunday are bar gigs with an acoustic bluegrass 4 piece (bass, vocals/guitar, lapsteel, banjo). Saturday is a larger concert in a local community hall - ticketed affair with an Irish folk rock 6pc band. Big stage and good fun! For both gigs I'll be using my Bravewood stack knob Jazz bass, Ashdown ABM 500w head (DI'd to PA) and BF Big Baby 2 cab for onstage monitoring.
  3. Hi all, Just a quick question! Looking for recommendations for an electric/acoustic bass with an upright sound. Been looking at those Kala U-Basses although open to options. Would something like a fretless Hofner do the job? Not really interested in an EUB as such - just trying to get some options Thanks in advance for advice or opinions Danny
  4. Average White Band - Cut The Cake Delbert McClinton - Standing on Shaky Ground Little Feat Steely Dan Doobie Brothers Great genre
  5. Played an NM Precision once and loved it! Really edgy tone with rounds, perfect for pickstyle! I'd say it would sound awesome with a nice set of flats too
  6. Do the simple things well and don't overcomplicate - you'll want to listen back in a few years/decades and be proud of what you've recorded! Don't be afraid of chopping and changing sections if you are having trouble getting a full good take (requires a click track!)
  7. Hi all, Been looking at these cabinets as an option to use with a Tonehammer 500 head. What's the general feeling on here about how they compare to one another? I know the SL112 is a lot lighter but weight isn't an issue. Planning on using two matching cabinets for most stuff, with one for smaller gigs. Tone wise I favour a more 'vintage' style sound with emphasis on low mids. Any experiences more than welcomed Danny
  8. I think the only route to lightweight valve sound is valve pre/digital power amp!
  9. I don't like the way they seem to be going towards a full graphic EQ a la the TE stuff. Personally I'd prefer a simple 4 band EQ (bass, low mid, hi mid, treble), but I understand that the versatility of this new EQ will appeal to more players.
  10. Looking for recommendations! GAS-ing for a EB MM Sterling 5, HS model! Danny
  11. It all depends on the terms of the management deal. I remember a few years ago, when Snow Patrol were slowly becoming a household name with 'Chasing Cars'. The members of the band were only getting paid £200 a gig each, although all expenses were covered from the moment they left their house to start the tour until the moment they returned. This included instrument costs, clothing etc (both of which were provided as part of endorsement deals) So, in essence they would earn £4k for a three week tour per man. Not bad really, plus royalty cheques every few months which inevitably only got bigger each time.
  12. I'm sure it's been said already somewhere on this thread that most pro players wouldn't have time to contribute! I know when I've been on tour there have been periods of up to a week where I haven't been anywhere near a computer!
  13. [quote name='machinehead' timestamp='1422993865' post='2679322'] I suppose you'll get lots of suggestions and mine is......a Fender Rumble 15. Very cheap used and decent sounding at home practice volumes. Light and compact too. Frank. [/quote] +1. The Fender Rumble amps are a very musical range indeed for not much lolly.
  14. In my experience - if I have to chase a gig, I'm already at a disadvantage. I'm very happy to let a promoter show their interest in my band and for them to make the first move to rebook. A manager/promoter will know what he/she wants, and if you are lucky enough to fall into that category then you will get work. For every promoter who loves your band, there will be one who is indifferent. Better off not wasting your time with the latter IMO.
  15. BUMPAGE! Not in a hurry to sell but here is a cracking sounding bass for buttons
  16. Hi all, It is with great regret that I am putting up for sale this wonderful bass! However - I just don't have a use for it any more due to playing Jazz basses exclusively. If there is no interest I will keep her but this beauty deserves to be played. [attachment=181499:20150118_212535.jpg] [b]CLICK ON PHOTO FOR HI-RES[/b] [b]MORE PHOTOS BELOW[/b] The bass is an OLP MM2 4 string Stingray bass. These are the licenced copies of Ernie Ball Musicman Stingrays and they feel identical. To be honest this one is a little lighter on the shoulder than an old EB Stingray which I had previously. Anyway - I bought the bass second hand (stock) and had some modifications performed by a luthier: - John East MMSR 2 band EQ (based on a 70s 'Ray) - Nordstrand MM 4.2 pickup (based on a mid 70's pre-EB 'Ray) - Cream scratchplate (made by The Bass Doc of this parish) - Full setup and fret dress I really wanted to emulate that Bernard Edwards, mid-70's Stingray tone and to be honest, the modifications absolutely nailed it! The bass sounds so funky with the treble rolled off (think 'Good Times'), and when the treble is maxed there is a lot of definition with a lovely high end zing for slapping. The new scratchplate was just an aesthetic thing but it looks really good against the natural/maple combination. Unfortunately, as I said above, I'm pretty much using one of two Jazz basses for my gigs now and I don't believe in having good instruments sitting idle and not being played. Overall this cost me £150 for the bass, £110 for the preamp, £100 for the pickup and £40 for the scratchplate. Total cost of parts - £400, plus labour on top. I will take a little less than that at [u][b]£280 INCLUDING SHIPPING[/b][/u]. The bass will also be restrung and setup with a new set of Rotosound roundwounds. I will package the bass meticulously and send it via courier. Prefer payment via Bank Transfer to save on PayPal fees - see my feedback thread and buy with confidence. Thanks for looking and happy EADGing Danny [attachment=181500:20150118_212608.jpg] [attachment=181501:20150118_212655.jpg] [attachment=181502:20150118_212805.jpg] [attachment=181503:20150118_212822.jpg]
  17. Sold an amp to Lee - really efficient payment and a joy to deal with. Thanks bud and enjoy!
  18. Here we go! 😀
  19. Still for sale guys! Sorry have been away!
  20. I don't know how The Ox did it. If I were playing with a drummer as busy as Keith Moon (and I sometimes do!) - my instinct would be to keep the bass playing tight to steady the ship. I don't think there will be another rhythm section like Entwistle and Moon ever.
  21. Michael your cabs and basses make me feel all funny! Absolutely beautiful!
  22. Lovely bass! P/J is my favourite pickup combination - so much versatility and real growl! GLWTS
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