Rayman

Glenn Hughes last night at the Ritz in Manchester. Still absolutely fabulous, I love his pick playing, and his voice…. Absolutely mesmerising, still, at 74yrs old. Amazing performance. Sophie Lloyd supported and came onto join in on Burn. She’s a decent guitarist, although her stuff wasn’t really my bag.

Absolutely my all time favourite player, and he rarely gets any credit….. the bass lines for XTC on Drums and Wires or Black Sea, are absolutely outstanding and completely original. Nobody sounds like that…. go and listen to Roads Girdle The Globe from Drums and Wires, and give your ears a treat.

I do it all for us, but unless there’s a joke to be had, usually at the expense of someone in the audience, I keep it to a minimum. I think it’s important to have a bit of chat between songs… but the big no no as far as I’m concerned, is introducing individual bands members. Literally nobody cares.

Yeah I don’t think I’ve seen a Steinberger in the flesh, it’d be interesting to try one. This Hohner sounded surprisingly big, and much darker than the P bass. It was a nice contrast.

Good one last night. I used the TC rig rather than my usual Ashdown, and it sounded great, lots of clout via the 4x10. The P bass was magnificent as always, but it was a lot of fun using the Hohner B2 for a D tuned number. Cool venue and a very lovely audience.

The Blossoms, Stockport. Great little venue. Leaf is the promoter, not the new name of the band. Our smallest setup due to the size of the place, so just the ABM500 combo, but it sounded pretty good, although I could’ve done with raising it up a bit. The P bass was great, a bit zingy with new strings, but very happy with it. Cool little gig.

Yeah I knew you were a Stranglers fan. I’m really looking forward to recording it on the new record. It should be a great partner to the Thunderbird, which is already sounding ace on the first couple of songs. Also it’s going to be fantastic live.

2004 with the S1 switch…… I’m not entirely sure where that falls in terms of models.

Finally…… I have got my hands on the one. I was 16, when I first got into bass. A mate played me “Live Xcert” by The Stranglers…. and I was hooked. Jean Jaques Burnel playing a black/maple Fender Precision. Yes mate. 44yrs later, and 100’s of basses…. like all the basses, and finally I have the one I should have had in the first place….. I’ve owned most brands except Fodera , but one bass always eluded me, the one that started it, at least in my head. I have no idea why it took so long tbh… Anyway, there you go, better late than never eh?

I don’t know how big the magnet is on the back of a Celestion 12” speaker…. but that’s what I used as a bass rest for about 5 minutes. Then it dawned on me what I’d just done. Schoolboy error.

🙁

Can anyone assist? I have an active bass, that I was doing some work on…. I needed to put it face down on a raised surface, and that raised surface was an upturned speaker, with a giant magnet on the back… so, after resting the bass on the speaker, on its pickups….. 🤦🏻‍♂️, it now doesn’t work. I assume that the magnet has affected the polarity of the magnets in the pickups? Anything I can do to reverse the damage?

That’s a belting job! Nice work

Stripped and re-waxed the body… cleaned all the hardware…. The neck has come up lovely…. Ibanez definitely put the money into the neck materials, because the body is a right lump of low grade mahogany. Anyway, it’s taking shape

I’m a miserable old man, who finds child prodigy’s very irritating. That’s more about me than them though, I’m only jealous and bitter. I remember first seeing Joe Bonamassa as a wee lad, doing his guitar face onstage at about 10yrs old….. I couldn’t stand him. Then, about 20yrs later I saw him live…. he was absolutely amazing of course.

1986 😆 and thank you 🤘🏻

We were originally a 4pce, but the original bass player left. The remaining 3 of us are original yep…. I was the singer, but also took over on bass when the original guy left around 20yrs ago.

Crisis…. 3pce original heavy rock since 1980….. we’re in the process of recording a new album “Homecoming”, which should be done by early next year. Three old men, pretending to still be relevant.

Yes I was never a fan of the colour on these historically, so working in the joinery coatings industry, I’m sure I can make it more palatable. It’s not even really the colour, it’s just the way someone has just brush applied some fence paint to it with no care at all. Any road, we’ll see where it goes.

The neck is lovely, but the body wood, Mahogany I assume is very light with everything stripped off, and feels, frankly, like a bit of driftwood. Not exactly grade A timber.