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visog

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Everything posted by visog

  1. Erm... just get a synth?
  2. Yeah fugly like a Tyrannosaurus' arm...
  3. Probably for balance...
  4. Some AFR goodness with none other than Dave Swift presumably organised by slated Ibanez UK...
  5. Agreed... so how much do you think they'll be... without speculating of course..?
  6. My bass spews 18v of filth... It's pretty hot. The OP plays a Jack Cassidy so I think that's a semi-acoustic that could boom or have all sorts of transients.
  7. Good point Bigwan. Perhaps we need to chillax and get back to unity gain: in life, in politics and in our psychology.
  8. Wahhh!!!!! Sounds like a faulty unit? Normally sound great.
  9. Erm… I think it depends on your technique and how 'hot' your bass is and if your recording... You say your technique is rubbish so if you're heavy-handed I consider trying one... Intrigued with your pedal board...
  10. DaveFry… I'd love that Wal through a Trace rig...
  11. Loads of pre-amp options... some good suggestions so far. I'll dive in with tube-loaded Two Notes Le Bass or Darkglass' solid-state range which all sound awesome with varying degrees of grit. Sensing for this OP the Vintage Ultra being the most appropriate.
  12. Thread died before the punchline... Looks good. Need to hear it in action on YT: https://www.premierguitar.com/articles/28374-strymon-unveils-the-volante
  13. Sorry to be obtuse but I'm fascinated with how rudimentary the layout, type-set and printing was in the 80s - pre-computers I suppose.
  14. Think a good example of his tone is this clip of his Roddy bass with Bill Bruford on his Simmons kit with Kazumi Watanabee (Spice of Life records) Clear tone from about a 1min in...
  15. Thanks for clarifying. Is the micro-POG digital? Otherwise we're in comb filtering danger aren't we with a slightly delayed digitally processed signal alongside the clean?
  16. Can you elaborate how you achieved that - I'd like to give it a go? AFAIK you can't spilt the signal in the GT-1B?
  17. A dangerous separation. Reuniting tone and music again I'd cite JB's beautiful chording and tone on 'Tokyo Dream' has a highlight.
  18. Tune's a clunker though eh?
  19. LoL! I think the OP is referring to JB's tone prior to their hiatus so 30 years ago. Exactly the same here! I loved his chording behind 'Tokyo Dream'. And live too where i saw him with John McLaughlin and Trilok Gurtu. I think the key element at this time was his 'Rowdy Roddy Piper' Precision with a graphite neck, single Bartolini pick-up, Badass bridge and little or no chorus. I think it got stolen and things went downhill from there tone-wise. Here it is pre-Roddy sticker. I believe the neck pick-up was never wired-up.
  20. He was on the money with Geddy and Chris Squire though eh? Prog genius...
  21. Oh man that's bad news. I've no experience to answer your question but I hope you're swinging again soon. *Edit: I mean in a rhythmic context. Extra points for it in a marital context.*
  22. oof! Very nice. Intrigued with piezo in conjunction with its EMCs or are they Warwicks own?
  23. Bit more on this... with better sound and playing...
  24. Coo! Is it compulsory to play Prog-Math-Metal on them? How much?
  25. Jesus Christ! A Dug, TNLB and a Plasma!? That's a galactic wormhole right there! Whatever you do, don't connect a Darkglass or it'll be the 'Big Bang' all over again...
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