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Yes I assumed you'd need the low pass side - an optional defeat switch for the tweeter might be an interesting extra. I suppose a 2.5way ideally necessitates an extra pole on the low pass filter to smooth out the transition, and I guess that'd normally be an inductor so a bit more cost as it's need to be low down. I built 2.5way tops with some Deltalite 10s that I deemed unsuitable for bass guitar compared to more robust drivers, it did do that 'girth' thing which bassists chase.

Thanks. A bit of looking on t'interweb says it's on 28/2 and 1/3 and at the same place... Am hoping to go....!

And here's the list to date based on tracks per year. As previously suggested the 70's and 80's dominate

Incredible isn't it? Imagine paying more for a brand new vehicle that's been dented and scuffed from the factory (for example) 😊

But a very popular one... Apparently 2dB is seen as standard for phones etc.

'Whatever's Written In Your Heart'... It's on 'City to City'

Mondo Generator are worth seeing if you get the chance. They play a load of their own stuff plus the Kyuss songs he recorded and they're really good. Nick and the band are pretty cool as well, they hang out with the fans before and after and watch support bands from the crowd as well.

To me vintage tone is characterised by lower impedance windings and modest strength magnets giving a lower output with more middle and top end without being harsh. This gives a richer sound but you need to crank the gain more.

That would be a terrible design!

That brings back some memories, or fragments anyway. Never really got around to listening to any albums (maybe I shohld rectify that) but an absolute must see at any festival in the 90s

I suspect a well designed tv has one volume step = 3dB.

It sounds like complete open circuit to me. I suppose I could put a micrometer on the plug...

I started up an 80s band some time ago. We are still "forming" finding the right songs and so forth but it's feeling good. So I wanted an 80s bass and having sold off three basses at the end of last year I was feeling good and came across an Ibanez Musician from 1980, fully original. Struck a deal and it was delivered yesterday by the owner and used last night at band practice. First impressions: chunkier neck than I'm used to but not unmanageable. Weight is ok and a decent strap. Lots of knobs! These are a bit excessive I think: vol vol tone, three way pup selector, active/ passive switch, bass, mid, treble... So for ease of use it's both pups on full then using the active to find the sound. I played through an Ampeg head and Trace cab with the EQ relatively flat. This bass cuts through the mix! Gorgeous consistency all over the neck in terms of tone and volume, lovely for high fills, really nice sound for finger pops that I can't seem to get with other basses. So far I'm chuffed. Terrible photo, but I've been too busy playing it to just admire it.

All this talk of Gibson has got me thinking about Epiphone taking some risks. They could do some multiscale 4/5 string RD Artist basses with some weird electronics.

Same with the Ozrics! Excellent gigs...

IMO pretty much any modern bass will be well-made enough to be more than useable for recording. Go and try a load and buy the one that suits you the best.

⬆️ this….. A Squire CV P is a great choice, but it should be a bass that feels comfortable and sounds good to you. There are SO many options these days, at very sensible prices, I would try a bunch if you can. If you aren’t in a position to try stuff, the Squire is a good gamble.

I used to think the same about Classic FM's 'Hall of Fame' 300. Then I joined a Facebook group for choir members and as the Hall of Fame voting came around there they were - deciding which obscure piece they would all vote for this year and congratulating themselves at last year's success at getting an obscure piece in as a new entry at 180 or something.