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Brie-the - Pink Floyd
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Reduced to £145.00. Neunaber Immerse mark 2, in pristine condition and perfect working order, boxed and with rubber feet and plectrum. Collection welcome or can post insured (UK) for £7.00 With richer reverbs and a Mix knob that goes 100% wet, the Immerse Mk II is our best-sounding reverberator to date. Delivering the same no-nonsense flexibility as its predecessor, it s more user-friendly than ever before. Experience studio-quality tone in a pedal that can be used with instruments of all stripes. The Immerse Mk II is packed with eight versatile reverb effects, including the new W3T and Sustain effect. Less Feature1 Stereo Reverb Processor Effect Type Reverb Technology Digital Mono / Stereo Stereo In, Stereo Out Controls Mix, Depth, Time/Tone, Pre-Dly/Mod/Blend Modes 8 Reverb Types Switches Kill Dry, Trails, Program Bypass Mode True bypass or buffered bypass Power supply 9 VDC, Center negative Power Consumption 80 mA The Neunaber Immerse MkII is certainly not a one-trick pony when it comes to options. Boasting 8 different reverb types, including a blissful Shimmer verb and a Sustain mode, the Immerse MkII also sports more standard Spring and Plate reverb sounds to satisfy the traditionalists. However, Neunaber's flagship W3T reverb mode has been refined too, delivering a smoother and more three-dimensional sound. Now with adjustable pre-delay, it enhances what you play without covering it. A new feature on the Immerse MkII, the pedal's Mix control now allows you to go to 100% wet. This means that you can enjoy a huge, engulfing ambient reverb sound that'll fill a venue or a track with unbridled echo! Modern Features Like their entire range, Neunaber's Immerse MkII is aimed particularly at contemporary and experimental guitar players. This means that apart from its class-leading sounds, the unit can also be seamlessly integrated into your rig. Boasting an analogue dry-through signal path for low noise and zero latency, the Immerse MkII also sports a high-quality buffer to ensure that your signal remains strong and clear. Stereo outputs also let you take full advantage of the incredible reverbs offered by the unit, so that you can achieve an ultra-wide wall of sound when using two amplifiers. Modes: W3T (Wet version 3) — exclusive to the Mk II, our new flagship reverb is smoother and more three-dimensional sounding than ever before. Now with adjustable pre-delay, it enhances what you play without covering it. Plate – Bright and diffuse like a studio plate reverb. Hall – The lush, open sound of a concert hall, now with adjustable modulation depth for achieving deep modulated tones. Spring – The distinctive twerp of a tube-driven spring reverb. Now with adjustable modulation speed, it can achieve a vibrato-spring sound. Sustain – A new algorithm built on the W3T reverb. This magical, versatile effect can be configured as a sustainer or infinite reverb. Echo – Combining the W3T reverb with stereo echo. Detune – Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb. Shimmer – Reminiscent of a synth pad that follows what your instrument plays, this effect combines the best qualities of our previous shimmers-
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Now £225 Boss ME90B up for sale, in pristine as new condition boxed and comes with a very nice boss carry bag and boss power supply. Also works very well using AA battery power. Collection/try out welcome, or UK insured postage for £15. Boss ME-90B Bass Multi Effects Processor with Power Supply is a cutting-edge tool for bassists seeking to push their sound further. If you want a comprehensive FX platform but don't want to deal with fiddly touch screens and layers of impenetrable menus, then the ME-90B is just the solution! It boasts a whopping collection of 61 meticulously curated effects - all from the BOSS bass effects library - and each with physical, tactile knobs to adjust parameters and dial in your ultimate sound. Alongside that are ten onboard AIRD preamp models, delivering studio-grade tones in a compact performance package. This hands-on approach is complemented by an expression pedal and direct-access footswitches to offer you an array of adjustments on the fly. Moreover, the ME-90B shines in terms of connectivity and adaptability. Whether you're connecting to stage amps, house PA systems, or computers, this processor is equipped for it all. Its superior sound quality is assured through 24-bit AD and 32-bit DA conversion, alongside 32-bit floating-point processing and a 48 kHz sampling rate. From the rehearsal room to the stage and the studio, the ME-90B is a powerhouse of creativity, offering bassists the tools they need to explore new sonic landscapes and refine their signature sound.-
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£80.00 WMD Parametric EQ in it's original box with user information sheet. This unit is in excellent unmarked condition and perfect working order. Great quality EQ in a compact pedal, tryout/collection welcome or insured UK postage for £8.00 There are 3 bands of EQ with frequency ranges from about 40Hz to 15kHz. Each band is an independent bandpass filter with adjustable center frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like. Stomp Switch - This footswitch activates the EQ. The center LED will be lit when the pedal is engaged. Freq - This selects the center frequency of the filter. The three frequency ranges are: 31Hz to 1.6kHz, 100Hz to 4.8kHz, 300Hz to 16kHz. Q - The Quality Factor (Q) gives you control over the sharpness of the filter. Turn it up and the filter section becomes resonant and more abrasive. Low Q settings sound like a traditional EQ, higher Q adds resonant nodes. The Q ranges from about .1 to around 30. Level - This controls how much cut or boost you have from the band. Center it (0) and the band is out of the circuit. Turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less. If all 3 controls are at 0, you should be able to click the pedal on and off and not hear any difference. Overall Level - This gives a overall cut or boost at the output of the Parametric EQ. Like a volume control, but with some gain available.-
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A few straps available, prices include UK postage: All measurements are from the strap pin holes. 1) this one is now sold. Right-On, very high quality strap. 2) this one is also now sold. Comfort Strapp. 3) Unbranded strap, nice quality 7cm wide, feels like leather outer, suede inside. Excellent condition, minimum length 93cm to maximum of 130cm. I added an extra nut and bolt (with plastic cover) to stop the wider section from riding up. Now just: £12 -
NOW £80 POSTED Mackie 802 VLZ3 mixer Cracking little desk, I've used it for home recording and gigs - sounds great for both. Tons of features, great mic preamps, full working order, complete with PSU (euro plug with adaptor). Selling as I'm just not using it any more. Manual here http://kunstencentrumbelgie.com/overbelgie/802VLZ3_OM.pdf I'm in Manchester over the next couple of weeks - happy to meet at a services or even drop off if you're near the right motorway. Trades - I'm interested in Jamerson's original P Bass or *possibly* a compressor pedal - feel free to offer anything else.-
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Comte Gether - The Beatles
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Hi!!! 19mm Spacing!!!! -
Bought this a few weeks ago for a gig I had at new year as a last minute replacement for my fuzz that died. Since got my usual fuzz repaired so this isn’t needed. Pretty much brand new except Velcro on the back. Price includes shipping in the UK, cheers!-
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Price drop again £100 - Loud Inc 1200W 4x10 with tweeter
Bassman72 replied to Bassman72's topic in Amps and Cabs For Sale
Could arrange a mutually convenient motorway services deal. -
Yip
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You mean, the kind of notch @wateroftyne ? It looks like rust to me and I've gone back in my books, but can't see that "notch" as a standard early 60's feature.
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x
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I was trying to be a bit tongue in cheek 😌
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Phew. I am glad you came up with the answer quickly. I was about to embark on a spot-the-difference puzzle, and I hate those.
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Gruyereoplane - RHCP
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It was a Feta-ccompli!
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T'isn't. 'A' tuner more commonly found in the early 60s.
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I've done a review of the amp: -
Right. I've had this for a couple of weeks now and I'm very keen on it but have not seen Positive Grid stuff mentioned much on basschat so I'm going to try and give a good account of how I've found it in use. This is all personal and I'm not a pro, I've only used it a couple of situations but I'll have a go. I wanted a small amp that could do a lot of things, mainly be a practise amp that I could use for bass AND guitar and may be up to practising with a band if need be. And it does the job. Not without flaws. I think the best way to describe what it's like is to tell you what it's, then how I've used it, and finish off with some pros and cons. So, what is it? It's a small combo amp about the size of a practise amp, 2x8" with tweeters and 150 digital watts. It SAYS it has 4 inputs but really it's CH1 instrument input at the front, CH2 instrument/mic input at the back and CH3/4 is a stereo in though you can connect with bluetooth and USB. You can also buy a battery and run it from that though I've not got one as it costs about £80 - quite a lot I thought but then that's no more than the one in my DeWalt drill. First impressions are that it's heavy, the knobs feel a bit cheap in use but it has a feature that I love and that's a little sort of leg thing at the back that you can use to tilt it up. This is really handy as when I'm practising I want the sound firing at my ears not the floor - it's good for the neighbours too. It cost me £480 from GuitarGuitar (great company) and came with a free mic stand and cheap mic so that's a couple of Christmas presents for people sorted out. As a bass practise amp. I've been really enjoying it to practise. The Positive Grid app is great and I'm still getting to grips with it but the bass models are pretty decent and there are loads of pedals and effects to play with, but as a basic quiet amp it's really good. The sound is quite rich and deep and dynamic at low levels - no doubt all manner of algorithm fakery flattering the sound but it's good. I saw one review that said the bass tone was sort of synthetic, which I can understand, but it's one of the few practise amps that sound nice at low volumes. One drawback that I found right away was the hiss. I suspect that the preamp and a/d circuitry isn't very high quality as the moment you add presence or drive it gets really noisy. I don't mind this so much but if you find hiss annoying try before you buy. As a guitar amp Blimey! It's incredible. I am not much of a guitarist and I have always been put off by high tech modelling setups but this makes it really easy to dial in a good starting tone, from a British combo to American tweedy or high-gain amp so I can just enjoy playing and not get hung up on the tech. It's bloody loud. You could definitely do a small gig with this for guitar duties. I took it to a mate's place for a bit of a jam, practise sort of evening and with him on acoustic and this amp doing the bass the sound was really lovely. I think as a practise tool it has a lot going for it as it sounds very pleasant in a mix. Practise with a drummer Well. This took it to its limits really. We were in a small space (shed) and even in there it looked small, but I carried it in a rucksack on the train along with my bass and I can't think of many rigs I could do that with. I have a MarkBass NY121 that I can get around on a trolley but nothing I could stick in a backpack to carry. The kit wasn't a really loud one but the Positive Grid did manage to keep up and not sound bad, but to get it to that volume I had to do a lot of messing around within the app to boost gain on part of the signal path. Having said that, I enjoyed the rehearsal and the other guys were impressed. In future we will go to Pirate and book a room with backline but I know if I have to rely on this again it'll do the business. In conclusion. Pro's. It's small, not too expensive, it does a lot of things - some well, some not so well - has an amazing range of sounds and you can run it off a battery. It's a great practise tool and ideal for a cafe gig - you could easily have a microphone too OR a guitar as well, or even run a small mixer into it. It's also great if you want to play some music in the garden for a bbq or take it camping. Con's It's not a pro piece of kit. I don't think I'd ever want to be in a situation where I was relying on this for a paying gig - the fact you need an app to adjust so much of the sound means it's clearly not something you'd rely on. It also doesn't feel or sound like pro-kit, but then doing what it does and costing what it does I don't think anyone would get that impression. If I was a serious busker I'd be looking at a powered PA monitor, mixer etc, or maybe a Roland Street Cube EX - those seem more rugged and reliable. Another big drawback is the noise, and I think this is something that other Positive Grid products have struggled with. If you don't wind up the volume it's okay, and you can put a virtual noisegate in the chain too, but be aware it's a thing. Me and a mate are planning on doing an open mic at a small venue around the corner and this would be ideal for that. It's small, portable, sounds good at low volumes and if there is a problem - even a really bad one - it won't matter for the sake of a couple of tunes.
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The "A" tuner is the same as the others @wateroftyne, or please enlighten me.
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That’s some good news Steve
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'A' tuner is different to the others- possibly earlier.
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Sounds like a brie-ze!
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Remember a cople of weeks ago when I said "For every decent gig I do, there's fifty rubbish pub gigs that make me think "Why do I bother...?""? Well, I did TWO of them this weekend with the Cantina Band. Friday was the Meathead's Arms in Sutton Coldfield, hardly anyone there, we played well, my current squeeze came to see us for the first time and loved it, which was nice. Saturday was a Rugby Club do - we assumed it would be a great gig and it was for the first five songs, then everyone started drifting away and by the end there were about ten people there. The highlight was going for a wireless wander (out of boredom) and discovering the cheese table at the back - I played half the last song one handed while eating celery and Red Leicester. Ho hum, paid rehearsals!
