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'downgrading' from 5 strings to 4...?


lowdowner
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[quote name='Fat Rich' timestamp='1363300176' post='2011400']
I don't play often below E but sometimes it's nice to drop one in.

It took me ages to adjust to 5 strings, then I struggled to go back to 4. Now I switch between them without thinking and enjoy them both.

But I never felt the need for a high C string despite owning a lovely sounding 6er.
[/quote]

A high C string seems perilously close to a treble guitar! :(

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Well it's almost 25 years since I bought my first 5-string bass, and I haven't really looked back. IME most people who try 5-strings and then go back to 4, simply haven't tried a good enough one to be able to make a properly informed decision. There's a lot more to a 5-string than simply a wider neck to accommodate the extra string, and unfortunately for those who want to try one out, unless you are very lucky that means spending a fair bit more to get something worthwhile.

I was lucky in that I was still a relative beginner, when I bought my first 5-string, and even though it wasn't a brilliant example it was a better bass overall than the 4-string I'd been using up until then. Also a year or so later I was able to buy a really good Overwater 5-string bass at a bargain price, and that set me on my way.

I've recently been re-evaluating all my 4-string basses since they've been mostly unplayed for years, and I wanted to see if any worth worth hanging on to or if I should just sell the lot. So I've been trying them out at rehearsals, and even took the Born To Rock out to a gig. However my overall feeling is that except for the opportunity to wield some other weird looking instruments on stage, there's nothing in any of the 4-string basses worth keeping that my 5-stringers don't do just as well - and in most cases much better. However if the Talbo Bass doesn't sell I may well look at getting it converted to a 5-stringer!

Edited by BigRedX
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A 4-sting will often sound a lot bassier and a lot clearer- even in the upper octave. Its....

Strong fundamental, weak harmonic mids (low stung instruments like 5-stings)
versus
Strong mid harmonic, strong fundamental (a 4-string)

An upper octave instrument is usually perceived as bassier because of the accompanying mid harmonics that lower pitched instruments don't possess.
In short, it's more audible and more textural.

I would encourage any bassist to do themselves a BIG favour and 'downgrade' to a 4-string and return to audibility. :D

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[quote name='lowdowner' timestamp='1363208407' post='2009941']
Can't you play the 'low' tones just an octave higher (or even, gosh, something different around the same theme/feel but not so low?)

I ask genuinely by the way, I don't know the answer :)
[/quote]

Yes, you certainly can. And it's very likely it will sound great; just listen to a bassist like Chris Squire or Jack Bruce if you're not convinced.

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[quote name='Spoombung' timestamp='1363432243' post='2012607']
A 4-sting will often sound a lot bassier and a lot clearer- even in the upper octave. Its....

Strong fundamental, weak harmonic mids (low stung instruments like 5-stings)
versus
Strong mid harmonic, strong fundamental (a 4-string)

An upper octave instrument is usually perceived as bassier because of the accompanying mid harmonics that lower pitched instruments don't possess.
In short, it's more audible and more textural.

I would encourage any bassist to do themselves a BIG favour and 'downgrade' to a 4-string and return to audibility. :D
[/quote]

I'm really not sure about that. I don't hear the top four strings on my five string as sounding any different to a similarly configured four string. My ash bodied, bolt-on necked 5 string with passive Jazz pickups just sounds like a Jazz to my ears. If there is a difference due to the heftier neck, increased tension or differently shaped pickup coils, I think it's smaller than the variation that exists within differently built four string basses.
The only difference I have noticed is that the type of right-hand stroke you can use on the E string is different, as you now have a lower string limiting your finger movement.
EDIT; I read your post again - I guess you're talking about the sound of a higher octave note versus a lower one, not comparing tone of the same note on a four string vs. a five string. If so, ignore the above! Although by the same logic, perhaps we should all "upgrade" to guitar and ditch those bass notes entirely! ;)

Edited by Beer of the Bass
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It's all about picking the notes that sound and feel right. Having an extra string gives you more options. Also the same notes played on different string sound different. I much prefer the sound of notes played in the second octave and the B, E and A strings to their equivalents on the D and G strings, there's so much more weight and presence to them.

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It has been said before on other threads but the extra string does make the bass sound different, I have owned multiples of the same bass in 4 and 5 string versions and it is there for sure, the argument about it got silly last time as I recall but my view is that both basses sounded great just different other 5 stringers were up in arms at the suggestion of the B altering the overall sound of the bass especially on the open strings.

Edited by stingrayPete1977
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[quote name='Beer of the Bass' timestamp='1363433286' post='2012623']
EDIT; I read your post again - I guess you're talking about the sound of a higher octave note versus a lower one, not comparing tone of the same note on a four string vs. a five string. If so, ignore the above! Although by the same logic, perhaps we should all "upgrade" to guitar and ditch those bass notes entirely! ;)
[/quote]




Yep, I'm just talking about the octaves, not the actual instruments. :)

You can have as much fundemental as you like on a 'B' played on a 4 string (an octave up from a bottom 'B' on a 5-string) and it will often sound much bassier because your ear will tune in to the harmonics - the harmonics that are very much lacking on the note an octave below. Your ear can 'track' the bass line and you get a sense of a [i]complete bass line[/i] rather than low rumbles with a few high notes.

Having a 5-string and playing below the E on the B string [i]for most of a song[/i] is a quick way to make your bass playing anonymous and it will reduce all your efforts to inaudible padding and rumble IMO. That's what I tell my students!

Edited by Spoombung
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[quote name='lowdowner' timestamp='1363206619' post='2009902']
just wondering if anyone on here has 'downgraded' from 5 strings back to 4 again permanently? I've been playing my 5 stringer for a few months now and haven't touched my 4 string (Thumb B.O.) since I first discovered the joys of the 5 string...

I've had a week's holiday this week and spent most of it playing my 5 string bass (well, who wouldn't?) but on a whim decided to play my 4 stringer again today and something feels kind of 'right' about 4 strings.

Anyone else had this feeling? Is it just familiarity with the old 4 stringer, or is there something that just 'works' with 4 strings? I'm interested if anyone has gone through a 5 string 'phase' and returned to their 4 string permanently...?
[/quote]
Went from playing a lovely Pedulla thunderbolt 5 to a 1964 fender jazz and Sadowsky jj 4. I am much happier in 4 string land and its no downgrade IMO. Funny thing was I found adjusting from 5 to 4 much more demanding than going from 4 to 5

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[quote name='Spoombung' timestamp='1363442800' post='2012781']
Having a 5-string and playing below the E on the B string [i]for most of a song[/i] is a quick way to make your bass playing anonymous and it will reduce all your efforts to inaudible padding and rumble IMO. That's what I tell my students!
[/quote]

Yep, I definitely agree with that. Though I enjoy my five string, notes below the E on the B string are a rare occurence with my band. We have songs in the key of B where I don't use the low B at all. Out of our whole set, I think I have a few instances of the low E flat and a couple of D natural, and they tend to be part of a line rather than pedalled on. Although I could use a four string with a Hipshot (or just tweak my lines a bit), I like the reduced shifting and the "full length thumbrest" I get with the B-string. Oddly enough, four strings still feel natural to me on my double bass, but that's an entirely different instrument.

Edited by Beer of the Bass
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[quote name='hunt the shunt' timestamp='1363458331' post='2013035']
The title of this thread seems to be suggesting that a five is better than a four. It is not.
[/quote]

I don't think it's a case that a 5 is better than a 4... I've been using a 5 for the last 17 years, but to my mind the 4 is also still a valid instrument in any genre of music. I've got a 4 kicking around and enjoy playing it as much as any of my 5's - it occasionally feels like I've lost a digit when I pick a 4 up, but I get over it very quickly. A bass is a bass :).

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When I was 12 I picked up my first bass.It was a 4 string. It wasn't until I was 19 that I got my first 5 string. I played 5 and 6 string basses for the next 13 years and then about 5 years ago I went back to 4 strings.

I don't miss the extra strings.I have a detuner to handle the lower stuff. I'm playing better than ever without the extra stings and I certainly don't feel that I "downgraded" In fact, all of those years of playing wide necks, especially the ironing board width of the Yamaha TRB6, anything with 4 strings feels like I'm holding a pencil.

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I played a 6 string for a couple of years but in the end I decided I didn't like the sound of the B or the C strings. When I got into it I liked the B but in the end it just seemed to sound really '90s! The C string I don't think I ever liked, it was just weedy-sounding. It was a good bass too, one of the first Corvette Prolines with a pair of Bartolinis in it.

So yeah I bought a 4 and like others have said it just immediately felt more comfortable to play. But also I think the fact that there's less difference between the timbre of the strings is a really important factor.

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