How are you defining a song or solo as emotion? Is it that it provokes emotion in you? That doesn’t necessarily mean it wasn’t written or played without emotion. Theory (intellect) is just a tool to help you get to ideas quicker or understand the ideas of others (including their emotion at point of writing/ playing).
Listening to music you’re not familiar with is a bit like watching a film in another language. If you cant interpret what’s going on, you’re less likely to enjoy it.
I think there’s some confusion creeping in on the definition of a session musician. My understanding is it has always been someone who is hired to play on a recording at a studio. There are touring guys and TV players that do this too, but not many where it’s their main income.
Audio technica headphones - must have had think 10 years and hopefully they’ll keep going. I did have to replace the ear pads.
Cakewalk Audio Interface hasn’t failed since new in 2009!
Fender P bass - bought new 2006 and not going anywhere
Straps - was surprised to learn recently some folk get GAS for these!
Music stand is probably 15 years old now but still fine.
Korg tuner only replaced my old one because I left it in a rehearsal studio or venue
Normally depends on the type of band. If it’s a big function band, big band or theatre work then it’s not uncommon. Less common for a pub band or unsigned artist.
Probably different with headless but how do you find the ergonomics between original and flamboyant? I prefer the original shape but flamboyant I expect to balance better?
I bought an American Dlx off eBay for £450 just over 15 years ago! The preamp wasn’t the best so I’m it moved on, but in hindsight I should have just changed it and kept will the bass because it was a beauty to look at!
Telling a bunch of addicts there will be gear available is a bit cruel. My first thought was how good kick drum mics can sound for recording a bass cab. I neither have a drum kit, bass cab or the need for any recording but I still wanted it 😂
Sire have you covered. 34” scale so not completely alien to a 4 string, passive or active, maple or rosewood, ash or alder, jazz or precision, and if you get one with the roasted neck and rolled fingerboard they’re loverly to play.
Close to my utopia:
1) vintage fender P with flats
2) vintage fender J with rounds
3) fretless jazz bass
4) modern 5 string (probably soapbar or similar).
If I found a money tree I’d probably have a bigger vintage collection but I wouldn’t see the point in more than one 5 string in my situation, not even a fretless one.