Rich

Just started listening to this again on the iPlayer and noticed this. What's going on here then? I presume it's a butchered Faker?

Enough scripture-talk please, gents.

I still have my old long-sleeved (black with grey sleeves) BC t-shirt with the 'old' logo. Really excellent quality garment, hasn't thinned or worn with age at all. I think it will outlast me. I'd be interested in a polo as I could wear it to work -- my Wal polo is sadly too small for me now (or rather, I am too lardy for it). Something other than black though.

Thanks. That's a whole bunch of nightmarish mental images that I simply cannot now unsee. In ten years' time, I shall be lying on a psychiatrist's couch telling him about this moment.

And that's exactly how I approach my XT Live too. Patch 1A is a total bypass with no FX or EQ or models and the output volume set to the same level as a plain lead. Everything else is based on this.

The way I see it, by the time my tone has made its way through the PA or fought for its place in the backline alongside the guitars/keys/drums/etc, the only fecker who's going to notice my overly deep filter sweep or bright distortion is me. Live sound is always a compromise really.

My Line 6 Bass Pod XT Live does everything I could want for live work. If I was to replace it with anything, it'd be a Helix or similar. I can't see me ever going back to individual stomps. So for me, yes they've pretty much had their day.

I used a combination of these two. https://www.ebay.co.uk/itm/Dual-Concentric-Control-Knob-for-Bass-Guitar-Gold-Chrome-Plated-High-Quality/251164962587?var=550186356404&hash=item3a7a992f1b:g:PcoAAOSwZFdacMw https://www.ebay.co.uk/itm/2x-Metal-electric-guitar-control-knobs-in-chrome-black-or-gold-tone-or-volume-/390769842515

I'm in three bands. The same keys player is in all three. Thankfully he's a great player and a thoroughly nice bloke.

Blues song played backwards: my best friend's wife left him for me. Then I went to bed. Country song played backwards: My dog came back to life. The cows milked themselves. Everything is brilliant and I'm loaded.

The consensus is crap. Have a listen to John Giblin, Mick Karn, Percy Jones, Alain Caron, Pino's work with Paul Young, and tell me they're playing it like a fretted bass. Nah.

Two things. Sire V7 five string. I was expecting good things, but oh my heavens what an instrument. It looks great and sounds better. Talk about bang-for-buck, this thing has it in spades. The only Jazz-style bass** I've ever played that I preferred was 3 grand's worth of Celinder. I've tried a pukka Fender Marcus Miller sig 5-string (4 times the cost of my V7) and it wasn't even close. Behringer BX600 combo. OK so I wasn't expecting it to be great as such, but it does punch well above its weight. I bought it more as a home practice tool than anything, but it's become my regular chuck-it-in-the-car rehearsal amp. It easily keeps up with my 12-piece soul band, horns and all, and only starts to complain if I get really daft with the B string. Other than that, it's completely brilliant, especially when I consider that I paid 30 quid for it. ** note that I am not including my Shuker J in this, as it's not a traditional J-J configuration.

Our tenor sax player's horn is very old and an absolute mess visually. It is SO cool though

Like it Did you consider a pull/push pot for the switching or do you just prefer toggles?

Awwww man, I had mahoosive GAS for one of these back in the day. I'd still like one now , more for nostalgia than anything.

That scores a solid 9.98 on the phwoarr-o-meter.

F'narr.

Sounds good to me. I'd be quite happy to see Hershey's abominable pseudo-chocolate tariffed out of existence.

I've got no problem with the lined board, the dealbreaker for me is the f-hole. It's visually jarring and looks out of place on a contemporary instrument. I'd have far preferred something less traditional, more akin to the 'slash' type on the R*ck*nb*ck*r 360.

All my gear goes out at one time or another. Everything has a ding or two on it, even my Shuker. But it's a consequence of being used, and they're meant to be used not just hung on a wall. A jazz guitarist mate of mine has a vintage Gibson Super 400 worth in the region of 15 thousand quid... yup, it gets gigged. All his vintage gear does. Although his gigs are rather more sedate affairs than yours or mine

Or you could have "Saucy Jack" for a Spinal Tap tribute.

That sounds cool

Oh believe me, Herr Discreet, ve already know all zis und more. Everything is on Ze List.

Anyway, I'd have though by now it was obvious that BC is a benevolent dictatorship, not a democracy. We're actually considering introducing identity papers which must be carried at all times and produced on demand in a "WO SIND DEINE PAPIEREN? SCHNELL!" kind of way.

If you're going to talk like that, at least have the decency to use 'your' rather than you're and put EVERYTHING IN SHOUTY BLOCK CAPS. Looks far more comically unhinged that way.