nash

i'm not sure on why an EMG is glamorous

amp sim is rubbish in imo.

m9 and a controller for multi fx access etc

[quote name='GreeneKing' post='621060' date='Oct 8 2009, 09:56 PM']If I wanted an older style Jazz I think I'd get a Bill Nash[/quote]

practice that is all. it's all about knowing everything so much you could play it in your sleep

i put one on my mij p and it sounds so much better.

needs a badass II

thats pretty sweet

or m9 with a controller

i'm in quite a pickle. do i get the M9 or, do i get the M13 and a sweet midi switcher?

sunburst oly white black surf green candy apple red candy apple green pelham blue purpleburst gloss natural naturalburst and alpine white

same here

[url="http://www.vintageamp.org/ampeg-amps/vintage-1969-ampeg-svt-bass-head-tube-amp/"]http://www.vintageamp.org/ampeg-amps/vinta...-head-tube-amp/[/url]

i hope they honour it.

i've always had my comp before the amp as well.

close but the paramore one doesn't have rocker switches

[quote name='metaltime' post='619465' date='Oct 7 2009, 12:24 PM']I have my new board planned out in my head. Just need the cash to finance it.[/quote] same here lol

what about real EMG's?

[quote name='JTUK' post='618909' date='Oct 6 2009, 07:16 PM']Berg 6x10 .................all other things not considered[/quote] +1

remember line out is different to a D.I so make sure the xlr output says D.I and not line out. just looked at the manual and the balanced lineout has a level pot so that should be fine. i say this because my sunn 300t that i had has an XLR line out and i thought it was the same as a D.I but it isn't. the signal coming out was hot as hell. also distortion pedals shouldn't go in the fx loop ever really. that's just for delays, chorus etc

use a blackstar ht dist with the bass cut and mids and treble boost

in the words of Champ Kind, 'WHAMMY!'