crazycloud

All the reviews have been pretty consistently good, not even because it's inexpensive. I thought about getting one, even though it's an FSO, but I really don't need another 6.

This. With a pivot plate/boomerang.

From the Fender site: 6-saddle bass bridge, 17mm string spacing

It's 17mm. The A6 or a BTB, also 17mm, were going to be my suggestions. I'm sorry, but says who?

Lovely bass, enjoy. There's one of these just a little too far away from me to drive to (1600km round), but it does look nice. I need another SR 5 (or 6) like a need a hole in the head.

I'm tempted, but see nothing it adds to the other 6s I own beyond novelty. It's cheap enough but has the drawbacks of FSO aesthetics and ergonomics.

I have zero idea what you mean by this. Care to articulate including which HB?

I saw one listed om ebay out of Japan a while back, so I know of it, but never seen one in the flesh. Nice bass. https://ibanez.fandom.com/wiki/SRMS5 Info for anyone curious.

Awesome, may it be as wonderful as you hope. Not that I'd be complaining in your shoes, but I'd personally love it if the NT was visible from the front like my Cort A5 Ultra Ash or my former Alembics.

A piece of flat steel, say 10mm wide by 2mm thick, 300 or so mm long with 3 holes drilled in it, one extra on the body and 15 mins work. Not difficult with even basic hand tools and costs maybe $5. Most of the time will be spent working out the length of the bar, it's positioning above the neck line etc to place the bass at the angle and reach you want. A friend can be a big help here to hold it whilst mocking it up with the bar and gaffer tape. The real hidden beauty of this mod is that you can place the bass exactly where you prefer it and you're not limited by the bass shape and the position of stock strap pin locations. The original pivot plate is genius but unnecessary once 'you' have it positioned where you like it relative to your body. If I extract my digit, I may do this to one of mine next w/e as I'm going to change the PUs as well as fix the dogs breakfast of wiring it came with. I need the pots (mail order as I'm rural) and the steel bar from the metal shop near the shed I use.

I think there's an enormous amount of cork sniffing that goes on with PUs and pres on basses. I've owned a huge variety from Status to Alembic Series II and Bart Mk1s and the latter are nowhere near as bad as many make out. You may have different preferences, especially when listened to isolated, but there is nothing 'bad' sounding about this bass. Note, I own one. https://www.youtube.com/watch?v=_EThymuEtxw I also own an Ibanez SR706, with Mks that's getting EMG45DCs, because I'm looking for that EMG tone and am prepared to (slightly) rout the bass to fit them in, especially as it cost me so little and isn't collectable in any real way. This, or the A6, could play just about anything I could consider ever playing and with some slight EQ tweaking, both could be used in a long, wide ranging cover or wedding gig, with just about zero chance of a negative comment on tone.

See if you can find a BTB845v; 33" scale and 17mm. Save for it if you need to. I have the 6 and it's awesome.

SR700, assuming you mean the 2008-2015 version. I have the 706 and it's great. The finish is hard gloss and much more resistant to wear then the brown 500s of recent years. I have 3 other models in the brown and have no issues, but mine were all purchased new and I'm gentle with instruments.

If you can do the work yourself, and it's not hard, and sell the Nords you'd be out a small amount only. Nah, but some of those wenge tops are really pretty. Not 600 pretty though.

Yep, but I don't own any at the moment. The main differences are aesthetic, and PUs from Nords to Barts, which you could do easily enough if you wanted to the the 1345B. Plus the Prestige are MIJ, which I suppose is nice but in reality doesn't get you very much. I'd love a 5006 myself, but wouldn't pony up the stiff premium for one here, about 2x over a 1346B. Save your money unless the 5005 in your actual hands is the most awesome bass you've ever played, or in net terms swapping it for the 1345 gives the tone you prefer, and the changeover is only a couple of hundred quid.

It sounds like an EMG P. There's no real P sound as even Fender branded Ps vary a lot, but EMGs are much more consistent in my experience. Edit: crappy grammar.

The jobs in Indo building guitars in these factories are highly regarded and sought after and from what I understand well paying with regard to local conditions and opportunities. So, should the Indonesians not have decent jobs?

I have purchased 3 new Corts, 2 BG and a AG in the last year, 23 and 24MY and they're superb. For the prices paid, they are some of the best value instruments I've ever owned, out of about 300, from budget to boutique (Alembic, Status etc). Because they make more instruments than any other company in the world and they have phenomenal buying power (materials, parts), and experience. I can dig around and find many threads on the net where instruments from small manufacturers are also less than perfect.

Ibanez EHBs.

ATK PUs and pres are great, I've never seen any point in changing them.

Buy a HB Block 800B and go into the FX return from the BDDI. Uses an Icepower 700AS module. No fabrication or soldering needed, working within 10 mins of the parts arriving and has resale. And this is from an EE who can, and does, design a lot of electronics; current project is a pair of 3 way bass (guitar) speakers and a very large 10ch Hypex NCore powered hi-fi system.

If not stuck on FSOs, look at Ibanez SRs, of which there are dozens of models new and S/H. Or Cort. Cort also have the GB Series, and the Elricks if you are in the FSO-ish category and the A, B and C series; if you like the more modern. I've owned many SRs and still own 7. The necks are smallish and fairly consistent in feel between all the SR models (Atlas variants are a bit chunkier) and have a large variety of pickup configs depending upon the years. If you can, try some, even so you know if you like the ergonomics of the neck, and the much smaller bodies, compared to FSOs. I have 2 Corts, A6 and A5 Ultra Ash, and they're both great, even though they have larger necks than the SRs. But not hugely.

Good grief. Apart from the pot, which shouldn't be hard to fix, they are the most trivial quibbles for the price.

A charcoal or blue 6 would be nice depending on the price and the neck dimension and bridge spacing. I also hope the Klos PUs are a common size like EMG45.

If I lived on that side of the world, I'd probably have popped for one of these by now, even though I can't stand bursts and tort. And I have SRC6s. The HB looks really awesome.