Grassie

Here's mine. (Sorry for the dodgy phone photo) L-R Fender Mex Jazz, Gallien Krueger MB210 combo, Fender Squier VM fretless Jazz.

Not black enough. Headstock needs to be black too, with a silver decal. It will look awesome. Then you will truly be the Prince Of Darkness...

I'm sure John Taylor played a BG in the Planet Earth video too... never used to like the look of Rickys, but they have grown on me recently, and would love to own one at some point.

[quote name='Clarky' timestamp='1326407543' post='1496981'] Unfortunately, the one thing that the autobiography singularly lacks is any explanation as to how this situation regarding the songwriting/publishing rights arose. I can't think how the rest of the band didn't either know or have any say and there's no explanation at all. Maybe lawyers blocked certain bits being published? [/quote] Wow. That has actually p1ssed me off. How can someone, who was part of a [i]band, [/i]part of a joint creative process, all of a sudden declare that all ideas/melodies/lyrics that that band ever came up with should be credited soley to him??? Beyond belief. Sylvian must have been living in cloud cuckoo land. Even his singing style was ripped from Bryan Ferry. Maybe he should get some of Japan's royaties too...

[quote name='Clarky' timestamp='1326406753' post='1496965'] As Mick pointed out in his book, how could 100% of the rights on hit single 'Ghosts' go to Sylvian when so much of its appeal was generated by the eerie keyboard sounds generated by Richard Barbiero, yet the latter made not a penny from it. Likewise, all those bass lines Mick played that led (and indeed defined) so many Japan songs yielded nada personally for him financially. Very sad to read [/quote] That would take an ego of massive proprtions, and yet surely someone who was employed in a legal capacity didn't think that giving 100% rights of those songs to Sylvian was somehow a little fishy? I hope Sylvian has felt more than a small pang of guilt ever since, especially after Mick Karn had to go cap in hand to his own fans to help him get treatment.

I do like a good music biography, and being a fan of Mick's playing, I shall get meself a copy of this book. Was listening to Tin Drum only this morning and Mick Karn truly was a unique voice on the bass guitar, sorely missed. I remember when the news broke that he was ill, and thought it strange that he would need to rely on donations and selling his gear to pay for medical bills. A sad circumstance indeed...

I've been playing for 18 years and have never had a lesson. And I believe that had I had theory lessons, I would be a much better player than I am now. So I say go for it, and learn as much as you can. I'm not saying it's too late for me (at 36 I hope not) but I've always had the same problem with music theory. That is, it has the same effect on my brain as maths did at school. I get so far, and then I switch off. I have made some decisions for myself this new year ( I hate the term "New Years Resolutions") and have already started to make some progress (I have started painting again - not decorating but the artistic variety) and one of my decisions is to knuckle down and at least learn some basics relating to the bass guitar. I'm sure I will benefit from it, and you will too if you do the same.

14 years we've waited for this. [i]14 years[/i]. Underwhelmed is an understatement. I see Interscope didn't bother with a budget for the video either. You'd think that as one of the world's most exciting rock acts was making their comeback after all that time in the wilderness, the record company would stretch to something a bit more exciting than black and white and a few balloons...

I actually like solo bass. I think that anyone who can take an instrument as "background" as the bass guitar, and proceed to absolutely tear up the rule book and show traditionalists what is possible on such an instrument, should be applauded, not slagged off. I've seen some of Victor's other stuff, and I'm not the biggest fan of the cilicky-clack stuff - his version of "Norwegian Wood" is beautiful up to the clickyness, but you cannot dismiss the guy's ability. In a lot of people's eyes, the bass guitar should be played in a supporting role - heard but not seen. Imagine what the world of music would be like if we all thought that way, you lot would have nothing to argue about... Players like Wooten, Mark King, Michael Manring, Jaco, Marcus Miller, Mick Karn are all trailblazers, and my world is all the better for it. And I dig his beard.

As a fan of more "traditonal" looking basses (Fender, MM, Gibsons), but also a fan of more "high-tech" offerings by the like of Dingwall, Sei and, in particular, Status (I would sell my left nut for a MK1 Kingbass) I believe that Dingwall have got this particular P "clone" absolutely spot on. If Status had stuck to the headless, angular look of the original Series 2000 from the 80's, they probably wouldn't sell a lot of basses in 2012. This is because (unfortunately) the aesthetics of an instrument are sometimes more important to a player than how the instrument actually sounds. If the bloke from Embrace turned up for a rehearsal with a Series 2 headless in FPPR and adorned with LED's in the neck, it's not going to look right, is it? But because he likes the technology involved in graphite necks, the stability of graphite with regards to touring (the neck is going to stay the same in humid eastern countries as it would in, say, Leeds) and the sound from a modern EQ system, coupled with a retro look, perfect for a more traditional "rock" band, then why would he want to play anything else? Same with the Dingwall - some of their "original" designed basses would look totally out of place in a more trad setting, and players are acutely aware of this, so why shouldn't Sheldon Dingwall diversify his range to cater for that type of player? It's ridiculous to suggest otherwise. As much as artistry goes into his basses, Mr. Dingwall is a businessman, who (as one member has already pointed out) has found a niche in[i] his [/i]market for this type of bass. There are hundreds of cars on the market that look incredibly similar to other manufacturer's vehicles, but so what? Hats off to him. If you don't like the look of it, then don't look at it. I want one...

Right, At the mo, I and my band are rehearsing rock covers by bands we love, doing songs that you may remember but don't usually see other bands playing (Terrorvision, Manics, Foos, Feeder etc.) Rather than playing the obvious stuff, we're going for album tracks and some fun covers. We seem to have settled on the name "Pump Action Sunshine" which, if I had to describe our setlist in three words, that would be it. We have myself on the bass guitar, Mr. Jason Blowman on guitar and Mr. Graham Rose on the drums. Hopefully we'll be ready to go out by early spring and start putting a smile on peoples faces! Alternatively you can also check out my electronica project "Bonneville" at [url="http://www.soundcloud.com/bonneville"]www.soundcloud.com/bonneville[/url]. Not "bass-centric" in the slightest, nor is it particularly difficult to listen to, but it's me getting my Vince Clark head on and it's something that I love doing. Great thread by the way!

Same as mine. Except mine has a rosewood board. And is a Mexican, not American. So not the same really... Still a lovely bass though. God, I love a nice Jazz...

The thing is, the muso's in your audience will probably be more impressed if you can get a nice sound out of a supposedly "inferior" bass, than getting a nice sound out of a re-badged bass that's supposed to sound nice anyway because it's got the right logo on it. If that makes sense...

First band I played in had two girl singers. It was 1998. the Spice Girls still had a career. When I joined, "Wannabe" was already in the set list. I voiced my concerns that it probably wouldn't go down to well in some of the more "select" venues. Sure enough, first time we played it, everyone in the pub was like this at the end.. That song survived two more gigs before it was dropped. All I remember about playing that song is trying not to make eye contact with any of the punters, and dying inside...

They left out (or ignored) the great Mick Karn and the perhaps less great but fellow bassist Paul Gray. Knobs. [url="http://www.rollingstone.com/music/photos/2011-in-memoriam-20111221"]http://www.rollingstone.com/music/photos/2011-in-memoriam-20111221[/url]

I thought it was the frontman's[i] job [/i]to front the band, not the bassist's. Anyway, there's only one Manic's song you need and that's "Faster".

I had a '96 Jazz Deluxe V with string-thru and it was great. Sold it a few years ago (to fund a new amp), bought a Mex 4 string (non string-thru) and it sounds as good as the Deluxe. Go figure...

[quote name='billyapple' timestamp='1321814662' post='1443411'] Now polishing up a bit with 'Mer' car polish [/quote] I use Mer to clean my frets, brings 'em up a treat!

[quote name='NancyJohnson' timestamp='1321793141' post='1443030'] for my sins I actually liked Def Leppard, [/quote] So did I. "Hysteria" is a groundbreaking album. There - I said it.

Mark King is another. And my nine year old is a leftie, but plays drums with a kit set up for a righty.

Never tie your shoelace in a revolving door.

Always liked the look of a the trans teal with a white pearloid plate. Having said that, I think you should restore it to it's original scheme. Your bass will appreciate that, and reward you with tone and sexyness.

I think the guy with the green-pointy-whammy-8string is particularly scary. I can't believe anyone would think this was good. Now, don't get me wrong, I love a bit of slap (even though I can't do it for love nor money), but there doesn't seem to be any merit in playing like that whatsoever. The tone of those two just grate. A cacophony of sh*te.

Just watched this. Only just managed to watch all the way through. Apologies if it's been posted before... [url="http://www.notreble.com/buzz/2011/10/19/casiopea-vs-the-square-eccentric-games/"]http://www.notreble.com/buzz/2011/10/19/casiopea-vs-the-square-eccentric-games/[/url]

[quote name='AntLockyer' timestamp='1319107839' post='1409928'] The chances are I'd be replaced on any album by a good session musician anyway [/quote] Could be worse - you could be replaced by the guitarist's untalented, overweight 17 year old son like Michael Anthony was. Now[i] that's [/i]a kick in the teeth... Still, imagine having to live up to 33 years of classic rock, knowing that you weren't even born for the first half of it.