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Crawford13
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Everything posted by Crawford13
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Line 6 hx stomp , it cant be as good as it looks?
Crawford13 replied to Twunkbass's topic in Effects
Thank you for this. I just got one after seeing this and along with a single splitter for the Darkglass harmonic Booster my board is now powered by just 1 one spot. Much appreciated. -
I haven't played that particular amp, but I have had the studio 110 for probably near 18 years and as a practice amp I love it. It's a shame there's not more love of these amps, the RnB and Clean sounds are good, and the onboard optical compressor is also pretty good.
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In: Alpher Mako Fretless, Darkglass Harmonic Booster, Out: Nothing, Not sure what 2022 brings, possibly a new amp, and a 5 string...
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It's fairly common for a 2nd hand CS with a Jazz neck to come up for around the £2k mark. As has been mention the deluxe P might be worth trying, I have also heard the Nate Mendel Signature model has quite a slim neck @walshywould be the man to ask about that, I believe he has one for sale just now too.
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Does the P Deluxe not have a J pup in it? Which the OP doesn't want. I did have a CS 62' P bass with a Jazz neck that was brilliant. Only sold it as it was always in it's case, as I preferred my Alpher.
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I'm just providing an honest and business orientated answer to the OP's question. The most likely reason he doesn't see what he is looking for is that Fender believe they already do this with their custom shop. Also to be fair if he is happy to spend nearly 2k on an American Professional II, it's not too big a jump to a non extravagant custom shop.
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What you are talking about here is a custom shop. They will quite happily make you a P bass with a Jazz neck, and anything else you can think of. You just have to pay for the privilege of them making you exactly what you want as opposed to what they want to make in bulk.
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I absolutely love Sean's playing, he is a total boss. He is killing it just now playing with John Mayer.
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Songwriters gonna songwrite (and lawyers gonna lawy)
Crawford13 replied to tauzero's topic in General Discussion
To quote Adam Neely "Please don't tell any lawyers about 12 bar blues".... The world of music would be over. -
I agree, but I also think that he is around to give creative input to the project, which could shed him in a better light. That being said he is awesome.
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The Trucks Tedeski band are touring the UK next year. I would absolutely love to see them, but it seems crazy to be buying tickets right now, given it seems gigs are likely to be cancelled.
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Footloose with a pick sounds like quite the challenge.
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This is also becoming more of a realistic option. -
To be honest mate this one is most likely going to be withdrawn. I can do everything with the Drop D tuner, just got some big festival gigs this year and didn't want to have to trust myself using the d tuner mid song. If there was interest in either or my 2 Makos I was going to buy the 5er they have in the workshop. I just can't justify another high end bass, I have to move to a 1 in 1 out system.
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What is crazy is they were all 29 or younger at this point, when putting this into context of how their lives had been for the several years leading up to this, no wonder they need a bit of guidance.
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What operating system are you using?
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Yup that would work. Bass & Vocal mic into the mixer, then mixer into the interface. On Skype use the interface as the sound source and output then run headphones from the interface. Technically you wouldn't need a DAW.
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https://www.practicalpatch.co.uk/ I know a fair few people talking very highly of this man.
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Anyone know who Adele's Bass player is on the audience with tonight? He has a great P bass tone, he is totally smashing it.
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I agree that the show definitely made it look like that. I wonder how much of that is really just footage selection. Paul & Ringo really come across as likeable people, John & George not so much.
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That's certainly not what I took away from the first episode today.
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Each to their own mate. I'm quite happy to spend 7 hours getting even a little bit of insight into the writing process of one of the most successful bands in history.
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So having watched part 1, I can say I definitely enjoyed it. Don't want to post any spoliers on launch day, so I won't say any more.
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Totally agree, its definitely worth working on and being proficient in both techniques.
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This hits the nail on the head for me. Theory only lets us describe why something sounds good. Our ears actually tell us when something sounds good. Like the theory of the spoken language, the aim is to learn it so well that you forget you know it.
