Skybone

My strings are branded, my bass is not. Does that count?

My packages are usually for the 'bike or the guitars. She just roll's her eyes and makes a quip "garage or study?". She likes eBay & baking. Obviously, I tolerate the baking... my waistline isn't that much of a fan. She's actually actively encouraged me to try and get another band going, and actually said that my current No.1 bass was the nicest I've had.

It depends on whether you traded it in at a shop, or sold it privately. Shops also have to take into account what they paid out, VAT, and hopefully for them a small margin of profit. Private sellers have to consider what they paid out. Only ever made a profit on a handful of gear I've purchased through the many years I've been playing. Given the amount of gear I've gone through, the profit is an insignificant amount compared to the losses. Though the biggest loss to date was 50% on an L2000 Tribute. Best profit was on my old 4003.

Was in a strange place at 16, was transitioning from proggy-rock to thrash metal, goth and punk.

Have a look at [URL]http://www.retrovibe.co.uk/parts/pickups.html[/url]

Those little sachets of silicon work a treat too

I've had a few of their guitar pickups, and they were great. No experience of their bass range though.

Statistically, that's 40% of rehearsals cancelled for sickness, 30% where not everyone turned up, leaving 30% where everyone turned up. If it were me, I'd be getting a tad frustrated at this point. And, yes, if the guitarist cancelled at the last minute, then he should carry the cost of the room.

A 4003 A 4004 A nice P/J with a P neck A new motorbike

Sweet, want another 4003, just can't afford one.

A big thumbs up for the kick in the arse. Big shame about the circumstances.

Good job you had the passive switch installed.

Get to know the fretboard, learn a few scales, play along to some songs you like, find a band and have fun. Try and listen to drum patterns and play along with them, as they'll help with your timing.

Pro hobbyist wannabe. Spent far too much of my life chasing the dream, was lucky enough to record a couple of albums & numerous demo's, but reality won and I ended up with a proper job and a multitude of constraints on my free time. Just play for fun now.

The best thing I found for singing & playing was to record the bass/guitar separately, then record the vocal. I never could remember the lyrics, and keep playing until we did some recording sessions, separating the two really helped me with both singing and playing. What you could do is to record the band rehearsing with a portable, drop that into a daw, then overdub your vocal at your leisure. It's worth a try

No, but I do know one of Evil Blizzard's 4 bass players (and Mopman).

I have no experience with the Digitech, however, the B3 has a lot of friends on here, and for good reason. Easy to use, sounds good and built to last. Add in the Expression Pedal and it's pretty versatile too whether you use it in front of an amp or as an amp modeller/DI box. It's got a USB port, so you can plug it into your PC as a soundcard for a DAW, or download Zoom's Editor software to play about with your patches. The downside is that it's a bit limited if you want more than 3 effects at once. It deserves a B3x or a B5 version, but this is highly unlikely.

[quote name='Deep Thought' timestamp='1470046238' post='3102834'] Loved the Sisters, saw them 4 times in the mid-eighties, including the ill-advised Leeds festival gig. Was interested to see Craig Adams supporting the Stranglers with The Alarm earlier this year. Hooky is on record as saying he was heavily influenced by JJ Burnel incidentally, although he doesn't use much chorus! [/quote] I you haven't heard I, check out the Coloursound album, Mike Peters, BIlly Duffy & Crag Adams. Superb, and very underrated. IIRC, Craig has been playing with The Alarm for quite some time

IIRC, if your power valves are going microphonic, then it's certainly time to get your amp checked out by a good amp tech. The best EL34 valves I've used are JJ's, though "Winged C" Svetlana's get good reviews. Try looking at HotRox in Nottingham for valves as they used to be a bit cheaper than Watford Valves ([url]www.hotroxuk.com[/url]). The downside to some valve amps is that they need to be maintained regularly, or the quality of sound and volume will drop over time (unless you find something with either fixed or cathode biased, or if it has bias points on the rear panel).

Watched it on iPlayer, although I admit to not being a Bowie fan, there were some good interpretations of his songs, and the orchestration took the songs to another level. Unfortunately, there were some songs where the orchestration & arrangements were frankly "trying too hard" on the "re-imagining" front, an just ended up sounding like art-y fart-y clap trap. IMO o'course.

Craig Adams, to me, is synonymous with a Thunderbird. Don't know when he got it, but all of the early Sisters stuff I've seen with him, The MIssion and beyond, it's been T'bird. Underrated player. Tony Pettitt's playing with The Fields of the Nephilim was rather good too. I think that Raven mostly used a pick, search for KJ video's on YouTube.

Try it out at rehearsal, if it works & sounds good, what's stopping you gigging it? You can always use it as you gig backup anyway. Your band mates don't need to know how much it cost.

My old Thunder 1A was great on the batteries, I think I only ever changed them a couple of times in all the time I had it. I did unplug it when not in use, although, during breaks at rehearsals it was usually just left plugged in. All of the other active basses (including a couple of StingRay's) I've owned were only ever plugged in when they needed to be, and again, I was never that religious about checking or changing the battery. Still want another Thunder 1A, even though they were bloody heavy!