Cosmo Valdemar

Don't worry, just realised it's a SUB - fire escape step scratchplate!

No help at all, but I like it! What colour was the original pickguard?

The first thing that pops into my head is the closing titles of Only Fools and Horses. Also: I Love It Loud by Kiss The Crunge - Led Zep

a.k.a. A list of basslines.

Programmes such as this are just further proof, if any were needed, that I was born 30 years too late.

Now that's beautiful.

Aisle - Horizons by Genesis (Steve Hackett solo guitar - no Collins) First dance - Onward by Yes Quite a prog wedding it would seem.

[quote name='Chris2112' timestamp='1371774599' post='2118096'] Just comes off as a jealous whining tart, given that Manson was not only quite astute in masterminding his own meteoric rise to popularity. Of course, after [i]Holywood[/i] Manson went creatively bankrupt and fell from grace just as quick as he went up. But Reznor never offered anything of merit so he is hardly well placed to criticise Manson. [/quote] I actually quite like a lot of Reznor's stuff, I'm dismayed to find out I've been wasting my time! Nirvana and G'n'R, similarly. Just out of interest, can you recommend some music of merit? Something that you listen to perhaps. I'm genuinely interested to find out what you consider worthwhile and of acceptable 'merit'.

[quote name='karlfer' timestamp='1371753501' post='2117803'] Geezer,NAMM 2013, interesting comments at 1.30 to 1.50. Wants to be good at $4300 http://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&ved=0CDsQtwIwAg&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DTpdc5wLiWAk&ei=z0vDUfrfLMPChAf2mIDoDA&usg=AFQjCNEYv2eMn_dRJ9czBTrKsee0Wu0UHg&bvm=bv.48175248,d.ZG4 [/quote] Geezer, the personification of 'deadpan'. It's a nice bass but I don't really get the striped pickguard.

I saw her live once, by accident.

I love Yes, but without Anderson, not interested.

I like this a lot! Does it have two outputs like Sheehan's Attitude bass?

I briefly owned a BC Rich Mockingbird, from the same line as Ed S's Warlock. Say what you like about the looks, the tone was superb. Very growly with everything on. It's no surprise Entwistle was so enamoured of the arrangement for a few years.

The indoor clips sound a lot better and a lot more authentic than the outdoor clip - any idea if a different amp was being used? The more I watch them, the more I want one.

[quote name='RhysP' timestamp='1371382846' post='2113120'] The only issue I'd have with this is I wouldn't want my name on it if I hadn't played on it, regardless of the standard of the bass playing eventually used. [/quote] This.

[quote name='dougal' timestamp='1371163791' post='2110859'] I was there too. And bloody fantastic is WAS. I understand the criticism that's being levelled: it's not massively original, but it is good honest thrash. I like it. Most of the night I was about where the pic below was taken from. Two sadowsky J's (with black tuning pegs), and one metallic orange with a d-tuna, an odd string tree retainer and larger than normal (not j-sized, think soapbar) pups. Two guitarists, one of which used a 7-string PRS at one point, the other who used SGs and Les Pauls. Now I get to see them again on Monday on HMS Hammer. Lucky me. [/quote] Well from the look of that shot I must have been right beside you - I think I might see the side of my head on the right there!

His vocals are much better live too.

[quote name='Damonjames' timestamp='1371104399' post='2109752'] So how was it??? [/quote] Bloody fantastic it was. I didn't think much of the EP material when I first heard it, but the songs work very well live. Jason is a great front man, continually engaging with the crowd and talkative between songs. The highlight for me was an incredible blast through Whiplash, and we also got two Motorhead covers as encores - Love Me Like A Reptile and We Are The Road Crew. Snippets of My Friend of Misery and the 'Die! Die!' section of Creeping Death were also played during other songs. Jason played a couple of his usual Sadowsky J basses throughout (apart from one song he played on guitar) and had his standard deep Motown sound going on. Amps were Ampeg of course, but he seemed to be playing through an Orange 8x10, laying on it's side. Just a great, fun night of unpretentious, straightforward old school thrash (with a bit of Sabbath thrown in). A tight-as-arseholes band in a glorious, intimate venue. I'm glad I went. Bravo that man!

John Entwistle Geddy Lee Geezer Butler Chris Squire Martin Turner Rex Brown Roger Glover Paul McCartney Dave Hope John Wetton

In a surprising turn of events, I find myself with a ticket for tonight's Newsted show at the 100 Club.